अपनी भाषा में प्लॉट जोड़ेंJoão Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a seri... सभी पढ़ेंJoão Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Ligia Soares
- Narcisa the Antigona
- (as Lígia Soares)
Suzana Borges
- Hortênsia Vuvu
- (as Susana Borges)
फ़ीचर्ड समीक्षाएं
I had to see this film because my Film History 2 professor made us watch it. My professor told us that he had just come across Joao and he loved this film and he loves all of the films he has seen by him. I have no idea why though. In my opinion this was three hours of nonsense. I sat there confused the entire time. The only thing I understood about the plot was the part about his son and even that has it's holes. I also think he is kind of a copy cat because I saw many of the same sexual things that Godard did in his films. In fact, by the end of this film I felt like I had just finished watching a Godard film. I came out of class feeling confused and disgusted. I do not recommend this film to anyone unless they love Extremely slow moving films, subtitles, and a completely confusing plot. The other reason I found this film hard to watch was because it was in Portuguese and I speak some Castillion Spanish so that combined with the English subtitles drove me nuts. I think most people won't find this a problem, but I did. Again I do not recommend this to anyone. I thought the independent film "The Item" was the worst movie I had ever seen, but then I saw this one. I hope this saves a lot of people from the same torture I had to endure.
João César Monteiro, as always, in all is movies, showed a great disregard for conventions. Branca De Neve was a good example of that, Vai e Vem is also a good example of that.
Considered a madman by some and a fraud by others, is attempts to create movies that were at the same time groundbreaking and interesting were always misunderstood.
One of the greatest and most underrated Portuguese Directors of all time, no doubt about that.
Now one thing is, if you are not from Lisbon, or if you never visited Lisbon, you won't ever understand this movie. Because this lives out from the feeling that Lisboa is... I see this as an ode to the things that João Cesar Monteiro found dearest to him. Almost a farewell to life itself, and since this was Monteiro's last film, this is revealed to be true.
The last shot of the movie is the strangest thing I've seen ever in cinema. And you can take many conclusions out of it. Maybe he's trying to invert the papers, watching the spectators as they are watching him. Saying goodbye to the people that admired is work for decades.
Just like all the good things, you need to have a developed sense of inner-depth, to stomach this. Or else you're just going to quit after the first 2 minutes.
This is a unique film-maker, this is a unique film. If you don't appreciate you can always go watch, Scary Movie or some Meg Ryan movie. There's no problem with that.
Considered a madman by some and a fraud by others, is attempts to create movies that were at the same time groundbreaking and interesting were always misunderstood.
One of the greatest and most underrated Portuguese Directors of all time, no doubt about that.
Now one thing is, if you are not from Lisbon, or if you never visited Lisbon, you won't ever understand this movie. Because this lives out from the feeling that Lisboa is... I see this as an ode to the things that João Cesar Monteiro found dearest to him. Almost a farewell to life itself, and since this was Monteiro's last film, this is revealed to be true.
The last shot of the movie is the strangest thing I've seen ever in cinema. And you can take many conclusions out of it. Maybe he's trying to invert the papers, watching the spectators as they are watching him. Saying goodbye to the people that admired is work for decades.
Just like all the good things, you need to have a developed sense of inner-depth, to stomach this. Or else you're just going to quit after the first 2 minutes.
This is a unique film-maker, this is a unique film. If you don't appreciate you can always go watch, Scary Movie or some Meg Ryan movie. There's no problem with that.
I loved this film. The dialogues are wonderful and the story itself is amusing as we see J.César Monteiro in one of his best performances. The script has wonderful dialogues and is filled with bright and irreverent humour (a quality of Cesar Monteiro's writting). It's the story of an old-man (João Vuvu played by João César Monteiro) who has a son in jail and lives alone..strange events takes place as he goes to the hospital after being sodomized by a a very weird beard woman who fancies women. This is the last film by João César Monteiro because he left us this year at february..another victim of cancer..this film holds his memory.
Light, peaceful, wickedly erudite humour of a kind long since unheard of. A Portuguese film from a Portuguese film maker. A film about "everydayness" and availability to be aroused by others and by their words. An experience of declined immortality for the sake of life.
This is a very interesting film, but I'm afraid only a Portuguese person from Lisbon can fully understand it's unique feeling.
João Cesar Monteiro died, and this film are his final words.
"Vai e Vem" is art of a man who knows he's near his end. João Vuvu is João César Monteiro dying, like he's capable of touching death. There's nothing similar to this state. Everything comes and goes back again.
In this film, JCM humor is different. There's an even bigger amount of sadness in it.
Wonderfuly heavy.
However, it's hard to watch and probably boring if you're not in the mood, or if you're not able to understand it.
João Cesar Monteiro died, and this film are his final words.
"Vai e Vem" is art of a man who knows he's near his end. João Vuvu is João César Monteiro dying, like he's capable of touching death. There's nothing similar to this state. Everything comes and goes back again.
In this film, JCM humor is different. There's an even bigger amount of sadness in it.
Wonderfuly heavy.
However, it's hard to watch and probably boring if you're not in the mood, or if you're not able to understand it.
क्या आपको पता है
- ट्रिवियाThe on-screen title is Vai-E-Vem, which was the pre-release title. After the film negative editing was complete, the director decided to change the title to Vai e Vem, and this is the registered title, and the promotional Portuguese title used by the Distributor company.
- गूफ़When speaking with policewoman Bárbara, João smashes and throws an empty pack of cigarettes to the floor, and it rolls under the table. After opening the door to let Jorge in, João returns to the table starting a new cigarette and there is no empty pack under it.
- कनेक्शनReferences गॉन विथ द विंड (1939)
- साउंडट्रैकBella Ciao
Written by Mondine
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