Eroica

For some puzzling reason, I never really "got" the Eroica, but thanks to this marvellous production I (and hopefully many others) finally understand not only why the symphony was so important but also why it's so good! The basic idea of the film is that Prince Lobkowitz's orchestra is giving the first performance of the symphony for the prince and princess, the composer, and a few guests. After a shortish buildup to introduce the characters, the orchestra begins - and carries on for most of the film. As the music plays, we watch the characters listening, and occasionally hear their opinions. There is outrage when a trumpet comes in at the "wrong" time; smiles at certain musical turns of phrase; frowns at how loud it is. This superb film marries a great performance of a great work with an intelligent effort to put the whole thing in the context of its time. It isn't a film for people who already know all about the Eroica, but for a viewer who doesn't know Haydn from Howard Shore it must surely be enlightening.

First I must clear up one thing. I have been a fanatic of Beethoven's music, life and words for nearly 40 years. I remember receiving a flimsy plastic 45 rpm-shaped record, which was timed at 33-1/3, in the mail advertising his music and the music of others. What I will not forget is hearing those first few bars. I will never ever forget that moment. Two crashing chords and straight into the first melody. It made a profound influence on the course for the rest of my life. I've since become a dilettante composer and enthusiastic champion of the music of this greatest of masters.

With that being said...I was brought into such a state of newfound discovery when I heard the Eroica again on this DVD. The Orchestre Revolutionnaire et Romantique somehow has made an old friend sound brand new again. With the size of the noticeable orchestra being smaller than we are normally accustomed, and with the pronounced accentuation of the individual instruments, the sounds and the development of the themes were fresh.

I enjoyed almost every performance in this film. It doesn't matter whose I didn't like. It really makes no difference. The presence of Ian Hart, Tim Pigott-Smith, Fenella Woolgar, Frank Finlay, Leo Bill, Trevor Cooper, the beautiful Claire Skinner, and mysterious Lucy Akhurst and gosh, even Victoria Shalet and Joseph Morgan made the whole affair quite an enjoyable experience and transformed this into a true ensemble of players.

The effect of the cameras moving about was a stroke of genius. The camera swirled as the thoughts of the people present and listening swirled around the room.

Enough cannot be said about IAN HART who really brought this together. Those of who the character of Beethoven so well should be pleased with his take. Here we have none of the scowling Beethoven smirks which plagued his later years. Here we still have a youthful, but adamant figure struggling to make his way into the world of Viennese society. Hart has cast a Beethoven in his prime though quite immediately after his "Heilegenstadt Testament" period of great sadness. He is young and he still bounce back and get back to the music. One instance of this bouncing back was quite remarkably placed near the end of the movie.

To lovers of Beethoven, lovers of the Eroica, lovers of great music, lovers of historical dramas and fine period pieces, I recommend this film without reservation.

Not so much film noir as film dusk, I spent the first ten minutes waiting for the set lights to be switched on. Having said that, Eroica is a beautiful to look at period piece about the first playing of Beethoven's Eroica or 'Napoleon' symphony (played by the wonderful Orchestre Revolutionaire et Romantique) for Prince Lobokowitz in Vienna. The film spans a day in the life of Beethoven in June 1804, examining not only his life and loves, but the lives of the musicians and the staff of the Palace in Vienna.

Much of the 'action' revolves around the audience of this magical performance. If only the Director had resisted the temptation to spin round the viewers as they watched! The film certainly flew by, but I was left wishing that this was only the start of the film and not the totality.

I stumbled across this film being played on television. I figured that the TV guide had misspelled "Erotica", but as it turns out this is very much a G-Rated picture. It's almost a biopic, a bit more than a lengthy music video. It's an afternoon in the life of Ludwig von Beethoven, set to the music of his third symphony.

The events of Beethoven's life seem compressed and shoveled into the 90 minutes of the film. We see how he deals with large issues like Napeoleonic politics, patronage, love, and hearing loss, as well as smaller issues like arranging music and the most efficient means of belittling his assistant.

What I found fascinating was being able to see how the characters of the period responded to the music as it was being played. I have a distant knowledge of Beethoven's works, and while they are certainly powerful and turbulent, I lack the context of the music of the era. Seeing the patrons react to various passages of the music (which to my untrained ear just sounds pretty) and hearing them comment on the work as it progressed was for me highly illuminating.

What a thrill it would be to be able to walk around an orchestra as it plays! That would be the ultimate in surround sound! I was jealous of the characters as they mingled around the players, who from what I can tell were using period-correct instruments.

First of all, the performance of the symphony is terrific and beautifully recorded in 5.1 Dolby. The movie achieves a minor miracle in conveying how NEW and downright shocking this greatest of Beethoven's symphonies was. It also presents a believable and sympathetic view of his personality, passions, and temper.

The movie is very good looking and fun from start to finish. The appearance of Haydn and his utterances about the new symphony are perfect, according to what we know about his personality.

My favorites for this work have been Klemperer on EMI and Hogwood on Archiv, but I now prefer this performance over them all (including Bruno Walter's).

Easily the best movie about Beethoven that I have seen.