Narradores de Javé

I saw this film at the Rotterdam Film festival a few years ago. We in Europe do not often get a chance to see Brazilian films. This one was a great surprise after some awful films that were screened at the Festival. The story is interesting, acting is good, there are a lot of comic elements for some good laughs, and it was so refreshing to see a film about ordinary people in a god forsaken place, trying to make a mark in the world. The entire film crew was present at the screening, and were obviously very excited, because the film was screened at the biggest cinema's room which was overcrowded with people. It's a pity films like this never get to the cinemas. Highly recommended, if you're able to find it.

While waiting in a bar for a boat to cross a river, a man tells the story of Javé, a small town in the country of Bahia doomed to be submerged by the waters of a hydroelectric dam. When the illiterate dwellers of Javé find that their village will be flooded, they decide to "scientifically" document the story of Javé to show the historical importance of the place and present motives to stop the construction of the hydroelectric. However, only the former postman and persona non-grata Antônio Biá (José Dumont), who used the intimacy of the villagers to save his job in the post office, can write, but the population assigns him to register in a book the report of the remembrances of the storytellers.

"Narradores de Javé" is a funny and dramatic simple story supported by a good and original screenplay, great direction and excellent performances of the cast formed by actors, actresses and amateurish simple persons. This low-budget movie presents a great political final speech of Antonio Biá, in one of the best moments of this little gem, when he shows the lack of importance of them to the powerful.

In addition to the awards listed in IMDb, this movie was also awarded in the following festivals: (1) three categories in the Rio Film Festival (Best Film – Popular Jury; Best Film – Official Jury; Best Actor – José Dumont); (2) nine Awards in the Recife Film Festival ("Cine PE - Festival do Audiovisual 2003") with seven "Troféus Calunga" (Best Film, Best Direction, Best Edition; Best Actor (José Dumont), Best Support Actor (Gero Camilo), Best Sound Edition and Best Support Actress (Luci Pereira)) plus one award of the Critics and the Prize Gilberto Freyre); and (3) Best Movie in the 5th Festival des 3 Amériques 2004, Québec, Canada. My vote is seven.

Title (Brazil): "Narradores de Javé" ("Narrators of Javé")

Very good movie, the plot is compelling from the first scenes, the story develops and ends very well, its plus is Biá's hilarious comedy and his point of view of reality.

In addition, the subtext that the plot carries with it is worthy of analysis and leads us to think about many things, literacy, historical method, oral histories, the sense of belonging, the subjugation of industrial development over populations, among other topics.

The God-forsaken tiny (fictional) village of Javé, in the back-land of the Brazilian state of Bahia, is going to be completely flooded for the construction of a hydro-power dam. There is a still chance to save it, though: the flooding may be canceled if it can be "scientifically" proved that Javé has an important historical/cultural heritage. The desperate villagers have no other option than to fetch the only literate person they know, good-for-nothing scoundrel Antônio Biá (José Dumont), who is charged with the mission of writing down the villagers' testimonies about Javé's "glorious past" in a big notebook. But the villagers' "imaginative" versions of the facts (?) collide; and anyway Biá couldn't be less interested in his task. Will he deliver the desperately needed "scientific proof" in time to save the village?

"Narradores de Javé" is a balm among recent Brazilian fictional cinema, which has generally been inferior to the level of Brazilian documentaries (with exceptions, naturally). It's not an exhibitionist, technically-driven flick, unfortunately so endemic among young Brazilian filmmakers. Nor does it mimic Brazilian TV soap opera aesthetics. Nor is it concerned with the "re-interpretation" of facts and figures of "the official History" (a strong and certainly important trend of Brazilian cinema since the astounding box-office and critical success of Carla Camurati's 1994 "Carlota Joaquina"). "Narradores..." has its own agenda: director Eliane Caffé (in her second feature film, five years after her impressive debut with "Kenoma") concocts this mix of comedy, chronicle and fantasy while making political criticism -- i.e. the universal fact that official history is only interested in V.I.P.s, while oral tradition and popular culture are never properly valued, studied or preserved -- but never sacrificing efficiency, good narrative and instant likability.

"Narradores..." had a small budget and was shot in 16mm in the tiny village of Gameleira and the jaw-dropping natural beauty of Lençóis (both in Bahia). The images were re- processed in post-production by D.P. Hugo Kovensky (who effectively conveys each flashback "version" with a different color palette) and electrifyingly edited by wunderkind Daniel Rezende (Oscar-nominated for "City of God"), Eliane Caffé aptly mixes in the cast the actual inhabitants of Gameleira and some great Brazilian character actors -- José Dumont having a field day in the main role (just a bit over the top here and there), with his side-splitting kung-fu fighting and cantankerous insults; Nelson Xavier, Rui Resende, Gero Camilo, Luci Pereira, Altair Lima and especially Nelson Dantas (in one of his last roles) earning some hearty laughs. Only Matheus Nachtergaele is tiresomely predictable (and looks awful in a ridiculous wig); fortunately, his role is very small. The film loses momentum now and then, as is expected in this sort of Rashomon-ish "conflicting versions" flick, but some of the episodes are hilarious (my favorite: the old twins' story).

This is mandatory viewing for everyone interested in recent quality Brazilian films. More importantly, it reestablishes a link to a certain genre of Brazilian cinema that had been lost since André Klotzel's great 1985 "A Marvada Carne", an obvious inspiration here. It's not revolutionary; it's rather an imaginative, charming, efficient, unpretentious film that unequivocally states that it's desirable and possible to assess this "other side" of Brazilian reality (away from the "big cities" and the "big favelas") in FICTION form, and yet reject the arrogant, void, exhibitionist "artsy" mannerisms and the TV-cloning trash that are a growing cancer in Brazilian fictional cinema of the 2000s. My vote: a solid 8 out of 10.

This movie shows one more of the facets of the brazilian people. The film runs in a small village in Sertao, Bahia - northeast Brazil. The local people need someone that can write their stories to save this small town called Javé. The only one that can write is Antônio Biá, who in the past used the community to save his job and to his own profits, and after that he ended up being banished. But now they need his services...

And then the story goes by all the reports given by the dwellers, and how they are dueling to see who's report is the right one, whose's report is going to be written down...But then the "Progress" came and they can't do much about it.

It is a simple story, about modest people, and the beauty of the movie is exactly on that. It is a good movie about this brazilian reality, maybe not really critical, but good.