Fei Ying

Michelle Yeoh is apparently trying to kill herself, or at least damage something. The woman will do anything, regardless of how potentially painful it can be. This movie is a little bit tamer than other things I've seen her do, but still. She induces flinching. (I loved watching my mother's face when I made her watch Supercop--the scene where Michelle hung off the side of a van, only to fall off and crash through Jackie Chan's windshield caused Mom some anxiety. I of course piped up, "Michelle Yeoh does all of her own stunts. Jackie Chan isn't the only one.")

Anyway, this movie is about Lulu Wong, a hugely famous woman--she's famous because she's rich, apparently. (What's nifty about Michelle Yeoh playing Lulu is that you can see Michelle being stylish. She isn't usually--it's also interesting that Lulu seems to be MUCH younger than Michelle actually is. Good acting there, Michelle!) Lulu wears all white, and has all kinds of wigs and different hairdos. She knows everyone, everyone loves her, she's perfect. That's her main identity. When criminals strike, she dons a silver mask, a silver suit, a silver jacket, and dashes to the scene on a silver BMW motorcycle. (Gorgeous bike.) Silver Hawk is an appropriate name, as you can see. She has little silver blade things, like Batman's batarangs, or whatever they were called, but she only uses those to disarm people. Once they're empty-handed she starts the a**kicking. The first scene of the movie is the best--the movie starts off with Michelle (I'm assuming it's The Stuntwoman herself) jumping over the Great Wall of China on her bike in pursuit of some poachers. The cinematography here is marvelous. Once she catches them she beats them mercilessly, but it looks beautiful. It doesn't seem like wire-work, but if it isn't then Michelle Yeoh isn't affected by gravity. She does an incredible kick on several of the poor criminals--she runs up the front of a van, then does some sort of pinwheeling roundhouse kick in midair. All of this is in slow-motion, and I actually think real-time would have been more effective. Once the crooks are in a heap on the ground, Silver Hawk reveals her disappointment. "Give me ten more minutes," she asks. Five? Two? By this time the criminals have tied themselves up and completely surrendered. See, Lulu has to put herself in danger to get excited, but since she's such a great fighter she's never really in a perilous situation. (When I said excited, I didn't mean that this is a porno movie. I mean that some people ride roller coasters, others fight crime.)

After that great opening sequence, we're treated to a plot. Professor Ho Chung (one of Lulu's love interests) has developed a completely idiotic artificial intelligence chip that supposedly increases the wearer's standard of living. We see it tested on a young lady--a holographic English butler appears and informs her that she is 48 days pregnant. A co-worker of hers confirms this, yelling, "That's incredible! We only found out yesterday.!" I found myself wondering if the transparent English butler had Tact 2000, a program few people seem to possess. What if the lady didn't want everyone to know she was pregnant? Could the AI detect that, or will it just humiliate everyone endlessly? The guinea pig doesn't seem to mind, she just smiles. An assistant brings her a drink, and the butler explains that the AI taps into your most primitive impulses, in this case thirst. (That amused me--what would it do if someone had a certain other primitive impulse?!?) Finally, it demands that she do some prenatal exercises. She doesn't want to, but the butler isn't taking no for an answer. Finally, the demonstration is concluded. When Professor Chung asks Lulu what she thought, she tells him flat out that she doesn't like it. I don't blame her--she isn't fond of people telling her what to do. HOWEVER... ...enter Alexander Wolfe, a nut with an English accent. He is very fond of telling people what to do, via secret subliminal messaging, preferably. This new device seems to be perfect for his plan, so he sends MICHAEL JAI WHITE to kidnap the professor. (Don't send a Spawn to do a kung-fu master's job.) Once that's done, Wolfe reveals his silly plan--he is going to place the chip into millions of cell phones, and at a certain time he will play the aforementioned subliminal messages. A technology mogul's daughter is kidnapped also, so that Wolfe can force the mogul to place the chips into a new phone model. He does, and Lulu (remember her?) wonders why. She decides to take matters into her own silver-gloved hands.

As it happens, the new police superintendent used to be a friend of Lulu's, and even more coincidentally, he despises Silver Hawk. How can they work together, you ask? Not very well, is how. He has no idea that Lulu and Silver Hawk are the same person, even though anyone with at least one sense could figure it out. (Silver Hawk looks like Lulu, she sounds like her, she might even smell like her, I'm not sure. You get my point.) So, while they have to save the world they also have to contend with each other. The superintendent, Rich Man, is more interested in arresting Silver Hawk than anything else, especially when she humiliates him in front of some teenagers. (He dressed himself in drag, so maybe he shouldn't be so hard on her.) Eventually it comes to the point where Rich Man has to knuckle under and just deal with it.

This was a good action movie, with several nifty fights and some funny parts. I had a couple of gripes, though, and I might as well vent. First--Michelle didn't get to do all the cool stuff the bad guys go to do. For instance, when Silver Hawk first runs into Alexander Wolfe, his minions bounce around and fly through the air using huge rubber bands. It looks incredibly fun, but Michelle is grounded. She has to run around getting kicked in the face. By the time she gets her leg up to kick back, the person has already flown away. It's just that she could have done wonders with that. This same problem pops up in the last fight with Wolfe's goons. They zoom around on rollerblades with hockey sticks. Not Michelle. She has to hit them as they fly by. Again. It could be that Michelle Yeoh didn't want to do these things. That's okay. If for some reason behind the scenes they just decided that she wouldn't do it, that's not okay. She is Silver Hawk--she should fly. Second--this movie falls prey to another problem that's rampant in Michelle Yeoh's films. She's absent for long stretches at a time. Eventually, you get wrapped up in something else and then she pops up again just when you least expected her. That happened in "Royal Warriors," "Supercop," "Supercop 2," "Butterfly and Sword," and gosh, even "Crouching Tiger Hidden Dragon." I don't want to sit there wondering what happened to her. Did her character die, or just get fed up? Maybe if I had an explanation of why this is done. I realize that Michelle Yeoh gets injured frequently, and that's understandable. Is that the deal? Do they have to shoot around her? Someone fill me in, please. I guess I'm used to Brigitte Lin's films--there is rarely a moment where she doesn't appear. Even if one pops up the filmmaker makes darn sure that you'll think about her. Someone please give Michelle Yeoh the same courtesy.

I wasn't expecting much after Michelle Yeoh's last flop "the Touch". "Silver Hawk" doesn't have such a great story, but the action scenes were really well done. the part where Yeoh flew over the Great Wall with her motorcycle was particularily amazing. Jingle Ma once again proves his talent as an action movie director a few years after "Tokyo Raiders" (skip "Goodbye Mister Cool" and "Para Para Sakura" unless you're really desperate). Another good reason to go see "Silver Hawk" is the absence of Ekin Cheng from the cast. That guy seems to star in too many HK movies since the mid 1990s. Worth mentioning is "Yin Xiong"'s Chen Daoming, who delivers a great performance. "Silver Hawk" is by far the most successful HK attempt at adapting a comic superhero to the big screen after "Hak Hap" and the mediocre "Hak Hap 2: City of Masks". Just for that I would give it a 7/10.

Asia doesn't have many bona-fide superheroes in their fantastic fiction; they tend to have kung fu masters and such, but apart from Black Mask (which was very mediocre) I don't think I've seen any other real Asian superhero movies except for this one; Silver Hawk. It is a true combo of kung fu and super-heroics, as the main character, Lulu Wong (Michelle Yeoh), has excelled in the martial arts since childhood and have found a way to use her martial arts for the good of all society as the silver-costumed hero Silver Hawk.

The movie takes place in the future, where they have holographic mahjong and some brand-new mind-reading devices. Stylistically, everything is entirely kept in ice-blue glass and metal, which all looks sleek and cool, but also rather cold and inhuman.

A human dimension is added, however, in the childhood flashbacks, where a lot of connections are drawn to Silver Hawk's adult life. For instance, the reason she wears a mask is because she did so as a kid, too, to disguise her identity when she was kung fu brawling in defiance of her teachers' orders. This cross-time dimension with her childhood works very well indeed, also because she runs into her childhood friend again as an adult, his having become a police chief. Initially he wants to catch Silver Hawk, but as soon as he finds out who she is, he starts working with her.

The bad guy (supervillain, really), Fire Wolf, is quite dull, and his plan not very well described. There are a couple of plot holes in the story, too, and while the action is pretty good, the fighting isn't spectacular. But still a relatively good and watchable movie. I rate it a 6 out of 10.

I'm very interested in movies that combine kung fu and science fiction. My list so far includes Silver Hawk, Avenging Fist, Jet Li's The One, and, of course, the Matrix Trilogy, and Equilibrium. And also, Star Wars, sort of, since the Jedi abilities are a form of martial arts... I hope to discover more movies with kung fu and sci-fi combined.

SILVER HAWK (3 outta 5 stars)

Pretty decent action-hero yarn starring Michelle Yeoh as the title character... who dresses up in a silver coat and mask and goes around beating up bad guys and making the police look bad. She meets up with a childhood sweetheart who now happens to be in charge of a police task force devoted to putting a stop to her vigilante tactics. They are forced to team up to fight a madman with a plan to take over the world with some mind-altering telephone technology. The story is pretty standard... but the stunts and fights (which are very reminiscent of The Matrix and Tomb Raider movies) are fun. I was glad to see that, while the movie does have lots of humour, the movie is not too "camp". Fun for the whole family!

Silver Hawk is an enjoyable Cantonese take on the superhero genre. As such it's much more enjoyable than recent US additions like Spiderman 2 or Daredevil, taking a very Blade-like 'Good vs Evil in a knock-down drag out fight' approach as opposed to going for the 'tortured hero' take on things American directors seem to dig. If you want depth you are firmly looking in the wrong place (go for the original 80s Batman maybe?), but if you want action, humour and incredibly sharp fight choreography, you've come to the right place.

It's similar in style to both Blade and Sam Raimi's Darkman, also taking cues from recent Hong Kong movies like Twins Effect. It has a fantastic look, good strong characters and a simple but effective plot that keeps you glued to your seat. Additional praise must be heaped on leading lady Michelle Yeoh. Much like Jackie Chan, despite many would-be successors coming and going since her debut in the 80s, she still has what it takes to front an action movie in spades. She not only makes Silver Hawk a genuinely likable and unique presence, she's also still a mesmerizing fighter to watch. The fights in this movie are really good, some of the best non-period kung-fu I've seen since the likes of Versus. They're played with humour by Yeoh, with Silver Hawk cockily dancing around baddies before kicking their teeth in, but they're still imbued with an impact missing from many similar films.

So why the 6? Firstly, Silver Hawk is incredibly lightweight. If it wasn't for the balletic and convincing fight scenes, this movie could probably have been a 12A or even a PG, it's like a Bond movie only with a female lead. Get boy, send bad guys home with bloody nose, end. It's simple, and that's why it works so well, but it doesn't have much depth, and I'll mainly re-watch it to enjoy the great fights and Yeoh being cool as she always is.

Then there's the dub. It's not, as I originally thought, an entirely Americanised dub. It's like Gen X Cops 2, in that it's dual language, always has been, and was intended for dual release. However, much like a lot of Jackie Chan's movies and Jet Li's earlier films, it's dubbed in quite a slapdash fashion, in a sloppy manner that makes it obvious all the actors except Yeoh and Luke Goss have been re-dubbed by voice-over actors, and that Yeoh and Goss voices were added at post-production instead of using the original recordings. It's not awful, and it compares favourably with some more suspect re-dubs, but it's still glaringly obvious that most characters are not being voiced by the original actors, and that the voice-over wasn't done in sync with the film, it was done off in some studio somewhere with just a script. If you think you can put up with that better than I did (I couldn't help wincing during certain scenes, such was the complete disconnection between dialogue and on-screen action) add a point to the score, and if you don't watch subs, add two. That's the best way to approach it really.

Basically Silver Hawk is really good fun, a cool superhero movie with a great heroine played by a great actress. It's fast, funny and has really good fight scenes, but you could get put off by the awkward dub. It's good enough that I think it's worth the effort, and I'll definitely be watching it again soon.