Jailbait

Thank God this film will finally receive its long-overdue theatrical release later on this summer! I saw it a while back at a film festival and thought it was one of the best independent films I'd seen in a long, long time. It is extremely powerful, disturbing, thought-provoking and funny all at the same time. The performances by all four actors are spot-on. Michael Pitt continues to impress. In fact, I think he went deeper emotionally in this film than any other, with the possible exception of 'Last Days.' Stephen Adly Guirgis surpasses his 'Palindromes' performance by a country mile. He's fantastic. And the film as a whole has a very mature, seasoned tone, pace and structure. It reminded me of some of Fassbinder's films. And early Louis Malle and a bit of Bresson. A great debut by writer/director Brett C. Leonard. I heard after the screening I saw that they shot the whole thing in 8 or 9 days. Incredible. Does anyone know when it will premiere in L.A.? I believe it opens New York sometime in July. Anyway, if it comes out where you live, I highly recommend it. A great example of auteur, personal film-making on a shoe string budget.

Like I have stated in other comments that I have made for other films, I am no expert-- just a chick who loves a good story. However, when I see something that haunts me long after I get on the 101 freeway, I feel obliged to chime in with my comments.

After months of hunting down when and where this film would release in the LA area, I finally sat down in my chair, stub in hand at the Grande Laemmle downtown. I thought I would remain the only member in the audience given the lack of advertisement, but shortly after I arrived two older guys showed up. One of them had a handy-cam, so I figured they were just a couple of old pirates. Nope. The 'pirate' ended up being the father of Brett C. Leonard, the writer/director of the film and his camera was not for pirating-- just had it with him. After hearing Bruce Leonard's story of his son's long journey to getting the film off the ground and on to the screen, I was more than ready to see it. It was definitely worth the wait.

From the limited number of cast members, the one principle setting, the almost exclusive use of the color blue and the lack of 'mood' music, you really got a sense of confinement. The acting was great. I was scared of Randy's (Michael Pitt) cell mate and wanted to be his friend all at the same time. Very amusing and yet horribly disturbing character. Michael Pitt was dead on once again. You really felt for the guy's situation and, no doubt, his regret. Clearly, the film wanted to touch on the ridiculousness (is that even a word?!) of California's three strikes rule. Without giving anything away, I can say that this film while not preachy is definitely a discussion starter (aren't all of the good ones that way?).

By not putting the two principle characters in a few other settings within the prison, i do feel that the director missed an opportunity to take advantage of the medium. A lot of the dialog could have been done in the prison yard or the mess hall..even the library mentioned at the beginning of the film. This would have also allowed us to see how the other inmates were living and interacting. Maybe even opening up the idea that Randy's situation was not just his hard luck, but the simple, sad truth of many other inmates.

Regardless of these thoughts, this was a disturbing, touching and thought-provoking drama. The writer and director should be proud of his accomplishment. I know his father sure is.

I started watching this movie with no pre-conceived notions. (I only decided to see it based on the presence of Michael Pitt, who has proved himself to be a very capable young actor, and that it was produced by the same producer as L.I.E. I had heard nothing about it.)I wish I had read a review before hand and saved myself some time and money. (Though the review I read here for it wouldn't have stopped me from seeing the film. They seemed to think simplicity means "art".) The acting was surprisingly good. That I am willing to say. If you want an acting class on how to react silently on film, Pitt's performance is sublime. Sadly, those moments do not save this clunker of a movie.

Some times you see a movie that was based on a play and you can feel the story not fitting the medium of film. This was a very similar experience to that. It was like watching a badly lit stage play with close ups. You are robbed of the joy of going to see a play while also being robbed of the pleasures of film. They are two completely different mediums and this movie fit neither one.

If it was play at a local theater, I would recommend it solely based on the mental exercise that would accompany the play on the ride home. But as a film, I must say this movie left me feeling flat. The camera felt intrusive. The pace felt forced. The violence seemed tame and unreal. Even the dialouge seemed as if it were written by someone who had never seen the inside of a prison. (Or if they had, it was in 1957.)The actors clearly did the best they could. They had to take this job for the chance to do good work and not for money, but sadly the direction and script didn't allow them to make a movie you don't forget about ten minutes before the credits even start.

I saw this at TriBeCa Film Festival, and I loved it. Even though there is only one brief moment of violence in the movie, I found myself breathless and tense through out the entire film. All of the harassment was insinuated. The degradation was hurtful and apparent. The movie was only the two cell mates for the majority of the film, and it was just so...you just have to see it. It is heart breaking and leaves you helpless and angry and sympathetic. The scene between Randy and his mother...ugh. I don't know, there's not much you can say about the film with out seeing it...it is an emotional ride more than anything else...a lot of insinuation, a lot of fantastic wordless acting...I hope to god it's released for all to see.

`When in disgrace with fortune and men's eyes' from one of Shakespeare's sonnets was used in 1967 (before Stonewall) as the title of a play about men in prison and the sexual games that were played there.

Jailbait covers much the same territory and it would appear (if this movie is taken at face value) that some parts of society haven't moved ahead at all.

In this prison drama, essentially a two-man play, we see the interaction between the hardened lifer Jake and the much younger, much more frail Randy (played by Michael Pitt)

The first scene with the two men is deceptively mild but towards the end of that scene we see that there is menace just below the surface of Jake's behavior. From the `wounded doe' look in Randy's eyes at the beginning of the second scene we can begin to see that something is wrong and while what it is seems pretty obvious (given that it's a prison movie) we are not really certain for some time

Unfortunately the movie doesn't progress much from there. Like the men, we seemed sentenced to remain in the same place for much longer than we'd choose to.

This movie is worth seeing as a character study and there are some memorable bits but it seemed to cover no new ground nor present any new perspectives over the 30 year old Fortune and Men's Eyes (albeit this one showed that it had a much better budget and was by far more polished)

I was ultimately left unfulfilled and wondering why this movie had been made.