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Pas sur la bouche

  • 2003
  • 1 घं 55 मि
IMDb रेटिंग
6.4/10
1.7 हज़ार
आपकी रेटिंग
Pas sur la bouche (2003)
ComedyMusicalRomance

अपनी भाषा में प्लॉट जोड़ेंA romantic musical story having the vibes both France and USA.A romantic musical story having the vibes both France and USA.A romantic musical story having the vibes both France and USA.

  • निर्देशक
    • Alain Resnais
  • लेखक
    • André Barde
  • स्टार
    • Sabine Azéma
    • Isabelle Nanty
    • Audrey Tautou
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    1.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Alain Resnais
    • लेखक
      • André Barde
    • स्टार
      • Sabine Azéma
      • Isabelle Nanty
      • Audrey Tautou
    • 11यूज़र समीक्षाएं
    • 20आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 5 जीत और कुल 6 नामांकन

    फ़ोटो40

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 33
    पोस्टर देखें

    टॉप कलाकार14

    बदलाव करें
    Sabine Azéma
    Sabine Azéma
    • Gilberte Valandray
    Isabelle Nanty
    Isabelle Nanty
    • Arlette Poumaillac
    Audrey Tautou
    Audrey Tautou
    • Huguette Verberie
    Pierre Arditi
    Pierre Arditi
    • Georges Valandray
    Darry Cowl
    Darry Cowl
    • Madame Foin
    Jalil Lespert
    Jalil Lespert
    • Charley
    Daniel Prévost
    Daniel Prévost
    • Faradel
    Lambert Wilson
    Lambert Wilson
    • Éric Thomson
    Bérangère Allaux
    • Les jeune filles
    Françoise Gillard
    Françoise Gillard
    • Les jeune filles
    • (as Françoise Gillard de la Comédie Française)
    Toinette Laquière
    • Les jeune filles
    Gwenaëlle Simon
    • Les jeune filles
    Nina Weissenberg
    • Juliette
    André Dussollier
    André Dussollier
    • Récitant du générique
    • (वॉइस)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Alain Resnais
    • लेखक
      • André Barde
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं11

    6.41.7K
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    9
    10

    फ़ीचर्ड समीक्षाएं

    6jeffbertucen@hotmail.com

    Curious museum-piece for an ex-trendsetter

    Like several other reviewers I was taken to the film 'cold' without knowing anything about it, and after several minutes was expecting the somewhat lacklustre tunes and stock-farce characters to tip over into something edgy and contemporary. Mais non. However is this such a bad thing? Given the French predilection for unflinching realism and tragic endings, Pas Sur La Bouche can be enjoyed as a salute to the traditions of the Comedy Francaise, an expression of nationalist (anti-Brussels?) sentiment, and as a crafted product as lovingly detailed as a reproduction Deco sideboard. One is almost expected to read afterwards that Resnais had an ironic or iconoclastic subtext in mind, but the film seems to be charmingly irony-free throughout. There are no patronising modernist jabs at the shallowness of pre-war bourgeois entertainment, and in fact the period is recreated with a warm and sentimental glow. It can be argued in fact that the play has been not so much adapted for the screen as embalmed, for there are definite longueurs, the singing voices are almost uniformly mediocre, and the lack of varied or outdoor settings does detract. All in all, a charming, civilised and unexpected entertainment from one of the self-styled intellectuals of French cinema, and a brilliant recreation of an ensemble of now-forgotten French 'types'. To get an idea of precisely how far comedy has 'advanced' in 70 years, compare with Legally Blonde or My Best Friend's Wedding and you'll see my point.
    Fiona-39

    frothy frivolity a la Feydeau

    This is classic French farce, very theatrical with a 1920s score, entirely interior sets (best being the 3rd act bachelor pad) and ridiculous intertwining relationships. It is tempting to see it almost as an Amelie remake, complete with lush visuals and two leads from that film. It has the same romantic view of French life, the same emphasis on relationships, the same reliance on a sparkling performance by Tatou. It is slow, and hard to follow with subtitles - you really need to speak French to get much out of this (esp the excruiating accent of the American). Some interesting little touches - the spoken credits at the start (very Godardian!) and the way that characters leaving the stage just vanish. It is very witty, brittle and bright. A curiosity rather than a masterpiece.
    8pmullinsj

    Sumptuous French Feasts of all Kinds by Resnais

    Alain Resnais was extremely comfortable with opulence in 'Last Year at Marienbad', and Alain Robbe-Grillet felt right at home in this, with his serialized writing. I hadn't thought that much about this taste for luxury till I saw his 2003 film of Andre Barde's 1925 operetta, 'Pas Sur la Bouche.'

    This is easily one of the lightest, most exquisite filmed musicals ever made, and quite as unexpected a thing as possible in this age. There are some modern aspects: the luxury is greater luxury than in the past, but does not ever seem like gluttony; it is not like an exhibition of 100 Burne-Jones paintings, for example, which was about the number in a 1999 exhibition at the Metropolitan Museum here--and that many at once makes one fairly sick.

    All of the songs are charming, and even the one ugly one is (but only because it is only one; it is truly unpleasant to the ear and could have been styled better even with such meager material): this is the song that Eric Thomson (played by Lambert Wilson) sings with Arlette (Isabelle Nanty) when he is discovered to be doing business with George Valandray (Pierre Arditi) as well as being Valandray's wife Gilberte's (Sabine Azema) first husband (their American-produced marriage was not recognized upon her return to France, although her reasons for dissatisfaction with him are not made entirely clear). Thomson's French seems to have disappeared and he keeps responding to Arlette with "Whaddya say?" and "Whaddya know?" and this is irritating and does not even particularly form a purposeful dissonance with the rest of the graceful and casually elegant Parisian-style music. However, it is followed quickly by a group song when everyone is about to sit down to a "simple meal," which looks rather more as if composed by Escoffier or Pelleprat, and, very campily, Thomson's French reappears as if by magic as he joins all the French people in their tuneful paean to the repast they will consume (in silence, one wishes, but cannot hope for.) This "magical device" is subtle enough to be a considerable improvement over the "spontaneous" bursting into song by the wedding party at "I Say a Little Prayer for You" in 'My Best Friend's Wedding.'

    The luscious orchestrations of the songs remind one of the Marguerite Monnot-Alexandre Breffort score for 'Irma La Douce'--as in "Dis-donc," and decades of this kind of sound at the Casino de Paris, at the Folies Bergere.

    There is a lot of red, many plummy reds, in the lavish sets, but it is not discordant. One does notice that the film is almost entirely set in interiors, and the courtyard of witchlike (and sublimely hilarious) Mme. Foin (Darry Cowl) is about the only contact with a little remembrance of sky one sees; but this is usual for sex farce.

    Everyone is involved with everyone, and it's so silly that only in the viewing does it have life; in the retelling it doesn't have a grain of substance, so I am not going to bother. The players are uniformly characterful and theatrical, and Sabine Azema is superlatively middle-aged-sexy and spirited, while Jalil Lespert has the biggest Frenchest face since Maurice Chevalier: He's truly a major talent. Audrey Tautou seems to be imitating Twiggy in 'the Boyfriend' sometimes, which is cool enough.
    Gordon-11

    Delightful to watch

    This film is about a woman whose husband is not aware that she married an American guy before. Chaos breaks out when the American husband is invited to their home.

    The film takes place entirely inside the beautiful residence of a rich couple. Sets are lavish, costumes are dazzlingly beautiful as a result. The songs are fun and got this nostalgic feel to it. The entangled relationships between the seven characters are entertaining to watch, and they kept me intrigued as to how things will turn out between them. Even though it was not easy to catch up with the subtitles, it was still delightful to watch.

    "Not on the Lips" is a fun, light hearted, old style musical. I was told that this style is called "operetta", and I am liking my first exposure to operetta.
    9Sylviastel

    Almost Perfect! It Should be in the West End or Broadway!

    In my opinion, I didn't know that this was a musical comedy. The French make the best films around with character driven story lines. This film has a first rate cast but I didn't care for Lambert Wilson's performance as the American, Eric Thomson. I did love Isabelle Nanty as Arlette, the old maid. She was perfect and memorable. Arlette's sister, Gilberte, has a problem. She has three men in her life including her unsuspecting second husband who thinks he's her first, her first American husband, Eric Thomson, who comes to Paris on business, and a young male artist/teacher Charly who prefers older women. The film is first rate in art direction, costumes, music, casting, and writing. I felt Lambert Wilson was out of place and out of tune as the American. But still, this film has memorable characters and can cheer you right up.

    इस तरह के और

    Le libertin
    6.2
    Le libertin
    Le cousin
    6.6
    Le cousin
    Mélo
    7.1
    Mélo
    Belle fille
    5.8
    Belle fille
    Chacun cherche son chat
    6.9
    Chacun cherche son chat
    Le fils préféré
    6.8
    Le fils préféré
    Ce qu'il faut pour vivre
    7.6
    Ce qu'il faut pour vivre
    Una storia moderna - L'ape regina
    7.0
    Una storia moderna - L'ape regina
    Happy End
    5.3
    Happy End
    Ni vu, ni connu
    7.1
    Ni vu, ni connu
    On connaît la chanson
    7.3
    On connaît la chanson
    Pursued
    7.2
    Pursued

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Audrey Tautou (Huguette) and Isabelle Nanty (Arlette) previously starred together in Amelie.
    • साउंडट्रैक
      Je l'Aime Mieux Autrement
      Music by Maurice Yvain

      Lyrics by André Barde

      Performed by Audrey Tautou and Daniel Prévost

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Not on the Lips?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 दिसंबर 2003 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • स्विट्ज़रलैंड
      • फ़्रांस
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Pas Sur La Bouche
    • उत्पादन कंपनियां
      • Arena Films
      • France 2 Cinéma
      • France 3 Cinéma
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    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $41,57,074
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 55 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
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    • पक्ष अनुपात
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    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Pas sur la bouche (2003)
    टॉप गैप
    By what name was Pas sur la bouche (2003) officially released in Canada in English?
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