Shall We Dance?

I do not remember when was the last time I left the movie theater with such positive feelings and in such a good mood as after seeing this movie. Having not seen the Japanese original and having known only that the movie did not perform extremely well in the US, I did not know what to expect when I went in. I was very pleasantly surprised. The movie is very entertaining, sweet and kind in commenting on people's little quirks. Emotionally there is not a single false moment. And there a couple of genuinely funny moments (none better than the Gere-Tucci moment in the men's room). It does help, I guess, if you are over forty (like myself) to understand the yearning of the main character (Gere) who has no reason NOT to be happy in his life, yet he cannot help but missing "something". I loved all the little stories of the supporting characters and I loved the fact that the movie took the time to wrap up all the stories in the end. I guess the movie underperformed because it was seen as a star vehicle whereas it is more an ensemble piece. That is not to say that Gere, Sarandon or Lopez are miscast. Not at all, in fact now that I have seen the movie twice, it is difficult to imagine a different cast, they all seem to be perfectly chosen for their parts. But it is really the supporting cast which really makes the movie work. It is difficult to chose just one, but Stanley Tucci is quite exquisite in his role. Though the movie is rather light in its tone, Sarandon character's observations on the reason why people get married is rather interesting and stays with you after leaving the theater. I hope Peter Chelsom will continue making movies like „Serendipity" and this one: there are definitely not enough movies of this kind around anymore. This is a movie I will return to each time I will be feeling down. And a special mention goes to the soundtrack. Chelsom seems to really have a hand for picking the right tunes (Serendipity soundtrack is one of the best movie soundtracks ever) and here the choice of the music really helps to define the emotional core of the movie.

The movie is nice, but the whole idea is so irritating... And the question the girl asks, why didn't you do this with mom... That's the whole thing.

He like many other men, do absolutely nothing after getting married, taking everything for granted while the wife works, cleans, cooks and takes care of the children.

And although they have much more spare time... They do nothing and then feel booored and in need of the good ol' fun times, doing the same thing Gere did, by jumping on another woman, that is care free.

And while his wife is tired and lonely and in need to be appreciated as a woman, he goes... Dancing with someone else because heeeey the oldie back home is not worth asking out... Oh boohoo poor married men....

In Chicago, the workaholic lawyer John Clark (Richard Gere) is feeling bored with his routine life, limited to work and stay at home with his wife Beverly Clark (Susan Sarandon) and his teenager's son and daughter. One night, while traveling home by train, he sees the beautiful face of Paulina (Jennifer Lopez) in the balcony of a dance school, and a couple of days later, he decides to visit the school and take dancing classes every Wednesdays. However, he becomes ashamed to tell his family his "little secret". Meanwhile, Beverly feels the changes in her happier husband, and hires a private eye to investigate whether John is having an affair.

"Shall We Dance?" is a delightful entertainment. It is pleasant to see a nice cast like the sexy Jennifer Lopez, the charming Richard Gere, the surprisingly great dancer Stanley Tucci, the funny Lisa Ann Walter, the wonderful Susan Sarandon and excellent support actors and actresses playing and dancing great music along 106 minutes. After watching this feel-good romance, the viewer will certainly feel lighter and relaxed. My vote is seven.

Title (Brazil): "Dança Comigo?" ("Dance With Me?")

Obs: On October 15th 2005, I saw the original "Shall We Dansu?", which is better and better than this remake.

This was a decent movie. It will never be as good as the original but it was effective and made you feel good in the end. This is the third Chelsom film I have seen. I didn't see the British movies that brought him the most acclaim but only Town and Country, Serendipity and now this one. The first was clearly a disaster. The latter two should not have worked but they do. Chelsom depends very much on the charisma of his actors to pull off his movies combined with the whimsy he adds with his direction.

With that being said, Gere is very effective in his role. It is his character's likability that sells this movie combined with the colorful supporting actors that show up in Chelsom's movies that provide the final sell for the movie. I predict this movie will spawn an increase in dancing lessons. Like the movie Serendipity, people will leave this movie feeling there is magic in the air and seek out ways to find the magic in their own lives...

I should start by admitting that it was quite a while ago (New Years Day 1997, to be exact) that I watched the Japanese original, 'Shall We Dansu' (which, incidentally, IS THE ORIGINAL; the Astaire/Rogers 1937 flick, which happens to have the same name, IS NOT). However, although I don't remember every single detail, the essential feelings as well as some of the vivid images still seem fresh in my mind, particularly the glittering performance of Koji Yakusyo and Tamiyo Kusakari.

The Hollywood remake, while not as good as the Japanese original, is at least passing grade, in capturing the essence of the film, 'a man seeking not so much a woman as an answer to his question. Why is she sad? What is she thinking' (Ebert, on 'Shall We Dansu', NOT 'Shall We Dance'), as well as everybody's passion for ballroom dancing.

Richard Gere continues to exude his charm on the female audience. Jennifer Lopez, following Maid in Manhattan, continues to get more comfortable with more matured roles. Oscar best actress (and 5 times nominee) Susan Sarandon is dependable as ever. I'm trying very hard to think of a movie in which I can't find Stanley Tucci and …… darn it, the more I watch the guy, the more I like him!