The Alcohol Years

Carol Morley of Manchester, England, with unabashed narcissism filmed people talking about her youth. She was blond, slept around, drank too much, had wild friends and big boobs and might even be charismatic. Fascinating.

Movie has parental guidance warnings but actually it could let teens live the scene vicariously, from the end viewpoint, so they can do something different with their youth. Morley herself didn't have much parental guidance. Her father killed himself and wasn't around to have any input.

She was a wild girl and now teaches film making. She pulled it together.

There are friends from my youth that I would love to watch a multi-angled analysis of so I don't have any complaints about the concept of the film. A drunk girl isn't necessarily the person I want to see in this much depth though.

This is the story of Carol Morley's wild and wanton years back in the 1980's. The film is a series of talking heads of the people Carol slept and partied with back on the 1980's while she was in a band inter-cut with old film footage and new film footage. Carol doesn't appear on film and the film is structured as if the interviewees are talking to Carol and the inter-cut footage is memory.

I think.

Then again I really don't care. There is only so much that I can hear about some one's sex life over and over again before I stop caring. Usually about two minutes, this is 50 odd minutes more than that. Actually to be honest the problem is not that I don't want to hear about her sex life, I would, if it was interesting, but its not, its the same basic tale repeated over and over again. There is talk about Carol's partying but mostly people seem to focus on the sex, or so it seemed to me.

I watched this hoping that I would find something to latch onto, but I couldn't. I don't know why this would interest anyone other that the director who may or may not have made this in an effort to remember how many people she actually slept with. I have no idea what sort of hubris would make someone think that anyone other than those involved with her would want to see this film.

2 out of 10 for the five minutes that the film is interesting.

I saw this film the other night on the Sundance Channel. In the first ten minutes I said to myself, "this could be interesting". In the next ten I said, "OK, you had a lot of sex as a teenager. I get it. Time to move the film forward, give it some direction, tell a story." In the next ten I said, "Wow, she really isn't going to talk about anything else, is she?" And I spent the remainder of the film wondering how a grown woman could have so little self awareness that she sincerely believes that everything she's ever done in her life is so fascinating that it deserves to be memorialized on film.

The film is a series of interviews which go as follows:

Man 1: You were very promiscuous, Carol. Woman 1: You had a lot of sex. Man 2: Everybody wanted to have sex with you. Woman 2: You were incredibly beautiful.

And that's it. For forty-five minutes. No introspection, no deeper meaning, no plot, no humor, no characterization of anyone or anything except the filmmaker. She sincerely believes that a series of interviews with old friends telling her how much sex she had in the early 80s is, all by itself, an interesting subject for a film. Amazing.

an interesting, if narcissistic, examination of identity. Carol Morley - sister of journalist and TV pundit Paul Morley - returns to her teenage stomping ground in Manchester, putting an advert in the local paper for people who remember her. And so we're greeted with a series of talking heads, some famous (Tony Wilson, Vini Reilly) but most unknown. They paint a picture of the years that the documentary maker lost to alcohol and sex. In fact, although she was an artist and in a band, most of the interviewees seem to remember her for her sexual exploits. We never get more than a glimpse of Morley herself but, as the cast of friends and acquaintances talk into the camera, we're forced to become her. It's often intensely personal and uncomfortable, and sometime voyeuristic to the point that you wonder about Morley's motives. But it's nonetheless an interesting glimpse of Manchester at a time when the Hacienda was empty and the Happy Mondays were still practicing in a garage.

A more realistic precursor to Michael Winterbottom's '24 Hour Party People', this is a compelling, funny, and poignant memoir of Carol Morley's 'lost' years in Manchester in the early 1980's. The story is told through painfully honest interviews with old friends and acquaintances who reveal that the younger Morley was a wild and promiscuous character. Morley herself never appears on screen, a clever device as the viewer is left to piece her story and her character together (although it's also worth watching the DVD as the director's commentary gives Morley a chance to answer back to some of the comments made about her). A beautifully told insight into a fascinating life, time, city and culture.