Eroica

A perfect marriage of music and visuals that is simply superb in every way. My compliments to the well orchestrated direction and precise editing that enabled the music to flow through the emotions of the characters. The performances were well underplayed by minimal dialogue and the perfect facial reactions allowed the viewer to gain an insight into each character's individual feelings to the musical piece. All this aided by the very clever and tight structural screenplay. To top it all of, the photography and free flowing camera movements perfectly captured the raw emotions of this unique musical piece by Master Beethoven. All this in a lavish setting, reminiscent of Kubrick's Barry Lyndon. BRAVO!

For some puzzling reason, I never really "got" the Eroica, but thanks to this marvellous production I (and hopefully many others) finally understand not only why the symphony was so important but also why it's so good! The basic idea of the film is that Prince Lobkowitz's orchestra is giving the first performance of the symphony for the prince and princess, the composer, and a few guests. After a shortish buildup to introduce the characters, the orchestra begins - and carries on for most of the film. As the music plays, we watch the characters listening, and occasionally hear their opinions. There is outrage when a trumpet comes in at the "wrong" time; smiles at certain musical turns of phrase; frowns at how loud it is. This superb film marries a great performance of a great work with an intelligent effort to put the whole thing in the context of its time. It isn't a film for people who already know all about the Eroica, but for a viewer who doesn't know Haydn from Howard Shore it must surely be enlightening.

First of all, the performance of the symphony is terrific and beautifully recorded in 5.1 Dolby. The movie achieves a minor miracle in conveying how NEW and downright shocking this greatest of Beethoven's symphonies was. It also presents a believable and sympathetic view of his personality, passions, and temper.

The movie is very good looking and fun from start to finish. The appearance of Haydn and his utterances about the new symphony are perfect, according to what we know about his personality.

My favorites for this work have been Klemperer on EMI and Hogwood on Archiv, but I now prefer this performance over them all (including Bruno Walter's).

Easily the best movie about Beethoven that I have seen.

Eroica is a well done blending of film and symphony concert. Beethoven was a rebel pushing against the social status quo in his life and with his music. How we hear this symphony today is so completely different that it is nearly impossible to imagine how it seemed to those hearing this kind of music for the first time. This film helped me to do that.

I have had the great honor of performing this masterpiece when I was a student at Duquesne University, so it's always like coming home when I hear this piece. This film gave me an opportunity to visit it with fresh eyes and ears.

One thing I have to complain about is the usual one, the violas nearly always get short shrift when orchestras are filmed, but this is a small oversight in view of the entire movie.

Well done!

Not so much film noir as film dusk, I spent the first ten minutes waiting for the set lights to be switched on. Having said that, Eroica is a beautiful to look at period piece about the first playing of Beethoven's Eroica or 'Napoleon' symphony (played by the wonderful Orchestre Revolutionaire et Romantique) for Prince Lobokowitz in Vienna. The film spans a day in the life of Beethoven in June 1804, examining not only his life and loves, but the lives of the musicians and the staff of the Palace in Vienna.

Much of the 'action' revolves around the audience of this magical performance. If only the Director had resisted the temptation to spin round the viewers as they watched! The film certainly flew by, but I was left wishing that this was only the start of the film and not the totality.