The Crow: Wicked Prayer

Watched The film with an open mind thinking the film wouldn't be that bad!! How wrong i was the plot makes no sense at all, unlike the original film the actors are all wooden and seem to have no sense of what the legacy and style of the Crow is all about. The plot of the graphic novel of the same name is completely different. At Times the film almost seems like a bad parody of the original with some frames lifted directly from it. The problem with all the sequels is the budget is never enough and also James O'Barr doesn't seem to want to have anything do with it. Also why the hell was dennis hopper in it? he popped up from no where acted everyone under the table and then had the worlds crappiest death.

In the year 1993, Brandon Lee created a very memorable, dark & beautiful character: The Crow. The movie, with an exceptional script, smart direction, excellent photography and a brilliant cast, it truly one of my all time favorites. Everything from the look of the film, the characters (especially Lee as the Crow), the phenomenal soundtrack and the overall story of love being stronger than death - I was hooked! I love that film! I saw it in theaters no less than 8 times.

CITY OF ANGELS was a shallow, bastardized attempt to cash in on the success of the first film. In some ways, ANGELS almost ripped-off the original, but in a way that makes me loathe the film. Very disappointing!

SALVATION, the third in the series was...I can't even remember. I saw it once, and do not remember being overwhelmed by it or feeling anything for it.

And now, 2005 brings back the return of The Crow with WICKED PRAYER. Unlike the first three films, this one takes place in the desert, near an Indian reservation. I must admit, I was impressed with the cinematography on this film. The desert scenes, the flashback scenes, all were well done and looked great.

So...what do I think of the film? The direction? The acting? For starters the direction of this film was all too often sloppy. It appeared, more times than not, the film was confused with where it wanted to go. The characters seemed stuck into scenes, with little to no direction, and carried scenes with no skill. Each set up seemed and felt under-rehearsed and underdeveloped.

Edward Furlong is by NO stretch of my imagination an acceptable Crow! Looking too much like a gay goth groupie, instead of a vengeful angel set to make the wrong things right. His costume appeared to steal too much from the original. I felt his performance was bland and tasteless. There was no emotion displayed by his character. I did not feel pity or sorry for him, or what happens to him. I was no convinced that his love was so undying that he could be brought back from the dead. He is no Brandon Lee! I mean, come on: "Quoth the Raven, Nevermore. Motherf**ker!" What kind of crap writing is that? Boreanez is wasted in this film. Though, he has not impressed me much with previous roles such as Adam Carr in VALENTINE, I still feel he is a solid actor and really can pull off the bad guy look. However, in WICKED PRAYER, it never feels like we are 100% sure of what he is doing or why. OK, I get that he is performing a ritual to become a demon or devil, but where did this come from? What is in motivation? World domination? I don't think we will ever know.

Tara Reid....Ugh! And Macy Gray?!?!? And what was up with Dennis Hopper, in what could only be his worst performance.

None of the cast is able to save this mess! Very upsetting to see the series continue to be treated this way. What started out 12 years ago with such an inspiring beginning, is continuing to fall further down the spiral of sequel Hell!

I adore the Crow franchise... I love all the movies and even the T.V show on occasion.

But lets face it, Wicked Prayer was the worst movie to date. The original was fantastic, as they always are, the second (City of Angels) was passable, but Vincent Perez was great as the Crow. Salvation, my second favourite, made use of some amazing young talent... But Wicked Prayer?! No. David Boreanez is a great actor, I think he did an amazing job as Angel in Buffy and Angel, Tara Reid is great in all her other movies... But so miscast in this it's untrue... The new crow, not too bad, but far too underplayed! Where's the angst? The special effects were lousy to say the least and it seemed the director was too interested I'm piling up the body count than making a genuine love/revenge story that the entire crow fiction centres upon.

I honestly have to steer people away, as only the true die-hard fans would want to see it, for the sake of saying they have seen it. Every one else would be put off the movies for good!

Greetings I'm afraid Crow fans are going to be in for a disappointment. 'Wicked Prayer', it starts out quite strong but rapidly loses steam. David Boreanaz, who should be well known by now at the very least for excellent villains, is not given much room here. I don't think it was his fault; what he could do, he did do but the role just didn't have much.

The plot is lacking seriously, the mythology is entirely corrupted (The Crows power does NOT come from love thank you very much), and the fight scenes, aside from the initial murder, are pathetic.

Which is a shame really because there was a half hearted effort to make the four bad guys, Famine, Pestilence, War and Death more than just another series of bad guys like T-Bird's gang, and Curve's boys or those cops in the underrated third movie. They were, from time to time unnerved by the violence, but this plot thread was crushed by how easily and half-heartedly they were lured back to evil deeds.

The biggest disappointment was their ends; perhaps it was budget constraints but there was near zero visceral satisfaction. I'm bloodthirsty, sue me.

Also a lot of the drama, what little of it was built up, was totally savaged by Danny Tregjo's native American 'Crow Dance'. Tregjo makes one of the bad-assest Mexican bag-guys/evil doers/violence loving vigilantes on screen today. He can even pull off a good priest and a so-so mourning father. What he cannot do, tattoo laden pectoral muscles flopping around like half empty water balloons, is a American Indian ceremonial dance. Not, at least, without my jaw hitting the floor before I follow after holding my ribs in a fit of hysterics.

I was incredibly sceptical of Eddie Furlong in the title role but heard good things from the crew on the film and, having seen him in the irony mask, felt my concern ebb. Truth be told he did have a few good moments but his pain was never convincing, not for one. single. second. Acting enraged, pained, tormented is a key part of the Crow's character and he just did not have it. He can't even compare to Vincent Perez's little tantrum in front of Spider Monkey. Don't even try to contrast Furlong with Mabius' first humorous curiosity, then growing rage, or God Forbid, Brandon Lee's near perfect representation of pain.

My biggest beef? The lighting. The entire movie was well lit. No darkness, no shadows. Everyone meandered about either in full time sun, or well lit night scenes. And that was a physical representation of this entire film: It wasn't dark enough.

The Crow: Wicked Prayer, easily the weakest of the four. While I hate to admit it I think this franchise has gone as far as it can.

I remain, as always, Mad-Hamlet

Wicked Prayer is a departure from the previous films in that it takes place in an entirely different, unique setting. The third sequel is set in the American Southwest, and the director has created a film with a style more in line with spaghetti westerns than with the other Crow films. This immediately starts the film out on the wrong foot. The concept of a makeup-wearing avenger can be silly if it isn't treated with respect and verisimilitude, and that is a big reason why The Crow: Wicked Prayer falls flat on its face. From the very beginning of the film, when the villains are introduced with jokey subtitles featuring their nicknames and main attributes, Wicked Prayer is just too tongue-in-cheek to be compelling in any way. David Boreanaz's over-the-top, Nicholson-esquire performance doesn't help matters, and Edward Furlong simply doesn't have the acting chops or the charisma to make up for the film's numerous flaws. In the end, he turns out looking more like a mid-90's Smashing Pumpkins fan than a fearsome spirit of vengeance. Add in some embarrassingly bad wire work in the fight scenes and you have one big, bad, direct-to-video disaster. It's not even worth a rental.