IMDb रेटिंग
6.1/10
1.2 लाख
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTrauma and tragedy during World War II warp young Hannibal Lecter's mind.Trauma and tragedy during World War II warp young Hannibal Lecter's mind.Trauma and tragedy during World War II warp young Hannibal Lecter's mind.
- पुरस्कार
- 2 कुल नामांकन
Michelle Wade
- Nanny
- (as Michele Wade)
फ़ीचर्ड समीक्षाएं
I've heard a lot of reviews saying this was a bad movie. I disagree! I don't know if any of these people have read any of the books, let alone Hannibal Rising, but I loved the movie. Given, it seemed like Thomas Harris wrote the book strictly for the movie, but I felt this movie was made to have people understand how Lecter, "the monster" was created.
Yes, Lecter is irrational and that's the point. Hannibal Lecter is suppose to be distant because he's a psychopath. He's suppose to be apathetic. Some people mistook that for bad acting.
Comparing the movie to the book...they were about 85% compatible. Minor changes were made, but nothing too critical.
I think some people are quick to make this movie out to be horrible because they really are milking the Hannibal Lecter story, but I felt it to be a decent movie.
Yes, Lecter is irrational and that's the point. Hannibal Lecter is suppose to be distant because he's a psychopath. He's suppose to be apathetic. Some people mistook that for bad acting.
Comparing the movie to the book...they were about 85% compatible. Minor changes were made, but nothing too critical.
I think some people are quick to make this movie out to be horrible because they really are milking the Hannibal Lecter story, but I felt it to be a decent movie.
As a fan of all the Hannibal Lector films, I was expecting another film I'd enjoy and thinking this would be a terrific character study of man who is one of the most famous fictional killers of all time. What I got instead was more of a simple revenge story than the character study. Oh, yeah, we do learn some background of the famous "Dr. Lector," but not enough of what really made him the weird combination of intellectual and cannibal. Although portraying and having someone in the film label the young adult as "monster," the filmmakers (actually, author Thomas Harris) really made him more of a sympathetic character instead. They took the easiest road, out, too, making an easy target the villains: the Nazis. How often has Hollywood done that, even today 60 years after the conclusion of WWII. What we get is a revenge story of how Lector went from a child captive of the Nazis for a short time, to a medical student in Paris and how he tracked down the Nazis who killed the rest of his family. Of particular incentive to him was the avenging of his sister's death. There is a neat little twist at the ending regarding that but I go into that for spoiler reasons. The best part of the film was the absolutely gorgeous cinematography. This is beautifully filmed, first frame to last. The story is much better in the second half than the first, which has a few parts in which it lags. I'm not quite sure about the credibility of having an Asian aunt raise him, but I also enjoy seeing actress Gong Li. Her relationship with young Hannibal is a strange one. Gaspard Ulliel as Hannibal was okay but certainly not as riveting in the role as the mature Anthony Hopkins was in his three performances. Why a young French actor, who has all the accents that Hopkins doesn't have, would play the role, I don't know. Overall, I'm glad I saw it but, unlike the three other Hopkins' "Lector films," this is one I won't add to my movie collection. However, at least I learned what the most tasty part of the human anatomy is, not that I would ever put that information to use!
Hannibal Rising is a dark and thrilling grand guignol excursion into the formative (but still plenty brutal) years of the infamous Hannibal Lecter. Considering the amount of psychological material the film would appear to have to get through, I think it definitely errs on the side of briskness. In a broad sense, many important sequences are played out and edited very quickly, and this saps them of some of their resonance, but the mood does gradually coalesce into something followers of the prior films and novels will recognise, and will be rewarded in revisiting.
The teen-adult Hannibal as played by Gaspard Ulliel is pale and handsome, and his red slash of a mouth is always very much in evidence, signalling violence and malice, and reminding us of the flesh that we know will come to pass through it. After surviving some murky carnage on the Eastern Front during World War II, he eventually seeks out remaining family in the form of his widowed aunt in France (Gong Li). He begins to open to a more regular life under her curious guidance, but the post-war environment is conducive to grudges and violence, and these are the sparks that are quickest to ignite in Lecter. Direction in this all-too-brief part of the film is some of its best, as it visually and thematically stitches together Hannibal's fascinations so that we can feel them wrap around each other - blood, violence, his own incestual leanings towards his aunt, and his childhood bond with his late sister, Mischa.
After the first murder, though, (which definitely doesn't disappoint) it's a straighter ride through many more on the path of vengeance. It all makes for a fine thriller, but development in Lecter's character beyond this point is harder to read, and Ulliel's performance offers much relish but not-so-much variation. Of the other films in the series, this one has the most in common, stylistically and in subject matter, with Hannibal. As my friend also suggested when we left the cinema, I still feel there could easily be another film out there to deal with Hannibal practising as a psychiatrist and murdering folks on the side, pre-Silence Of The Lambs. This one offers the concrete details of his origins within a thrilling story, but somehow doesn't feel as deep or profound as I'd hoped it would - and I wish it would just relax and offer some longer scenes and more ambiguous moments at times. Nevertheless, Hannibal Rising is a strong film.
The teen-adult Hannibal as played by Gaspard Ulliel is pale and handsome, and his red slash of a mouth is always very much in evidence, signalling violence and malice, and reminding us of the flesh that we know will come to pass through it. After surviving some murky carnage on the Eastern Front during World War II, he eventually seeks out remaining family in the form of his widowed aunt in France (Gong Li). He begins to open to a more regular life under her curious guidance, but the post-war environment is conducive to grudges and violence, and these are the sparks that are quickest to ignite in Lecter. Direction in this all-too-brief part of the film is some of its best, as it visually and thematically stitches together Hannibal's fascinations so that we can feel them wrap around each other - blood, violence, his own incestual leanings towards his aunt, and his childhood bond with his late sister, Mischa.
After the first murder, though, (which definitely doesn't disappoint) it's a straighter ride through many more on the path of vengeance. It all makes for a fine thriller, but development in Lecter's character beyond this point is harder to read, and Ulliel's performance offers much relish but not-so-much variation. Of the other films in the series, this one has the most in common, stylistically and in subject matter, with Hannibal. As my friend also suggested when we left the cinema, I still feel there could easily be another film out there to deal with Hannibal practising as a psychiatrist and murdering folks on the side, pre-Silence Of The Lambs. This one offers the concrete details of his origins within a thrilling story, but somehow doesn't feel as deep or profound as I'd hoped it would - and I wish it would just relax and offer some longer scenes and more ambiguous moments at times. Nevertheless, Hannibal Rising is a strong film.
I went to a free screening of this movie tonight, Thursday December 12, 2006 at the mall cause they gave out free passes at my work across the street.
I wont give really much away...but the movie itself was great. Great locations, great acting--especially by Gaspard Ulliel as Hannibal. I swear his acting was so good that it was scary and near perfect as the demented Hannibal Lechter.
The story about how he came to be was great also starting with his youth during WW2 in 1944. And 8 years later, the main plot line unfolds showing him becoming a medical school student in France where he begins to learn of the many body parts that make a human work.
All in All this movie is a delectable revenge type movie with scary, dark bad guys and many gruesome deaths.
*two thumbs up*
I wont give really much away...but the movie itself was great. Great locations, great acting--especially by Gaspard Ulliel as Hannibal. I swear his acting was so good that it was scary and near perfect as the demented Hannibal Lechter.
The story about how he came to be was great also starting with his youth during WW2 in 1944. And 8 years later, the main plot line unfolds showing him becoming a medical school student in France where he begins to learn of the many body parts that make a human work.
All in All this movie is a delectable revenge type movie with scary, dark bad guys and many gruesome deaths.
*two thumbs up*
Truly disturbing and succeeds in making you understand why Hannibal Lecter turned out to be the person he became. Not justified, but understandable. Don't leave this out when revisiting the other movies.
क्या आपको पता है
- ट्रिविया"Lady Murasaki" (Shikibu Murasaki) is actually the name of an 11th-century Japanese novelist. Her "The Tale of the Genji" is regarded as a masterpiece of Japanese literature. In the book on which this film is based, Lady Murasaki is indeed a descendant of the 11th-century novelist. She and Hannibal even quote "The Tale of the Genji".
- गूफ़World War II German "dogtags" didn't have the name of the soldier on them. Instead they listed the unit that they were in when the tag was issued, and a serial number.
- भाव
Hannibal Lecter: Rudeness is an epidemic.
- इसके अलावा अन्य वर्जनFor the German retail market a cut version was created (based on the theatrical version) which misses ca. 13 minutes. This version is rated "Not under 16". Theatrical and US-Unrated version are also available with a "Not under 18" rating but have some sales restrictions.
- कनेक्शनFeatured in HypaSpace: एपिसोड #6.25 (2007)
- साउंडट्रैकPesnya o Staline
Written by Aleksandr Aleksandrov (as A. Alexandrov) and Sergey Alymov (as S. Alymov)
Public Domain
(misspelled as "Pensya o Staline")
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Hannibal Rising?Alexa द्वारा संचालित
- What is 'Hannibal Rising' about?
- Is 'Hannibal Rising' based on a book?
- What did the policeman mean when he says that Hannibal made brochettes out of cheeks and mushrooms?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Hannibal, el origen del mal
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,76,70,986
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,30,51,650
- 11 फ़र॰ 2007
- दुनिया भर में सकल
- $8,21,69,884
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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