S.I.C.K. Serial Insane Clown Killer

I really don't even know what to say about this movie. I apologize for not following my usual format, but this is a warning to everyone who happens to stop by and read this :

PLEASE, AVOID THIS MOVIE AT ALL COSTS!

I cannot stress this enough. Acting was terrible, horrendous, I have found "acting" in adults movies better than this film. The music? Think late night Cinemax. Exactly. Clowns? Where are the evil clowns? Oh my, this would be the ONLY time in my life I can utter the words " I KNOW I could make a better film than this one.

Rating? NOTHING! It gets a big, fat, nothing. A bomb, a turkey, call it what you want. If you have been a bad little boy or girl this year than you may just find this movie in your stocking, although coal has more value than this movie!

I found Grim Weekend's colourful cover at my local Blockbuster Video and was intrigued as to what kind of movie it actually was. I checked with the IMDB and no one had yet posted a review, but thankfully there was a link to the film's official site, which included a small preview. From the clip I gathered that it didn't include the most talented cast in the world, but it looked plausibly tight and brimming with suspense! Believe me, if you've seen it you'll understand where I'm coming from. Keeping in mind the trailer is only two minutes long and the movie is over eighty, it's not always overly conclusive as to what's in store for you when you finally watch. I had a good feeling about this one though and went ahead and bought an ex-rental copy anyway. This is listed on most websites as a TV movie, but judging by some of the bad language – the C word, no less – I found the idea of that rather questionable. It looks more to me like a typical direct to video effort, but who am I to argue?

In the opening we see a point of view murder that proves Director Bob Willems is a big fan of Halloween and is paying his homage (or completely ripping it off? Whatever you want to call it!). An adulterous wife, or girlfriend (actually we never find out who she is and this scene has NOTHING to do with the rest of the movie!) is on the phone when someone creeps up and stabs her in the stomach. As she recoils from the wound she asks ‘what did you do', which I actually found pretty amusing! I kept expecting the killer to reply ‘what do you think I did dummy'; but the scriptwriter instead decided to try to keep things creepy… Next up we meet Brandon Walker (Ken Hebert), an office executive that's planning a weekend getaway to a remote cabin out in the woods. It'd be a pretty boring movie if he went alone, so we are soon introduced to his date Tracy (Amanda Watson) and their friends Susan (Chris Bruck) and Mark (Hank Fields). Whilst on the long journey to the previously abandoned house, they meet Diane (Melissa Bale) in a bar and she soon joins the troupe of merry campers. After they have arrived and night falls, the group sit round a fire and tell ghost stories – so far so Friday the 13th -, but we see that they are being watched by an ominous presence. The next morning when everyone wakes up, Susan has disappeared and someone has filled the area with bizarre mutilated dolls. Before long they are stranded with only a ruthless killer clown for company!

Grim Weekend is a prime example of a movie putting most of the good bits into the trailer, leaving about an hour and a half of screen time totally devoid of anything redeeming. There are only three, yes THREE on screen murders in the whole film. The first is about two minutes into the feature and the next over an hour after. They're all mostly bloodless and instantly forgettable, which makes me wonder why the BBFC rated this as an 18. The killer clown is especially obnoxious, spending most of his time singing nursery rhymes or chopping wood for what seems like an eternity before he finally gets to terrorising the campers. The performances are as horrible as you can possibly imagine and the characters are mostly unsympathetic and flat. Mark finds a gutted victim lying in the woodland struggling for breath and makes no attempt to comfort or help him. He just looks at him completely emotionlessly and then wanders off leaving him to die (?). The most likeable character of the bunch was Denise the under acted slut and I'm sure that she was meant to be the little bitch that the audience hates! I couldn't help but find myself rooting for her instead of the plain Jane that was meant to grab the viewer's vote of sympathy. When the gang enter a bar early on in the movie, they meet a prostitute called Sophia (Jamie Hartzog), who in a few lines proves to be far more attractive and talented than any of the other lame ‘actors' that plague the screen throughout. Why couldn't she have played a bigger part?

Thankfully it doesn't suffer from a lack of lighting like so many of its counterparts and the director manages a fair few decent shots. Admittedly the ending was quite unexpected, owing a sly nod perhaps to The Texas chainsaw Massacre without over using the influence. Finding strange dolls around the house started as a fairly macabre touch, but the idea gets tired very quickly, which sadly the crew failed to notice. It was a brave attempt by the director to try and extract fear without using many murders or too much gore. However an extreme lack of momentum and no apparent filling leaves Grim Weekend ultimately looking like a hollow and empty shell. The director opens the usual bag of slasher platitudes including a silly point of view shot through a clown mask; nevertheless his inexperience is far too glaring to gain any merit out of them and he doesn't even try to add anything new to the formula. I bought this on the same day that I got the 25th anniversary Halloween DVD. Watching the special features, I noticed that John Carpenter took Halloween to someone from 20th Centaury Fox without it's excellent score and surprisingly they said that ‘it just wasn't scary'. The amusing thing was, what the hell did the producers think was frightening about this rubbish? It makes you wonder about a few films, doesn't it! There really is very little to recommend about this lazy and flat lined effort. It's tedious, poorly constructed and incredibly unatmospheric. Next time I get something like this, I think I'll keep my expectations a little lower.

This movie was unbearably horrible. I really can't explain just how bad this movie really is. No one I know likes this movie, and I think nobody in the world does. It starts out being very boring with stale acting. I can't believe I actually sat through it after seeing how low budget and poor quality it was, but I thought it would pick up or at least be scary. But it didn't get any better. It barely showed one person get killed in the movie. None of the movie was scary it all or suspenseful in the least bit, it just makes you angry to watch it. I will never know how an obese clown who is walking could catch up with a man who's running. I was very mad throughout the whole movie, but at least 70% of the time I was watching it, I wanted to pull the tape out of the VCR and smash it all over the place.

I couldn't even begin to describe how much this movie upset me or how bad it was. I wouldn't recommend watching it unless you really want to waste time and get angry. NONE of it is scary, not at all!

S.I.C.K. really stands for So Incredibly Crappy i Killed myself. There was absolutely no acting to speak of. The best part of the whole production was the art work on the cover of the box.The budgeting of this movie was sufficient. The filming was sub sesame street. The production looks like that of the underground filming for mob hits. The props used in this movie were stolen from a clothing store. The ending was so predictable you should fast forward to the last 5 minutes and laugh. If there is a book out there for this movie I'm sure it's better. I would avoid this at all costs. I did enjoy the intimate scenes they made the whole movie worth it. just kidding.

If this film was a comedy, I would have given it a 10. Oh my, where do I begin? Put it this way -- I've seen lots of terrible horror films, but this one makes Troll 2 look like freakin' Saving Private Ryan. It's as if a group of porn filmmakers decided to make a horror film, changed their mind in midproduction and decided to do a comedy, then went back to horror, and then decided that they should have just stuck with porno (softcore at that). Everything about this film is simply terrible: the musical score (someone shoot the guy who invented the Yamaha keyboard), the script, the directing, the cinematography, the acting. There simply are no words to describe this. Oh wait, yes there are: Holy $*%!.