Marie and Bruce

Marie. Bruce. Marie and Bruce. It's very interesting art-house film. It's so surreal. Both of the main characters are so annoying that they feel almost unsympathetic. The dialog is so random and unnatural. But I like it. As matter a fact, Marie and Bruce is one of my all time favorite film.

Marie and Bruce seem to have been in long marriage and they spend most of the days by nagging on each other and at the same time they both don't listen the other. It's kind of sadistic relationship. Like Marie says to Bruce: "Don't you get it, you're not even a living thing! It's easy to leave you because you're not real." It kind of works both ways. They are both zombies, totally numb. Marie mocks Bruce all the time but Bruce doesn't even react to those insults. Like he doesn't hear what Marie says. And every time Bruce starts conversation with Marie she just rolls her eyes and seems to be away like dreaming. Marie despises Bruce and at the same time she loves him. Like she says herself: "Bruce is like a god." Bruce on the other hand, doesn't feel any kind of sexual attraction against Marie. He tries to make a hit on a girl in a restaurant. He goes to the dirty hotel room just to watch the naked woman in a house across the street. He makes conversations with every woman on the party except Marie. Marie really enjoys mocking Bruce and she somehow enjoys the coldness of Bruce.

Julianne Moore and Matthew Broderick were both adorable and their performances are very enjoyable.

Marie and Bruce is surreal love story between two tired people who are seriously tired from each other but they can't live without each other. I highly recommend this film but I have to warn, it's not easy peace to watch. There is lot of symbols and scenes that might not make any sense. Marie and Bruce is movie for a thinking person.

10 out of 10

Shawn's 'Bruce and Marie' has that feel of a conversational play. Well, it is based on Shawn's own play and portrays a day in the life of two couples about to end their dysfunctional marriage. Now, I did find the movie somewhat enjoyable mostly because of the comedic parts and the performances. However, in a conversational movie, dialogue is of primary importance and here it just fails to have that effect on the viewer. The lines are too ordinary and appear to lack the salt that makes meat tasty and this is where 'Bruce and Marie' lags behind. It needed more punchlines. Yet, Matthew Broderick and Julianne Moore make this an entertaining banter. Many have failed to see that Moore's Marie was supposed to be annoying. It's what years of bad marriage does. It makes someone more irritable and crankier while on the other end Bruce is more relaxed and at the same time seeking comfort elsewhere. So, in a bad marriage, one is either bitter and lonely or one is lonely and seeking comfort somewhere outside. The interaction between the characters are fun to watch. The dream sequences are well shot as Shawn manages to express that dreamy feel of the scene. The director does make his point clear and the film ends beautifully.

I don't quite know what this was about - some sort of the NYC, Woody Allen-ish, 21c Who's Afraid of Virginia Wolf?

If that sounds like kind of a very distasteful concoction, that's what this is.

So, spare yourself - if you start watching it, despite this fair warning, don't kid yourself, as unlikeable as it is even in the first 10 minutes, trust me, it doesn't get better.

Strange 2004 character study "Marie And Bruce" spends a day with 'quirky' NY couple Julianne Moore & Matthew Broderick - both apparently on the spectrum (or mentally ill?). They express their frustrations & resentments with each other to each other & the camera as they go about their weird ways (with friends like Bob Balaban) including at a party (with guests like Julie Haggerty) and at dinner (where Griffin Dunne's another diner). It's unclear what director Tom Cairns intended with this the second of his three movies, which he co-wrote with Wallace Shawn (on whose play it's based). While well performed & occasionally amusing, it's just plain bizarre.

Wallace Shawn wrote the very fine 'My Dinner with Andre', a talky but sensitive film that created a niche for conversational stories without plot. Sadly the qualities of that play to film result did not make it with his MARIE AND BRUCE. On paper it looks as though this strenuously boring film should be worth watching: Shawn's previous credentials, the direction by Tom Cairns, and the presence of Julianne Moore and Matthew Broderick together with little feature appearances by the likes of Campbell Scott and Blossom Dearie should suggest investing time in viewing.

Unfortunately the film's premise is so dull that even the technique of having characters speak exactly what is in their minds mixed with dialogue seemingly more appropriate for human ears and adding dreamlike sequences including some rather randy voyeurism - stage worthy though these techniques may be - just can't make this dreary story of a day in the dissolution of a VERY bad marriage work. The only character in the film with whom the viewer can empathize is a friendly dog. Pass on this sad flop. Grady Harp