Day of Wrath

An awful script and terrible direction saved only by some decent local and imported actors. Lambert is fine but not given much to work with. Most of the time he seems to have the same slightly puzzled look on his face. Blessed, Faulkner and Law do the character work that they do best and the director should be glad to have had them in. Local Hungarian actors, including Szonja Oroszlany do solid work as well proving that the country has real talent available. Would have been good to see newcomer Ben O'Brien more in the role as Lamert's deputy. Unfortunately, the script sinks the boat and viewers don't have any time to develop a relationship with the characters much less care about any of them. Quick-pace editing means that the whole story moves much too fast.

I just came across this movie, it sounded interesting so i gave it a go, and i was pleasantly surprised. but then i am a big Christopher Lambert, and of course Brian Blessed, but the plot is clever the acting is great and its got lots of medieval action. The story rolled along slowish, well its only slowish after you compare it to the end of the film and as thats usually a good sign i have to say, go see this if you get the chance, i suspect even the ladies will find it enthralling, although women aren't portrayed quite as well as they would like this is the middle ages so its pretty accurate and quite frankly it rocked :)

I agree with the previous commenter about the script and the fast pace of the editing. It does the movie disservice. What would have made it better would have been to let the characters shine through a little more. I do think that for a low budget film it had an interesting, well thought out story. I was surprised by this, and despite the poorly choreographed fight scenes (why were all fighters, even henchmen, better than Lambert), I was still interested because of the historical engagement of the plot. I also agree with the previous commenter that the Hungarian actors were good. I think it is clearly a B movie, but not a bad one.

A 16th century Spanish town is plagued by some mysterious murders involving important town figures and when the sheriff Ruy de Mendoza starts his investigation on the mutilated bodies, he learns that no one else seems to want to help him out, as there's a cover up, which leaves him all in the dark. As the deaths grow, Ruy goes on to learns more. The web of deceit grows larger and secrets are being revealed. In his path is a mercenary group, which Ruy is trying to figure out who's the man behind it all and his intrusion could cost the lives of those his loves. Christopher Lambert as an actor hasn't done anything that has really grabbed my attention, other then the sci-fi flick "Fortress". His most well-known involvement in "The Highlander" series, did nothing for me. Anyhow I decided to take a chance on this medieval B-film and was pleasantly surprised with the overall effort, even though some frustrating strokes cropped up. Enchantingly sharp-etched period back-sets, props and costumes have a rich awe to them, despite the cheap origins. The premise holds up remarkably well with a broodingly elaborate mystery within a well thought up concept of effective twists and sustained involvement of the story's progression. This is because there's so much more going on behind the scenes in this conspiracy laced-script, which keeps things really tight and nebulous. The brisk location photography is genuinely polished and covered the beautifully picturesque Hungry backdrop with vivid scope. A blazingly elastic musical score paints the period and moody precisely. A solidly low-key Christopher Lambert plays in a husky and rundown portrayal of his character Ruy de Mendoza. He sounded like he needed a cough drop. Blanca Marsillach charms in her glassy part and James Faulkner weasels in. The acting while not great, is workably stable and watchable. Now what brought it down was that in patches the limp direction couldn't come to terms with the promising material, and was weakly conjured up and lacked real gusto in its delivery. Some unorthodox set-pieces flourished with atmospheric flashes of intrigue and foreboding terror, but more often it came across as frosty, repetitive and stiff. Some nasty and mutilated violence livens up the show, but the bustling action feels torpid, even though the pacing is always busy. The idea behind it is a stimulating pot-boiler, but for most part the execution is rather muddled and dry. While the material and production design is up to par, it's basically undone by feeble direction. Anyhow, it's not-too-bad and keeps you highly involved.

I was expecting a typical Christopher Lambert movie when I rented this, a pretty badly produced swashbuckling movie with some funny stuff. I was surprised to find that this movie was a little bit more....It is not a 'fun' movie but it is not meant to be. Technically the movie is pretty low quality and the script and editing is choppy but if you can get past those aspects it is worth watching. The international cast makes for a confusing variety of accents, but by the end of the movie you can see why various accents make some sense. This film is meant to inform the viewer of the history of the religious persecutions. It made an impression on me. If you have a social conscience at all, you can see a relevance to today's world events.