Churchill: The Hollywood Years

I'd had this sat on my shelf for a while having bought it as part of a job lot of DVDs. But I was pleasantly surprised.

The film is much more clever than it seems with several in jokes and knowing nods to those who know there 'Comic Strip' and also enjoy taking the mickey out of jingoism, of any nation. To those who don't get that this is a satire more than a parody, note the way that 'Churchill' delivers the Enigma machine to Lord W'ruff within one of the first few scenes.

So it's not rip roaring - so what ? If you want the same old re-heated jokes then the Scary Movie franchise is probably more up your street. This is more the Pete Richardson of 'The Strike' or 'GLC'. It's brave of film producers to throw money at this kind of production, rather than letting it fall to TV and have to make compromises. The money is on the screen. It's a good time film.

For me Reeves and Mortimer play perfectly to form in their hammy cameos. Slater gets the joke and takes a leaf from Charlie Sheen and the Hot Shots movie. The only disappointment is that Miranda Richardson is so under used.

Not a popcorn film for the modern world of MTV and Big Brother, but certainly one worth watching just the once as a balance against the Michael Bay whore fests such Pearl Harbour or Armageddon.

One hint about "Churchill: The Hollywood Years": Ask around . . . no one's seen it. Cooler heads probably managed to mothball this seeming direct-to-airline release. (I sat through it having run out of other on-demand options during a very long flight from Asia to NYC.) The premise in an interesting one, not a good one; Hollywood producers have made a Winston Churchill bio-pic with a young American GI (Christian Slater) in the lead for the benefit of the American audience. It's hard to single out the writing, acting, or direction for criticism because the entire film seems to consist of (justified) outtakes from a movie that may have had some idea what it was doing in the comic space between "Airplane" and "The Player." The film that finally makes it on to the seatback in front of you is jaw droppingly ill-conceived.

When taken in the right spirit, this is a pretty enjoyable film, but it has its share of problems nonetheless. Sold as a parody of the way Hollywood tends to treat actual historical events, it doesn't really live up to its promises as it only occasionally does a decent job of lampooning its subject matter. When it does, it's very funny - my favourite exchange being (paraphrased) "It's up to the Americans to save the day again!", "God, I wish I was an American!". The rest of the time, though, it seems content to simply be a wacky slapstick comedy that gets its laughs from making prominent historical figures look a little ridiculous. Sometimes this works - I adored Neve Campbell's performance as Elizabeth, as well as her hilariously overdone accent... in fact she's probably the best part of the movie - but other times it doesn't, for example with Goering and Goebbels. It also has a habit of making its jokes too obvious at times, as if writer/director Peter Richardson was afraid that audiences wouldn't get it: it's not enough for Churchill's fellow GI, an African-American, to be relegated to the role of the stereotypical black comic relief character, he actually has to point this out to us.

Nonetheless, it's a fun movie, although I suspect that it will go down better with British audiences than American viewers. Provided you're not expecting sophisticated comedy or subtlety of any kind I expect you'll have fun. 7/10

This is clearly a spoof, and therein lies its strengths and weaknesses. Overall, it's pretty funny. I recommend going to see it in a full theater, with a gang of friends out for a laugh, and with two glasses of wine or two pints inside all of you. Not more, just the two.

The jokes are plentiful, and many are sight gags, easily understood. For example, British traitor Lord W'Ruff picking up Hitler at the airport, and the entire sequence of a stalled cars, luggage, and... well, I'll skip the details so you can be surprised. But the whole 8 minutes with them is hilarious! I laughed out loud. The SS Storm Troopers in various degrees of Buckingham Palace livery is also funny, as are many other gags. A few of the gags fell flat--- such as Goehring, and Goebbels (excuse the spelling). The king was subtle and bitingly funny satire on the Monarchy. So... some gags worked, some didn't. Some required your attention, and a bit of thought, some didn't.

The weak point was the crap production values. I know it's a comedy, and part of the joy of satire and comedy is that you can do it with a low budget. Produce on a shoestring. But this movie needed a bit more than it had. They should have begged for another 5 or 10 million dollars, and brought in a bunch of CGI London blitz crowds, bombs, and something more to give it at least a veneer (even a fakey one) of the historical setting it purports to portray. Obviously, we couldn't expect "Gladiator" level cartoon graphics--- but seeing wartime London with only three actors, 4 extras, and one old lorry fell so flat that my fantasy-bone that lets me pretend and enjoy a movie was jarred and interrupted.

OK--- go see it, but be in a lightly drunk group, ready to laugh. You will laugh, and you'll have a good time. Do remember, though, that it is a S-P-O-O-F, and is supposed to be over-the-top and silly. I gave it an 8 out of 10.

A patchy British send-up of the way Hollywood rewrites history in favour of America.

Although I enjoyed seeing a British film sticking two fingers up to Hollywood, in the end it only, and ironically, serves to demonstrate why Hollywood has won the war in the UK box office. A ramshackle gathering of comical ideas, just about held together around the idea that Churchill wasn't a fat old British aristocrat, but was in fact a young American hero who single-handedly saves England from the Nazis, while falling in love with the future Queen of England.

But too many times the script fell foul of going for the obvious gag, or just swearing for supposed comical effect. And the action sequences were so incompetently done, looking more like something out of an episode of Dad's Army, that they didn't work as a send up of Hollywood action sequences.

Whereas Monty Python had the talents of Terry Gilliam to give their movies style, Peter Richardson is somewhat less than gifted in that department. Some of it looks good, some of it just looks cheap.

Reeves and Mortimer are tedious as usual, and you just get the feeling that most of the Brit comedians who appeared were just here to amuse themselves. This gives a pretty amateurish feel to some scenes.

Still, I laughed and I think its worth seeing, simply because it does show up the absurdity of Hollywood history.