Seeing Other People

Well, the movie did turn out a lot better than i expected. It's not boring and it's not unoriginal. It's really not a silly romantic comedy. The situations the characters put themselves in are very unusual, of course, we're still talking about a movie, but the main characters are indeed plausible. Donald is, of course, an exaggeration, but he's just a pawn in the movie, a means to prove something. The ending isn't one of those ridiculously happy, always the same, moral containing pieces of crap you can usually see in movies of the genre. I genuinely liked it and i'm hard to please when it comes to this particular genre of movies. It's worth a watch. Besides, it's better directed than other movies, the story line always stands up, the characters themselves stand up. And they do not experience this miraculous change and love is not revealed to them like a holly god given artifact, yada, yada. At the end of it all you actually see yourself going through it all, the movie makes you feel something, you may even learn a thing or two. It's not the usual hope-producing, tissue moistening idiocy. It's a good movie, not a consolation prize for teary women around the world.

This indie film is worth a look because of the enormous talent of its creators, Wallace Wolodarsky and Marsha Forbes. Mr. Wolodarsky has directed the young cast, and he is to be praised for this effort.

The premise of the film is a cautionary tale of the danger for wanting something one can't have. Which is the story of Alice and Ed. After living together for a while, Alice suddenly gets restless because she imagines she's lacking experience in the sex area. Alice and Ed's relationship, while not an example of ideal happiness, is a comfortable way to share their lives with one another. That is, until the moment Alice and Claire, her sister, happened to bump into a sexual encounter by another couple that has no clue of being observed.

This incident makes Alice reevaluate her own sexual life with Ed; she finds it lacks substance. When she proposes 'seeing other people', Ed is shocked, to put it mildly, but not wanting to contradict Alice, he decides to go along. What happens next is that both Alice and Ed enter into a world that's been unknown to them. The people they meet, in the end, are not worth the trouble. They sadly realize at the end, they were made for each other.

The film is worth watching in order to see the amazing Julianne Nicholson, who we happen to have liked in another indie film, "Tully". Ms. Nicholson reminds us of a young Shirley McLaine; she projects such a luminous quality about her, that is hard to take one's eyes from her whenever she is in a scene. This young actress proves she is an accomplished performer who gets better with each new appearance. Basically, she carries the movie. Her Alice is a study in contrasts. Alice is a decent woman who thinks she is inadequate in pleasing Ed because of her inexperience.

Jay Mohr, is an excellent match for Ms. Nicholson. Both do wonders together. His Ed is perfectly credible. We have known people like him. Deep down inside, he is a good person, who suddenly gets himself in a situation he didn't call for, yet, he goes along only to discover he is too decent and not cut out for a life of gratuitous sex with the willing women that have no problem with a tumble in the hay, just for fun.

The rest of the cast is wonderful. Lauren Graham does some amazing work as Claire, Alice's yuppie sister. Andy Ritcher is also wonderful as the grounded Carl, the nerdy friend who finally finds out fulfillment when he meets Penelope, a single mother. As Penelope, Helen Slater, makes a felicitous, albeit of a short, appearance in the film.

The director is enormously gifted, who will no doubt go places because he shows he is well suited for the job.

I channel surfed past this many times, mainly because the synopsis sounded so cheesy, so "Love American Style". However, it turned out to be quite good, very well done. The two stand-out features are the dialog and acting. Great cast. The premise is actually well executed and there aren't too many weak moments. I guess what I was most amazed by was how often you thought the wheels are going to come off the cart, and instead, the cart just banks the turns, so to speak, and the movie keeps flying. There are some nice little sub-plots, particularly the relationship that develops between the character played by former Conan sidekick Andy Richter. Also, want to mention that the music accompanying it was good.

Alice (Julianne Nicholson) and Ed (Jay Mohr) are in love, live together, and are going to be married. The timid Alice realizes that she hasn't really slept with many men and regrets that. She suggests to Ed that they have sex with other people before getting married. He doesn't want to, but she insists that if they are both completely honest, it could work. He reluctantly agrees.

This movie works for the first half. It is funny, clever, and well-acted. Unfortunately, making a movie about polyamory that has something interesting and unique to say is really difficult. This storyline becomes less and less serious halfway through. The comedy turns screwball and is pretty ridiculous. We also see glimpses of side-character relationships (including two dishonest cheating friends, as well as a single friend dating a single mom) that ostensibly serve to compare and contrast with the lead relationship, but none of these stories go anywhere far enough to accomplish this. This movie's saving grace is its solid B-list ensemble cast including Josh Charles, Lauren Graham, Helen Slater, Jill Ritchie, and Andy Richter. On a sidenote, I watched this movie because rock goddess Liz Phair is in it. She has one pointless scene and you can't even tell its her. Sigh!

This is a rather intelligent and sincere film about commitment. Personally I find it to be more romance than comedy, because of its insight in the emotions involved. There are some funny lines, but the exploration of love is more poignant. As the story goes, it becomes more and more obvious that we're not in a screwball comedy about swingers, but in a plea for long-term relationship. The acting is good enough, especially from Julianne Nicholson and Lauren Graham (who are supposed to be sisters, haha). Too good that the cynical sister prevented the danger of situation becoming corny after Alice's final, emotional speech (pause... "We don't do laundry"). But that also underlined the fact that this kind of relationship wasn't for everyone.