Shaun of the Dead

The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.

One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.

Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).

When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.

Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.

Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.

What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.

8/10

Shaun of the Dead is quite a surprising and brilliant piece of work which I suspect will achieve the accolade of instant cult status as word of mouth snowballs this film to richly deserved recognition.

Simon Pegg, both the joint writer and the main star of the film, has been a comedic force for some time, most notably in the fantastic BBC2 series 'Hippies' (which inexplicably bombed in the ratings) and the cult Channel 4 series 'Spaced'. Both programs hinted at Pegg's saliently dead pan comedic manner (and writing skills) which comes to full fruition in 'Shaun of the Dead'.

In a nut shell, this film is a romantic comedy with zombies (or zom-rom-com) who appear for no good clear reason (although some tantalizing clues are offered). The film is an amazing blend of the funny, the violent and the poignant.

Pegg has cast himself as one hell of a serious loser in this film. And not in the 'American' form of: 'I am a loser but I work in TV and have Jennifer Aniston as my wife' kind of loser as portrayed in tripe such as 'Bruce Almighty' or dozens of other US 'loser' films. Pegg's Shaun is a genuine loser and extremely recognisable too, he's an everyday man who works for an electrical retailer and his life is just plain dull and disappointing - and this is where all the comedy comes from in this film. There are two scenes in the film which seem to summarise this (and also shine a light of Simon Pegg as a very clever and funny writer) and both scenes simply involve Shaun walking to the nearby corner shop. The first time Shaun plods semi-comatose to the store we simply get the feeling that he is a loser. However, by the time the film shows him making the same journey again we realise that there is a lot more going on! The scene is played with such exquisite subtleness that it has to be one of the funniest scenes I have ever seen in any film! Not that this film is subtle however, there is a stunning array of visual comedy, one liners and (best of all) some digs at other films from the horror genre. The funniest being a very subtle snipe at Boyles `28 days later' - see if you can spot it!

The only problem with reviewing this film is that there are so many funny moments in it that it is hard to pick any to write about without spoiling the film. All I can say is that I cannot remember a film ever being this consistently funny with probably five or six serious laugh-out-loud moments. It was a joy to watch and my only disappointment is that I can never watch this film for the first time ever again - every viewing will forever be a repeat viewing.

Shaun of the Dead is not very everyone though - the language from the beginning is strong and the violence was quite surprising for a 15 certificate film (in the UK). This film is definitely going to be most appreciated by horror fans who know a huge back catalogue of horror films. It will also be enjoyed by teenagers (who filled the cinema when I viewed this film which was terrific, as they laughed loudest). Finally, I do have some criticism of this film and that is there is some wasted talent in the movie. Black Book's (channel four) star Dylan Moran seemed a bit wasted and so was Martin Freeman (from BBC2's The Office) - who would have made a terrific zombie! Also, did I spot Matt Lucas (from BBC3's 'Little Britain') in this film? I am not sure as I was laughing too hard maybe!

These problems however are so minor and can easily be forgiven. My suggestion is to go and slowly shuffle down to your local cinema to see this film and give Simon Pegg the money and recognition he deserves so that he can go on and make more films that are this good including what the UK papers have suggested as his next project - `From Dusk 'Till Shaun'.

The first of the Cornetto trilogy, sees Shaun, his mum and a small bunch of friends battling a hoard of flesh eating zombies.

I'm staggered to see an IMDb rating of 7.9, what on Earth have some people seen, that I haven't, it's an out and out classic. Shaun of The Dead is an absolute riot, a mix of horror and comedy, with a very British flavour.

It's one of those films that simply doesn't get tired, it doesn't matter how many times you watch it, it is just so appealing.

Can't decide what the best bit is, there are so many contenders, but final encounter in the pub, and zombie girl in the garden, there are a hoard of moments that can be chosen.

Zombie comedies had been tried before, and have been tried since, but none even come close to this, Pegg and Frost nailed it.

10/10.

I've seen a lot of Zombie movies, a subgenre that I think has been overdone but I keep going back to it to see how different can your storytelling be?

I'd always heard good things about this movie and finally got around to this 'cult classic', and I see it's got that status. This was a zombie movie like none other, you've got to watch it to find out why.

This, as the card says, is a romantic comedy with zombies. Didn't think you could introduce romance and humor in zombie movie without making it a "Scary Movie" but huh, they've done it, and have ended up making a very deep movie out of it, with all sorts of social commentary.

If, like me, you've been sleeping on this movie, don't. Watch it soon and read up on what people have to say about it to enjoy it even more.

Some 5 years before the making of this film the same team behind it wrote and directed series (season) 1 and 2 of an offbeat UK sitcom named "Spaced". Massively overlooked at the time of broadcast yet with a hardcore fan base of loyal devotees a third series was long overdue but never did materialise.

Shaun of the Dead is the continuation of what went before; of a similar format yet in a completely new setting, with new characters, plus new cast members and for the first time a feature-length run time for the big screen. So how does it play out? Even with such a departure from the original setting, the history of TV to cinema adaptations is a dodgy one to say the least. Fortunately for those of us who already fans or (more likely) if you've never seen the series before prepare to be impressed.

The style is all it's own. With inventive direction and editing making the visual impact which fans will instantly recognise, to the writing which importantly is firstly genuinely funny, interspersed with references to popular culture of the past two decades, always with a self-knowing grin, a wink to the viewer rather than a pretentious nod. And of course several self-references and in-jokes of the TV series all fill in the gaps between the tastefully presented killings. There is blood, after all this is a "rom-zom-com" or "romantic zombie comedy" - a self-proclaimed new genre and rightly so. This is as about as original as it gets. They actually manage to pull off humour, violence, decapitations, action, romance, suspense, sadness and joy all within the space of 90 minutes!

This is the best film I've seen in ages, and a real credit to British film, we already knew about "Fried Gold", now the rest of the World can see it too. An instant classic.