फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.
- पुरस्कार
- 1 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
I will start out by saying that I really do love this movie, but I'm not here to rant and rave about it. This movie is fascinating to me because I do love the skate culture and seeing a movie about characters who started modern skating was, as I said, fascinating. However, I realize that most of the world doesn't think that. With that in mind, I will continue. This movie is not a documentary about skating!!! If you want a documentary then check out Dogtown and Z-Boys directed by a Z-boy himself. It is full of stories about how the Zephyr team came to be and the way life was in Venice Beach at the time. I personally love the documentary as well, but Lords of Dogtown is not meant to be a Hollywood representation of the documentary. If you are looking for that, DO NOT WATCH THIS MOVIE!!! Lords of Dogtown is meant to be a story about the characters that fills in the gaps the documentary leaves about how these people felt, mainly Jay Adams, Stacy Peralta, and Tony Alva. The camera angles are not straightforward, the cinematography is rough, and its not a cookie cutter film. But that, in my opinion, is why it works so well. A lot of the Z-Boys themselves were on staff for this movie and helped to make it as authentic as it could be while still holding the attention of movie-goers. These guys were very impressed with the way the film was produced and, for the most part, were very pleased with how it represented the time. If you love skate culture then chances are you will fall in love with this movie like I did. Even my parents, who are definitely not into the skate culture or the 70's, still enjoyed this movie and were interested about the documentary afterwards. This movie definitely made me more interested in what skating was all about and I can't get enough about these guys now. I highly recommend this movie as well as Dogtown and Z-Boys.
10adavin65
I grew up in California and this movie REALLY brought me back to the 70's and what was happening in the skateboard world. The actors were totally on mark with their portrayals of these guys and how things were back then in California at that time. I'm a girl and I was into skateboarding at that time. I saved my own money to buy my own boards. I even remember my mom came home one day and gave me an article from a magazine about Alva. I met him later in the 80's and he's a very down to earth guy. If you grew up in Cali at this time, you will LOVE this movie and if you didn't you will get the true idea of what it was like then. Awesome job guys on this film! A definite classic!
Because I work with Swedish subtitles I had the chance to see this movie a while ago. I liked it. Lords of Dogtown has a great cast such as Heath Ledger, Emile Hirsch, Victor Rasuk, John Robinson, Nikki Reed, Michael Angarano, Johnny Knoxville and Rebecca De Mornay among others.
In the mid 1970's, a group of teenage surfers from a tough neighborhood known as "Dogtown" in Venice, California pioneered a revolutionary new style of skateboarding. Riding the waves at the Pacific Ocean Park pier, the Z-Boys, known for their aggressive style and hard street attitude, combined the death-defying moves of surfing with the art of skateboarding and became overnight sensations and local legends. With empty pools as their canvas, the Z-Boys paved the way to what is now referred to as "extreme sports," and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon. But all of this fame would take its toll on the friendships that they thought would last a lifetime as the sport that started out as an afternoon hobby turned into big business.
Everyone was good, especially Heath Legder. He stars as Skip, the Z-Boys' party-animal ringleader whose money-hungry ways tear the boys apart. The director Catherine Hardwicke was not the first in mind of making this movie, she took over after David Fincher decided to leave the project for another feature. She did a great job creating the life among skateboarders, surfers and party animals in the 70's California. It's about the Z-Boys. They made skateboarding an art form, infusing it with the death-defying grace of surfing. I think this movie is worth a 7/10.
In the mid 1970's, a group of teenage surfers from a tough neighborhood known as "Dogtown" in Venice, California pioneered a revolutionary new style of skateboarding. Riding the waves at the Pacific Ocean Park pier, the Z-Boys, known for their aggressive style and hard street attitude, combined the death-defying moves of surfing with the art of skateboarding and became overnight sensations and local legends. With empty pools as their canvas, the Z-Boys paved the way to what is now referred to as "extreme sports," and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon. But all of this fame would take its toll on the friendships that they thought would last a lifetime as the sport that started out as an afternoon hobby turned into big business.
Everyone was good, especially Heath Legder. He stars as Skip, the Z-Boys' party-animal ringleader whose money-hungry ways tear the boys apart. The director Catherine Hardwicke was not the first in mind of making this movie, she took over after David Fincher decided to leave the project for another feature. She did a great job creating the life among skateboarders, surfers and party animals in the 70's California. It's about the Z-Boys. They made skateboarding an art form, infusing it with the death-defying grace of surfing. I think this movie is worth a 7/10.
This film charts the rise of the legendary "Z-Boys" of California: Tony Alva (Victor Rasuk), Stacy Peralta (John Robinson), and Jay Adams (Emile Hirsch). After they go to work for board designer Skip Engblom (Heath Ledger), they pioneer a new style of skateboarding that wins them lots of success and acclaim. Of course, as is often the case, this fame is not without some costs. Stacy (who wrote the screenplay) emerges as the most even-keeled of the trio, while Tony gets a fairly swelled head.
"Lords of Dogtown" will surely resonate most for those people who came of age and forged their friendships in the 1970s, as well as all aficionados of the sport of skateboarding. For this viewer, it took a while to really grab hold, because it suffered from some excess. There's more footage than is really necessary of characters indulging in various forms of bad behaviour. Fortunately, as we actually see some humanity and humility from some of the principals, the story becomes more engaging. The hyperactive camera-work and quick cuts are distracting at first, but it's hard to argue with a soundtrack as cool as this one. There's one great rock song of the era after another. The moves performed by the actors' stunt doubles do provide some pretty good thrills.
The cast is fine and full of familiar faces: Rasuk, Robinson, and Hirsch are very well supported by Ledger, whose colourful performance is most welcome, and performers such as Rebecca De Mornay (always nice to see her in anything), Johnny Knoxville, William Mapother, Julio Oscar Mechoso, Nikki Reed, Pablo Schreiber, Elden Henson, Michael Angarano, Mitch Hedberg, America Ferrera, Sofia Vergara, Charles Napier, Bai Ling, Shea Whigham, Joel McHale, and Alexis Arquette. The real Tony Alva, Stacy Peralta, and Jay Adams have cameos, as does Tony Hawk; Jeremy Renner appears unbilled.
Overall, a decent snapshot of the L.A. skateboarding and surfing scene throughout the 1970s, with text at the end telling us what became of the principals.
Peralta also directed the documentary feature "Dogtown and Z-Boys".
Seven out of 10.
"Lords of Dogtown" will surely resonate most for those people who came of age and forged their friendships in the 1970s, as well as all aficionados of the sport of skateboarding. For this viewer, it took a while to really grab hold, because it suffered from some excess. There's more footage than is really necessary of characters indulging in various forms of bad behaviour. Fortunately, as we actually see some humanity and humility from some of the principals, the story becomes more engaging. The hyperactive camera-work and quick cuts are distracting at first, but it's hard to argue with a soundtrack as cool as this one. There's one great rock song of the era after another. The moves performed by the actors' stunt doubles do provide some pretty good thrills.
The cast is fine and full of familiar faces: Rasuk, Robinson, and Hirsch are very well supported by Ledger, whose colourful performance is most welcome, and performers such as Rebecca De Mornay (always nice to see her in anything), Johnny Knoxville, William Mapother, Julio Oscar Mechoso, Nikki Reed, Pablo Schreiber, Elden Henson, Michael Angarano, Mitch Hedberg, America Ferrera, Sofia Vergara, Charles Napier, Bai Ling, Shea Whigham, Joel McHale, and Alexis Arquette. The real Tony Alva, Stacy Peralta, and Jay Adams have cameos, as does Tony Hawk; Jeremy Renner appears unbilled.
Overall, a decent snapshot of the L.A. skateboarding and surfing scene throughout the 1970s, with text at the end telling us what became of the principals.
Peralta also directed the documentary feature "Dogtown and Z-Boys".
Seven out of 10.
Although there has been much controversy about whether the movie has really portrayed 'Dogtown' and the z-boys accurately, i feel this is not even necessary. If you feel unsatisfied with what you have learnt about the z-boys and Dogtown go and watch Peralta's documentary Dogtown and Z-boys. Lords of Dogtown has the intention of entertainment and i personally exetremely enjoyed it. Lords of Dogtown tells the story of how a group of Venice street kids changed the face of skateboarding (and, to some degree, youth) culture in the mid- to late 1970s. The adolescent adopted the Zephyr Shop, a surf store run by Skip Engblom (Heath Ledger), as their home away from the own dysfunctional homes. Engblom recruited the best skaters for the Zephyr Team. Including: Tony Alva (Victor Rasuk), responsible Stacy Peralta (John Robinson) and troubled bad-boy innovator Jay Adams (Emile Hirsch). With the introduction of urethane wheels (revolutionary for the boys skating style as now the wheels gripped, they could "climb walls")and the timely South Cal drought meaning swimming pools were to be emptied, giving the boys perfect locations to practice their gravity-defying maneuvers, Zephyr became the be-all-end-all of the skateboarding scene.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
क्या आपको पता है
- ट्रिवियाThe real Skip Engblom wanted Heath Ledger to play him.
- गूफ़When a fight breaks out in a nightclub, one of the band members can be seen wearing a Black Flag shirt. This scene occurs in either 1976 or 1977, but Black Flag did not actually take the name Black Flag until 27 January 1979 (from 1976-1978 the band's name was Panic). Additionally, the song that is playing is a cover of the song Nervous Breakdown by Black Flag, which was not released until 1978.
- क्रेज़ी क्रेडिटThe TriStar Pictures logo gets "Locals Only" spray-painted across it.
- इसके अलावा अन्य वर्जनAlso released on DVD as an "Unrated Extended Cut".
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Los amos de Dogtown
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,12,73,517
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $56,23,373
- 5 जून 2005
- दुनिया भर में सकल
- $1,34,11,957
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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