O Homem que Copiava

I don't know why, but there is something about 'losers' that makes them more likable. Of course we like to see successful people too, but you will never have that feeling that you have to help them or take care of them like you have with people who are having a hard time. Perhaps it is because most of us know all too well what it is not to have all the money you want to spend, not having the job of your dreams,... And that's exactly the situation the main character, André, is in.

André is a nineteen year old, relatively poor kid who lives with his mother in a small apartment in Porto Alegre, Brazil. He works as a photocopier operator and in his free time he makes cartoons. When he falls in love with Silvia, a girl from the neighborhood that he spies on with a telescope, he needs money to spend in the store where she works. Money he doesn't have, but with a 50 real note and the photocopier he'll try to solve his problem. But then it all gets out of control, certainly when he decides that photocopying is not the only way of making money...

Even though André is portrayed as a criminal in the movie, you'll cheer him on to succeed in his dreams and you'll hope that he doesn't get caught or get into serious trouble. I guess that's where the power of this movie can be found in. This is an excellent portrayal of a person with the heart on the right spot, but with too little money to realize his dreams and some stupid ideas to solve that problem. And not only André has been portrayed well. His friends are interesting to follow as well. There is something about all the characters that makes you wanting to know what happens with them in the next part of the movie.

Next to the nice story and the fine characters, I also want to put some emphasis on the excellent way everything was shot. The mix of cartoon and real images makes this a special, but also very interesting movie. This certainly gives the movie something extra, something that you don't find in many other movies.

In the end I can only say that this is another fine example of the Brazilian cinema. "Cidade de Deus" (aka City of God) was an immense success, but the maker of this one certainly doesn't have to be ashamed of what he has done either. I liked it a lot and it makes me look forward to other Brazilian movies. I give it an 8/10.

That's a really great movie, very fun, the plot is original and the script unpredictable. I would tell more if my english was better, ok?:) If you don't like foreign movies, don't be scared: it's a enjoyable inteligent movie, it worth the subtitles.

This movie has it all - adventure, crime, romance, friendship, humor. It's surprising - you newer know what's going to happen next, you're kept in suspense. It's personal and heartfelt without being tepid and pink.

The characters are very realistic and they make very fine, well balanced portraits. And it's a movie that can make you think a lot, if you want to - you can also choose just to hop on board and follow the flow of this journey.

Great ending! - I admit, I'm a weak sucker for an ending like that! :) This is a tenner! 10/10

"O homem que copiava" (The Photocopier Man) is a very nice movie. A creative plot, that proves that money doesn't bring happiness, but helps a lot...Lazaro Ramos is in one of its best performances. No violence, no sex, no further apellation but a great history. Impossible to get out of the theater without a big smile...9/10!

The Man Who Copied tells the story of a young adult attempting to break himself free from the life that society and fate has drawn for him. Andre, the protagonist, is a 19 year old Brazilian, toiling as a "photocopy operator," while pursuing his hobby – comic illustration, and a love he is not sure he can realize. The film is filled with quaint analogies of "art imitating life" and vice versa, and portrays the exterior world and the personalities that inhabit it as illustrated avatars, behind which lurk unexpected and surprising motives, dreams, and desires. It IS very similar to the film "Amelie" in this aspect. The film is a painting depicting the many shades of truth, and shows the absurdity of preconception and expectation. It is bright, uplifting, and full of exciting plot twists that will keep the viewer glued to the screen until the very end (although it starts a bit slowly).

The director uses cinematic technique to portray a fragmented world—that of Andre's existence, (as well as that of contemporary Brazil, as a whole) and attempts to scrutinize the minutiae of daily life in order to distill its essence and produce a vision of WHY we go about mundane and mechanical daily tasks, and how easily one can get caught up in a web of deception and false pretense. The photography is excellent, combining the brightness and color of South America with cutting edge editing and camera technique.

The film is also a subtle social commentary on the state of modern Brazil, illustrating the drastic economic disparity between the wealthy social elite and the pedestrian worker, yet stressing the fact that one can cross over to the other side with greater ease as technology and years advance. "The Man Who Copied" documents a class of people who live a short, but dramatically visible step above those portrayed in "City Of God," and really succeeds in drawing us into the mindset and dreams of the characters. This is a "coming of age" story, not just for its central characters, but for Brazil itself.

If you enjoy this film, I strongly suggest that you check out "City Of God," "Nine Queens," and "Amelie." All of them are foreign films (two from South America) and all share some unique common thread with this film. Highly Recommended!