Hair High

"Hair High" is a full-length Bill Plympton cartoon that is very different from his hilarious shorts. Instead, it's more story-oriented, less funny and a bit padded. Many scenes seem to be drawn out....and the experience is certainly different.

Spud is a new student at the high school. Soon he draws the ire of Rod, the school bully and quarterback of the football team. To punish Spud for existing, Rod forces Spud to be Cherri's slave...and Cherri is Rod's girlfriend. Eventually, however, the plan backfires when Cherri and Spud falls in love and decide to go to the prom together. In response, Rod runs the pair off the road...killing them. While this should be the end of the story, it isn't...and the dead pair are determined to get to the next prom.

Like many of Plympton's cartoons, this one is certainly NOT for kids. It's filled with sexual material and violence...the sort of stuff teens and adults will enjoy but certainly NOT kids! In fact, I talked with Mr. Plympton a few years ago at ComicCon New York, and he said he did NOT want kids watching some of his films. They just can, in some cases, be way too adult for the little ones! It also is a film NOT for the casual viewer, as the material and especially the pacing are not typical of a Plymton cartoon...so I recommend that those not familiar with his work try something else first. Worth seeing despite its pacing...and very, very strange....sort of like the John Waters film "Cry Baby"...but on acid!

I wonder if Pink Floyd's The Wall animations helped inspire this little animation gem. I wish this had had greater circulation. The Triplets of Belleville comes to mind as well. The story is strange, the animation brimming with nicely realised ideas. I guess you could compare it to Carrie. It's sort of a grand All-American nightmare. I found this movie at an op shop. Another lucky day for me!

Hair High is a take-off of retro high school dramas, as a mild-mannered student finds himself being tortured by the top echelon at his new school. The story is little more than a frame for a series of insane set pieces that range from flies having sex to a crazed car battle.

This episodic, gag-first approach keeps one from caring much about the characters or events, but it's pretty consistently funny.

Bill Plympton has a weird sense of humor, but his mix of surreal cleverness and outrageous is always lots of fun. Hair High isn't quite as good as his shorts, but it is thoroughly enjoyable.

Bill Pympton's "Hair High" is everything an animated feature should be. It features some of the funniest comedy you will ever see in a film, animated or live action. This comedy is combined with excellent, unique animation that sets the film apart from other animated features. The rough feeling of it is a much needed break from the perfection that is Disney and Dreamworks. Plympton really proves that you don't need expensive fancy 3D graphics to make an amazing film; all you truly need is talent and ambition. The plot ties everything together; giving some meaning to the crazy world that is Plympton's animation style.

One of the best parts of "Hair High" is the cast of voices. Kill Bill's David Carradine lends his vocal talent, along with Beverly D'Angelo, and Animators Don Hertzfeldt and Matt Groening. Each voice fits the character perfectly, which really adds to the already excellent animation and story.

Overall, the incredibly weird, yet extremely funny, antics of "Hair High" are sure to entertain. Laugh after laugh, this film takes the fun of Plympton's shorts and allows the audience to enjoy the fun for over an hour.

While the story is pretty good (although very used), this kind of animation just blows. it looks like the animator is down right lazy. instead of 10 frames he uses the same 2 over and over. i've seen better animation by first year art student. i mean it. And the dubbing synchronization (and voices characterization all-in-all) is poor: when someone looks (visually) like he's shouting, their voice is dry and in normal volume. there is way too much silence and lack of sound effects to make the scenes work and be coherent, instead of just frames flickering around with big random pauses.

There are so many great storytellers and animators out there. I really can't figure out why Plympton is considered such a great one.

A sheer disappointment.