एक पुलिसकर्मी, जॉन कांस्टेनटाइन के साथ मिलकर यह सबित करने की कोशिश करती है की उसकी बहन की मौत आत्महत्या की वजह से नहीं बल्कि किसी और वजह से हुई थी.एक पुलिसकर्मी, जॉन कांस्टेनटाइन के साथ मिलकर यह सबित करने की कोशिश करती है की उसकी बहन की मौत आत्महत्या की वजह से नहीं बल्कि किसी और वजह से हुई थी.एक पुलिसकर्मी, जॉन कांस्टेनटाइन के साथ मिलकर यह सबित करने की कोशिश करती है की उसकी बहन की मौत आत्महत्या की वजह से नहीं बल्कि किसी और वजह से हुई थी.
- पुरस्कार
- 2 जीत और कुल 11 नामांकन
José Zúñiga
- Detective Weiss
- (as Jose Zuniga)
फ़ीचर्ड समीक्षाएं
John Constantine (Keanu Reeves) can see things, you know. Demons, angels, stuff like that. Oddly enough, though, people believe he can - mostly because he moonlights as an exorcist, trapping demons - who shall not stay in his plane! - in mirrors and smashing them to teeny bits. World weary and constantly sucking on a coffin nail, Constantine is beleaguered and burned out, a noir detective for the afterlife, if you will. But he's alive; he's just cursed with the gift of seeing demons and angels. And he's a suicide, having been clinically dead for two minutes once upon a time, a time during which he literally saw Hell.
Cop Angela Dodson (Rachel Weisz) just lost her sister, a patient who jumped off the top of a mental hospital; Angela thinks her sister also Saw Something, and so she goes to John for help. Did Isabel know something? Where is she now? Can Angela see, too? Well, she can, actually, because Isabel was her twin sister, and as we all know twins share everything. So, using Angela, Constantine learns that the Bad Guys (demons), who are supposed to stay in Hell, have been crossing over to the plane of the living, presumably to raise hell. But Constnatine knows there's something else afoot, something only witchcraft, voodoo, and other otherworldly things can uncover.
If there was ever a role that the adult Reeves was born to play (besides that of Neo), it's that of John Constantine. Constantine wanders hither and yon, doing good deeds and helping with crimes involving the occult, and so forth, all with a resigned and - pardon another pun - rather soulless attitude. Constantine knows he's doomed to a lifetime of doing this, partly because he tried to kill himself and partly because he has The Gift. It's this kind of dispassionate nihilism that plays perfectly to Reeves' own dull, emotionless acting range. He's perfect for the role, based on a comic book called Hellblazer.
Weisz is pretty good - believable, at least - as the clumsily named Angela, but the real standout among the supporting cast is Peter Stormare as Satan himself. Incredibly creepy; he looks like a kindergarten teacher but behaves like a pedophile. The hair on the back of your neck will rise when Stormare enters the picture about three-fourths through.
Two other things the movie has going for it are a rather simplistic plot and some fantastic special effects (for example, a demon made up of bugs). Movies based on comic books tend to overburden themselves and the viewer with far too many plot twists. It's not tough - you have a good guy, you have a bad guy, and the first must defeat the second. Throw in some ethical and moral conflicts, give the good guy a power of sorts, and you're off and running. Constantine does this pretty well.
The atmosphere of the film is riveting as well, with effects special and otherwise transporting the viewer to Right There, whether it's a voodoo bar, Hell, or the mean streets of the city.
If you watch the movie with the idea that it's a filmed comic book, you shouldn't be dissatisfied with the result. John Constantine lives in a world in which he sees unspeakable evil on a daily basis, and he himself has literally been to Hell and back on more than one occasion. His lot is to suffer for his sin; can he find redemption in a cutie named Angela?
Cop Angela Dodson (Rachel Weisz) just lost her sister, a patient who jumped off the top of a mental hospital; Angela thinks her sister also Saw Something, and so she goes to John for help. Did Isabel know something? Where is she now? Can Angela see, too? Well, she can, actually, because Isabel was her twin sister, and as we all know twins share everything. So, using Angela, Constantine learns that the Bad Guys (demons), who are supposed to stay in Hell, have been crossing over to the plane of the living, presumably to raise hell. But Constnatine knows there's something else afoot, something only witchcraft, voodoo, and other otherworldly things can uncover.
If there was ever a role that the adult Reeves was born to play (besides that of Neo), it's that of John Constantine. Constantine wanders hither and yon, doing good deeds and helping with crimes involving the occult, and so forth, all with a resigned and - pardon another pun - rather soulless attitude. Constantine knows he's doomed to a lifetime of doing this, partly because he tried to kill himself and partly because he has The Gift. It's this kind of dispassionate nihilism that plays perfectly to Reeves' own dull, emotionless acting range. He's perfect for the role, based on a comic book called Hellblazer.
Weisz is pretty good - believable, at least - as the clumsily named Angela, but the real standout among the supporting cast is Peter Stormare as Satan himself. Incredibly creepy; he looks like a kindergarten teacher but behaves like a pedophile. The hair on the back of your neck will rise when Stormare enters the picture about three-fourths through.
Two other things the movie has going for it are a rather simplistic plot and some fantastic special effects (for example, a demon made up of bugs). Movies based on comic books tend to overburden themselves and the viewer with far too many plot twists. It's not tough - you have a good guy, you have a bad guy, and the first must defeat the second. Throw in some ethical and moral conflicts, give the good guy a power of sorts, and you're off and running. Constantine does this pretty well.
The atmosphere of the film is riveting as well, with effects special and otherwise transporting the viewer to Right There, whether it's a voodoo bar, Hell, or the mean streets of the city.
If you watch the movie with the idea that it's a filmed comic book, you shouldn't be dissatisfied with the result. John Constantine lives in a world in which he sees unspeakable evil on a daily basis, and he himself has literally been to Hell and back on more than one occasion. His lot is to suffer for his sin; can he find redemption in a cutie named Angela?
This is a fable...it's not supposed to be so rooted in reality that we scoff at the implausibilities and the plot holes... We're not watching it to say "look at how that happened" or "why is it all happening here in L.A. when we have these worldwide problems" or...whatever... It has to happen somewhere; either you buy off on the fable and get into the story or you flush it...
While not being Catholic, through theological edification I was able to make sense of storyline, ironies, metaphors, etc... I liked Reaves' character and again, it's a matter of preference - love or hate - but he played Constantine's miserable demon-cop just right - Reaves continues to find rolls suited to his particular, dark style. Special effects were great, and I give the film kudos for not diving in and becoming an effects extravaganza...it remains online to the story and where we're going... Weisz as heroine and Peter Stormare as Lucifer himself were well-cast. What can I say? It was great diversion and a fun DVD to watch. Check it out!
While not being Catholic, through theological edification I was able to make sense of storyline, ironies, metaphors, etc... I liked Reaves' character and again, it's a matter of preference - love or hate - but he played Constantine's miserable demon-cop just right - Reaves continues to find rolls suited to his particular, dark style. Special effects were great, and I give the film kudos for not diving in and becoming an effects extravaganza...it remains online to the story and where we're going... Weisz as heroine and Peter Stormare as Lucifer himself were well-cast. What can I say? It was great diversion and a fun DVD to watch. Check it out!
Context.
You need context.
This review penned in 2017, some 12 years after the release.
In this period, Marvel and DC are at each other's throats, each trying to monetize every character, sub-character, plot device and dust bunny from their respective libraries. Regardless of merit. It is all about the dollars.
A story as pure as this one -- penned by Kevin Brodbin -- could never be done today because it lacks the setup for a dozen spinoffs and sequels, as well as the mandatory backstory and product placements.
Sporting two of the most charismatic and photogenic stars of all time, at the peak of their careers, we have a story with no bad lines, no lapses in the arcs, and no time wasted. Just pure, engrossing, film pleasure from beginning to end.
Yes, I know that it was not appreciated in its day. But the future is always the final judge.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
You need context.
This review penned in 2017, some 12 years after the release.
In this period, Marvel and DC are at each other's throats, each trying to monetize every character, sub-character, plot device and dust bunny from their respective libraries. Regardless of merit. It is all about the dollars.
A story as pure as this one -- penned by Kevin Brodbin -- could never be done today because it lacks the setup for a dozen spinoffs and sequels, as well as the mandatory backstory and product placements.
Sporting two of the most charismatic and photogenic stars of all time, at the peak of their careers, we have a story with no bad lines, no lapses in the arcs, and no time wasted. Just pure, engrossing, film pleasure from beginning to end.
Yes, I know that it was not appreciated in its day. But the future is always the final judge.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
In my view an underrated and over-criticized movie - Constantine got nice visuals, an interesting story and some good acting. No masterpiece and not Mr. Reeves best movie but a solid piece of horror if you like to watch movies with demons and exorcism and some good ol' action. Thumbs up.
Despite what people say this film is actually quite good. Sure it had some flaws and the story kind of dragged on but the effects were very good and the acting (which is pretty amazing) didn't suck. Keanu wasn't as bad as he usually is and Rachel Weisz does a very good job with what I think is a well written part. The must annoying actor in the film is in my opinion not Keanu but Tilda Swinton. The actor who I felt brought most passion and enthusiasm to his role was Peter Stormare who obviously enjoyed playing Satan and the scenes with him are admittedly some of the most interesting in the film and even though he is only on screen for something like 5 - 10 minutes he should almost be credited as a main character thats how good he is.
Now story wise the film had some issues but they weren't as serious as many people claim they are. As I stated previously the film does drag a little and it does take a long time for the film to actually reveal its point but its the little things that are really interesting. The exorcism scene is very well done and the effects are generally very well made. Effects doesn't make a film, however, and in spite of the issues the film actually succeeds in telling the story it wants to and the ending is indeed a climax.
I haven't read the comics so I didn't really have any expectations when I saw the film. I have heard that the avid fans of the comic books complained that Keanu Reeves doesn't fit the role. That might be true but to me he really didn't seem that bad. He still has a very clear well defined body language which I feel makes up for his monotonous voice (at least to some degree). I went in to the cinema and saw the film with an open mind which is what I advise future viewers to do and not rely too heavily on what the critics say.
All in all an excellent film
8/10
Now story wise the film had some issues but they weren't as serious as many people claim they are. As I stated previously the film does drag a little and it does take a long time for the film to actually reveal its point but its the little things that are really interesting. The exorcism scene is very well done and the effects are generally very well made. Effects doesn't make a film, however, and in spite of the issues the film actually succeeds in telling the story it wants to and the ending is indeed a climax.
I haven't read the comics so I didn't really have any expectations when I saw the film. I have heard that the avid fans of the comic books complained that Keanu Reeves doesn't fit the role. That might be true but to me he really didn't seem that bad. He still has a very clear well defined body language which I feel makes up for his monotonous voice (at least to some degree). I went in to the cinema and saw the film with an open mind which is what I advise future viewers to do and not rely too heavily on what the critics say.
All in all an excellent film
8/10
क्या आपको पता है
- ट्रिवियाKeanu Reeves bought the Holy Shotgun prop, and gave it to director Francis Lawrence as a gift.
- गूफ़(at around 1h 26 mins) Angela fires her gun consecutively 30 times without reloading, but her Smith and Wesson Model 6906 holds a total of 13 rounds.
- भाव
Angela Dodson: [after taking off her jacket] So, do I have to take the rest of my clothes off or can I leave them on?
[pause]
Angela Dodson: John?
John Constantine: I'm thinking...
- क्रेज़ी क्रेडिटSPOILER: After the credits, there's an epilogue to the action of the movie, with Constantine leaving his lighter on a gravestone, whereupon Chaz Kramer shows up as an angel.
- कनेक्शनFeatured in HBO First Look: Constantine: Heaven, Hell and Beyond (2005)
- साउंडट्रैकLos Recuerdos del Troquero
Written by Salome Gutierrez, Renteria
Performed by Flaco Jiménez
Published by San Antonio Music Publishers, Inc.
Courtesy of D.L.B. Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Constantine
- फ़िल्माने की जगहें
- 259 S Broadway, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Bowling Alley/Constantine's apartment)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,59,76,178
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,97,69,098
- 20 फ़र॰ 2005
- दुनिया भर में सकल
- $23,08,85,289
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें