Osama

In Afghanistan, during the Taliban regime, women are forbidden to work and to walk on the streets without the company of a male. The teenager girl Osama (Marina Golbahari) cuts her hair and dresses like a boy to get a job and support her widow mother and grandmother. There is no men in her family, since her father and her brother were killed in previous Afghan wars, and the family has no means of survival. When Osama, disguised as a boy, is called by the Taliban to join the school and military training, the boy Espandi (Arif Herati) tries to help her.

"Osama" is a spectacular film, based on true events, and the interpretation of the amateurish cast is so perfect that sometimes the movie looks like a documentary. It is amazing how different from Western cultures is the life, religion, streets, houses of the Afghan people, and how repressed the women are in this evil system. Although being aware of many atrocities of this fanatical power, through articles in newspapers and magazines, this movie is so real and impressive that makes the viewer feel in the skin the difficulties of the life of this poor people. This is the first film made in Afghanistan since the fall of the Taliban. In accordance with the interview of the director Siddiq Barmak in the Extras of the DVD, Marina Golbahari was accidentally discovered four days before the beginning of the shootings. The girls had never watched a movie in a theater, and did not have a TV. Two days before the beginning of the shootings, Barmak met Arif Herati, and decided to create a special character for him, not foreseen in the original screenplay. The boy requested the director to buy his dogs to accept the invitation. This movie was awarded many international prizes, among them the Golden Globe (Best Movie),Golden Camera (Cannes Festival) and Best Movie (London Festival), and certainly deserves to be among the IMDb Top 250. My vote is ten.

Title (Brazil): "Osama"

The film felt like a documentary - it was simple and straightforward. "Osama" captured many aspects of what life is like during Taliban's occupation, through the eyes of a 12-year old Afghan girl, within 1 hr. 22 mins. - it's more than most Hollywood movies manage to get across in 2 hrs. For a debut feature, w-d Siddiq Barmak delivered a quietly poignant film - it may not be evident at first impression right after seeing the film with the sadness and injustice it burdensomely carries. As I was re-telling the film's plot to someone who missed the showing, it came to me how succinctly the film tells/exposes what the women and children, and men, had to tolerate under such atrocious regime. The poverty level and misfortunate situation/predicaments are almost unspeakable.

The portrayal of Osama by Marina Golbahari is impressive: the bewilderment and fear on her face, the rare break into a smile we get to catch, her wailing and cry and crying - mostly delivered in a speechless manner. The other child actor, Arif Herati, who played the one who tried to shield her from trouble by the other boys, gave a brief but convincing Espandi. There's also Osama's mother and grandmother, and the neighbors, and the men who were 'helpless' in spite of wanting to help - the roles and scenes are all touchingly stirring. There are suspenseful moments and one wonders what would happen next - outcome could be predictable yet its share of drama and humanity lessen not. As a relieving contrast, a coming of age boys lesson in a Turkish bath setting was included - suspense and intrigue a-mixed. Barmak gave us a well-paced film, missing not a chance to provide insight to the cultural aspects of the people.

"Osama" brings to mind other similar 'hard medicine' films: Iranian director Jafar Panahi's `The Circle' 2000 (aka "Dayareh"), is the empathetic telling of the mistreatment/misfortune of four women in an unsympathetic society; director Michael Winterbottom's docudrama `In this World' released through 2003 Sundance Series, gave us an unflinching look into 'human cargo smuggling' of an Afghan refugee, 16-year old Jamal, with the persistent slim hope of a better livelihood in Britain; Xavier Koller's `Journey of Hope," the 1991 Academy Award's Best Foreign Film, is a heartbreaking tale of enduring/diminishing hope.

On a different note possibly more hopeful, though family poverty, hardships of Afghan refugees and girl posing as boy to obtain work are still the ingredients, we have "Baran" 2001, another worthwhile filmic experience from Iranian filmmaker Majid Majidi ("Children of Heaven" and "Color of Paradise".)

In a time when the world is so focused on the conflict unfolding in Iraq, the thing that is most clear to me after watching this movie is the old saying that after thousands of years of wars fought in the name of religion, we are not a second closer to peace than we ever were. Osama looks at one of the many religious struggles in the world by focusing on the plight of women under the iron fist of the Taliban, one of the sickest and most debase groups on earth.

The story focuses on a young girl living in an all female family, and since they live in an area ruled by the Taliban, they are not allowed to leave the house, because women walking around unaccompanied by a male are promptly arrested and subjected to inhuman punishments. With no way to feed themselves, since women are not even allowed to leave the house, much less work, their only choice is to dress up their youngest member of the family as a boy and have her go out and find work to feed everyone else.

The most important thing that the film does is that it calls attention to the atrocities that are being committed by religious groups beyond hijacking planes or planting roadside bombs or kidnapping and beheading people. In addition to all of those horrible atrocities, there are women in Afghanistan that are literally treated not just like property, but like animals.

At one point in the movie, one character, a woman, wishes that God had never created women. The fact that she wishes that God had never created women, rather than wishing something a little more logical, like that God had never created the Taliban, serves to bring into sharp focus the extent to which the Taliban have perverted these women's minds.

The film opens with a surreal scene of a large group of women in ghostly blue burkhas in a demonstration in which they chant their desire for the right to work, for some reason seeming to have forgotten that they do not even have the right to assemble. The local Taliban, however, remembers this little detail very clearly, and starts by hosing the women down with high-pressure hoses before opening fire on them. That such madness is committed in the name of some god is an illustration of how humans can take the concept of religion and twist it so horribly wrong that they can justify doing whatever on earth they feel like.

The movie is a study not only of the atrocious practices that are carried out against women by the Taliban, but also an illustration of the elasticity of the concept of religion. Especially in America, we have this conception of religion as this benevolent force that transcends the suffering that we endure on earth and promises justification through a higher medium. Osama shows us that it is the very concept of religion that is used in some practices to justify that suffering for which we look above for reasoning and comfort.

The Taliban have succeeded in amassing all of the worst possible appropriations associated with religion, turning it from a benevolent force and into a tool with which to justify their massive destruction of human rights, which are not an American concept but a religious one.

Aristotle once said, 'I do not feel obliged to believe that the same God that has endowed us with sense, reason, and intellect has intended us to forego their use.'

Similarly, I personally do not feel obliged to believe that any God in existence, presiding over any religious sect, could possibly approve of the wholesale torture, abuse, and destruction of women, a divine creation if there is a single one on earth.

A powerful and disturbing film of what life was like under the oppressive Taliban rule. Maybe because the cast are not actors and it starts with a boy talking to the camera as if it's a documentary being made it feels like what unfolds is actually happening and this makes it a very real and chilling experience. A film that should be seen.(8/10)

The Director is taking through us a 80 minutes journey through the eyes of a 13 year old girl in Afghanistan under the taliban...

The landscape full of limestone .....and the people unfortunate enough to have born into the wrong time....

barren land and lives.....

where every other woman is a widow and every other mother is a living tomb.......

Please listen to the soundtrack carefully.... especially the background score.... its really important..... it starts off with an iron swing..... ends with the sound of skipping rope hitting the ground.... Masterful.

I bet that after the movie, you will go and kiss your young daughter. You sure will.

My salute to the director who mesmerised me the whole 80 minutes....

saw this movie in 8th international film festival of kerala in 2003 where It got a grand applause.

This was the first movie made in post taliban regime in afghanistan. Truly commendable.

My 9 out of 10.