दिग्गज से किराए का कर्मचारी बना तूरप रूस से अमेरिका तक एक महिला को एस्कॉर्ट करने का उच्च जोखिम वाला काम लेता है. उसे नहीं पता है कि वह एक ऐसे जीव की मेजबान है जो एक पंथ के एक आनुवंशिक रूप से... सभी पढ़ेंदिग्गज से किराए का कर्मचारी बना तूरप रूस से अमेरिका तक एक महिला को एस्कॉर्ट करने का उच्च जोखिम वाला काम लेता है. उसे नहीं पता है कि वह एक ऐसे जीव की मेजबान है जो एक पंथ के एक आनुवंशिक रूप से संशोधित मसीहा के जन्म के लिए मिलना चाहते हैं.दिग्गज से किराए का कर्मचारी बना तूरप रूस से अमेरिका तक एक महिला को एस्कॉर्ट करने का उच्च जोखिम वाला काम लेता है. उसे नहीं पता है कि वह एक ऐसे जीव की मेजबान है जो एक पंथ के एक आनुवंशिक रूप से संशोधित मसीहा के जन्म के लिए मिलना चाहते हैं.
- पुरस्कार
- कुल 1 नामांकन
- Neolite MIB
- (as Pete Thias)
फ़ीचर्ड समीक्षाएं
Director Mathieu Kassovitz has been in the business for a while now and is a well complete actor as well and still something about this project went wrong. The story itself seems solid - and somewhat I can imagine the book being just great - but the movie looks rushed with only the most important and visual parts shown.
Actually, it's a kind of annoying experience as you can see how really good it could have been if they only did a better job on the background and the storytelling instead of mixing everything from the book in an action packed movie. Now being totally honest, the action isn't great at all thanks to the shaky hand cam effect (The Bourne Legacy I guess ...) and uninspired choreography. Same goes for the acting : Depardieu and Wilson are easily the worst : they would have read the script for the first time it wouldn't have surprise me.
Considering all the good material it certainly feels like a misproduction, someone said the director and actor Vin Diesel were having different opinions and I do hope the latter won because if Kassovitz did it the way he wanted I'd be really disappointed.
We've been awarded with such great movies around the same kind of subject (Children of Men to name one) that this one seems pale compared to those.
First off, Babylon begs three questions: 1) what did director Mathieu Kassovitz do to make the studio so mad, 2) what is Gerard Depardeau doing in this movie, and 3) what happened to Vin Diesel's career? I'll answer all of those. Except number 2. I have no idea what he was thinking.
Director Kassovitz is certainly talented - there's no denying that. There are some moments where the film shines with beautiful shots, decent visuals, and some daring moves from the director of Gothika, but in the end, the editing process is so obviously influenced by the studio wanting to tone down the movie and keep it 'simple' that it really hurt the movie in the end, and it's very easy to see why the director is mad. If the movie has a director's cut, I'll give it another shot on DVD.
Vin, Vin, Vin...what happened, buddy? Five years ago you were the KING of action, and now...ugh. Diesel needs the next Fast and Furious movie to be awesome...for his credibility's sake. Scratch that. He just needs it, okay? I really felt no attachment to his character in this, even though you're supposed to go on this transcontinental adventure with him and feel what he feels, that's totally impossible because Diesel allows no room to feel what he's thinking. Michelle Yeoh, always the bright spot of movies, is a healthy addition to the film, while Melanie Thierry is absolutely gorgeous (so no complaints here). Again, I have no idea what some people were thinking. *slaps Gerard Depardeau and Charlotte Rampling*
The film is more of an apocalyptic thriller than an action thriller, and delves in to the realm of science fiction more than a few times. I especially liked Kassovitz's vision of a futuristic New York. Though not as scary as Francis Lawrence's vision in 'I Am Legend', it was still pretty dark, brooding, and intense. What action is in the movie is exciting. Though the snowmobile chase sort of came out of nowhere, it was still well done. It seems as if Vin has to have something like that in all of his films.
All in all, Babylon A.D. serves as a great example as to why studios are losing their minds *glares at the people who made Disaster Movie*, and should just let the directors and actors do their jobs correctly. There's a longer cut of this movie, I'm sure of it, and that cut will have better action, more development, and more explanation for the seemingly mind boggling events in the film. If said longer cut comes out, I'll give it a chance, and you should too. My real meaning? Wait for the DVD if you're interested at least a little.
In 2002, after the release of "Pitch Black" and "xXx", and even though I was possibly too old to indulge in such childishness, I wrote Vin a fan letter. I expressed my admiration for his work and politely requested an autograph on a magazine, featuring Vin on the cover, that I had enclosed with a stamped addressed envelope. A month later the magazine arrived back and it had been autographed.
I have no idea if the autograph is genuine. It may well have been signed by Vin Diesel, or maybe it was just signed by somebody in Vin Diesel's office. I will never know. Do you know what? I don't care. Somebody went to the effort to send that autograph to me for that I think that Vin is sound, is cool and I give him much respect.
I just wish that Vin appeared in better movies. This brings us to "Babylon A.D.".
Good things. The presentation of the near future world in "Babylon A.D." is beautifully done. Compare and contrast the difference between the collapsing, grunge-like, shabby Eastern Bloc, with the hi-tech, neon lit New York. Very well put together. "Babylon A.D." also has a really intriguing cast (Charlotte Rampling, Mark Strong, Michelle Yeoh, Gérard Depardieu), some good action sequences and an interesting, if derivative, plot.
Bad things. "Babylon A.D." is a mess. There is evidence of extensive tampering with and shortening of the movie in the editing suite. (I read one rumour that 70 minutes had been cut from the movie, although the Director claims that this was more like 15 minutes.) The ending is absolutely awful and apparently not the one that the Director intended.
Director Mathieu Kassovitz has mostly disowned "Babylon A.D.", calling it a movie of 'pure violence and stupidity'. There is nothing wrong with cinematic 'pure violence and stupidity' as such, but I for one would like to have seen Mathieu Kassovitz's original vision. It could have been great.
Such a shame. I have always felt that Vin Diesel could have been the new Stallone, but bad choices have turned him into new Van Damme.
Still, "Babylon A.D." is currently the #2 film at the US Box Office, so what do I know?
Do you like headaches? Do you wake up everyday saying "Today sure is a great day to see a movie that could have been great, but I'd rather be confused!" Well then go see this movie! I don't really know what else to say, you can't really rate a movie as good, or bad, unless there is a movie to rate. It was so jumbled around with drastic scene changes, a plot that you don't even understand at the end of the movie, and uhhh, be prepared to be in an altered state of mind when you go to see it, maybe then you'll think you get it. Otherwise you're gonna hate this movie.
क्या आपको पता है
- ट्रिवियाWhen the film was released, director Mathieu Kassovitz called it a "bad episode of 24 (2001)." In an interview with amctv.com, Kassovitz said that 20th Century Fox interfered throughout production, and he never had a chance to shoot a scene the way it was scripted, or the way he wanted it to be.
- गूफ़When we are first introduced to Auroa, you can see she has her tongue pierced with a gold barbell in a couple of close-ups when she is talking. Her character would obviously not have had her tongue pierced for many reasons, not the least being she has never ventured out into the world. In later shots, the piercing is no longer there.
- भाव
Sister Rebeka: Aurora could speak when she was two years old.
Toorop: Oh, a lot of kids speak at two.
Sister Rebeka: Not 19 different languages.
- इसके अलावा अन्य वर्जन20th Century Fox and Studio Canal released this film in different countries separately (since it is a co-production between the two companies). However, the version released by Fox (released for example in the United States and Great Britain) runs 90 minutes whereas the Studio Canal versions runs 101 minutes (released for example in France and Germany).
- साउंडट्रैकDeuces
Written by RZA (as Robert Diggs) and Shavo Odadjian
Performed by Achozen
Courtesy of UrSession Records, Wu Music Group and Columbia Records
Published by Universal Music Careers and Allyomusic (BMI)
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $7,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,25,32,572
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $94,84,627
- 31 अग॰ 2008
- दुनिया भर में सकल
- $7,21,09,200
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1