After the Sunset

A movie with the great Pierce Brosnan can't go wrong really, everything he does, he makes look effortlessly cool.

The story about the diamond heist though, seems secondary to the beautiful locations, and Brett Ratner's obcession with filming Miss Hayek's chest from all conceivable angles (not necessarily a bad thing). Although Hayek is SO botoxed that she can barely move her facial muscles to express any kind of emotion.

Woody Harrelson and Brosnan make a really funny team, and if they make a sequel, I hope it concentrates on their two characters, because they have a great screen chemistry.

I actually just saw this movie last night, and I have to say it was one of the better films of 2004. The premise is perfect, the setting is gorgeous, the talent is amazing, and the twists are great. I don't see why this got such bad press. It's a pretty cool heist flick, almost reminiscent of Thomas Crown Affair (McQueen or Brosnan, either one was great). If you haven't seen it yet, I HIGHLY recommend it. There is a lot of great humour in this film too, something that really surprised me. Also, can anyone tell me if this was filmed on the Island of Nasssau? I did see a Disney cruise liner in the background of the first Harbor shot, and and I know that is part of their usual route. Don Cheadle plays an excellent villain, and the performances by Hayek, Harrelson, and Brosnan really make for an entertaining film. The premise is quite good, and I'll reiterate, it is not only a good heist film, but one of the FUNNIEST movies of the year.

After the Sunset sees Pierce Brosnan play an ex-jewel thief in a simple "will the old pro come out of retirement for one last job" movie that is far more entertaining than its unoriginal premise sounds.

Pierce Brosnan takes to his dressed-down James Bond role very well, and the jokes and his style make him a very likable character. Woody Harrelson, the rival FBI agent, puts in a similarly enjoyable performance, and his inept bumblings around the island create some unexpected comic situations between the cop and the thief. It's the relationship between these two (and the compromising situations they find themselves in) that makes the film, as they antagonize each other and almost become buddies toward the end. Their encounters add something fresh and unexpected to the movie's simple formula and make it really entertaining.

Oh, and special mentions have to go out for Don Cheadle and Salma Hayek. Don's character is very funny, and he plays both sides of it well, and as for Salma...let's just say the directors are aware of what their male audience wants to see.

All in all, it's funny, quick, easy to follow, and contains enough little quirks to make After the Sunset an enjoyable and entertaining experience.

Opening with a scene at a professional basketball game, we quickly find, as do observing FBI agents, that we've been had. The die is cast; 'After the Sunset' will provide a series of feints and jabs, dodges and weavings that will prove to be less edifying than some great jewel heist films of the past. But we still are treated to enough satisfying moments to say this is a pretty good film.

Max Burdett (Pierce Brosnan) and his girlfriend Lola Cirillo (Salma Hayek) are in retirement, having stepped down from the ranks of the international jewel thief set, and are enjoying the good life in the Bahamas. Woody Harrelson (as FBI agent Stan Lloyd) has appeared on the scene; he is less sure they have retired and with the arrival in port of a ship-borne display of jewels (featuring 'The Third Napoleon Diamond' in the collection) has them under close watch.

Agent Lloyd has always been thwarted in capturing Max and Lola; this is personal. How the characters play against each other (various local officials become interested and ultimately involved as well) as the clock ticks (the ship is due to leave soon) elevates our interest. Don Cheadle (local crime boss Kingpin) is a key figure among the Bahamians with influence on the outcome.

Jewel heist in paradise. That might be a working title for a script which would become the film 'After the Sunset'. Writer Paul Zbyszewski (previous experience on TV's 'The Weakest Link') has fashioned a reasonably believable story line (see Roger Ebert for discussion of plot holes - http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041111/REVIEWS/41006006/1023) involving electro-technical moments, great use of locations, wry humor (Woody Harrelson does go over the top in some mugging moments, but overall is quite engaging), and certainly deserves another opportunity to develop a script.

A killer cast of capable actors is expected to deliver and does. No doubt the script could have been terser, the lines more memorable or the plot more believable. We don't get all of the sheer class of the recent 'Ocean's Eleven', the raw energy of 'The Italian Job' or the gut laughs of 'Team America: World Police'. But Salma Hayek works her minimal exposure maximally (her physical charms alone are arresting), Brosnan is an interesting study in this a more laid back role than we are accustomed to seeing from him and Don Cheadle proves again he can do anything, including portray what for all intents is a gangster.

In an interview on the set of the film in January, director Brett Ratner notes about how he saw this as more a 'character-driven movie' and not just a 'big action heist'. He further notes that in taking on the task of balancing all the elements – comedy, action/adventure, drama - 'It's more of a challenge for me. Can I do a movie like this and get the tone right? If it's too broad, you don't care about the characters. If it's too serious, it's just a dramatic film and you then don't care.' (http://www.joblo.com/index.php?id=3457)

'After The Sunset' is one of those films you just want to work and because you do redemption is sought in what probably are the small things. This jewel heist caper is a little above the cut of customary plex fare, and the nearly full theater of attentive viewers speaks to the dearth of just plain old decent films at the moment. We were not disappointed, and maybe agree the director CAN do a film like this.

Rating: 2- ¾ stars.

This is a light, happy-go-lucky movie set mostly on Nassau in the Bahamas. Meet Max and Lola, two diamond thieves who have retired to this idyllic location to spend their loot. The problem is Stan, a shambolic, rather wild-eyed FBI agent who has been outwitted by them for years. Not content with letting them enjoy their retirement, he shows up on their (beachfront) doorstep and proceeds to lure them into another big heist. Lola's content with watching sunsets, but Max still has the bug. Will he take the bait? Complications arise because of the involvement of two locals: beautiful cop Sophie and bad guy Henri Mooré.

This movie was enjoyable enough as summer television-like movie, but it doesn't go much deeper than that. There's not a lot of realism and art here. It was like a television movie.

I don't know what makes television movies different from regular movies. Is it the writing? The plot development? The acting? They have a certain cliché nature, don't they? At times this movie definitely had the cheesiness and artificiality of television shows like the Love Boat and To Catch a Thief. That's not necessarily a bad thing. A lot of people love that kind of thing. It's not too demanding. And it's fun. People were laughing.

I suppose part of the problem for me was, well, Pierce Brosnan and Woody Harrelson. I just couldn't see these two with Salma Hayek and Naomie Harris, respectively. Isn't the age difference a little too much? Is it wrong for me to point out that -- unlike the women they were with -- these two were (by 2004) no longer hot enough to generate heat in their love scenes?

I have seen these two actors deliver outstanding performances. They are strong enough to pull off a film like this in their sleep. However, I am just not interested in them enough to spend two hours watching their buddy antics (drinking, fishing, even in bed). They are not lovable fun characters to me, although I think that's the effect the director was trying to achieve. These scenes were too forced. I saw no buddy chemistry.

There was a good deal of wise-cracking (eg "I knew that when I married you. I knew that when I divorced you!") and slapstick (eg Stan gets hit in the head by a trombone.) The scuba scenes and the cruise ship scenes at the end were not believable, not that I think this movie's intended audience would care about that. It's all meant to be part of the fun.

The person I was with walked out of the film halfway through. I thought it was OK. I mean, I didn't hate it.