फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.फिल्म 1970 के दौरान वेनिस, कैलिफोर्निया में उत्पन्न हुई सर्फ और स्केटबोर्डिंग प्रवृत्तियों का अनुसरण करती है.
- पुरस्कार
- 1 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
Although there has been much controversy about whether the movie has really portrayed 'Dogtown' and the z-boys accurately, i feel this is not even necessary. If you feel unsatisfied with what you have learnt about the z-boys and Dogtown go and watch Peralta's documentary Dogtown and Z-boys. Lords of Dogtown has the intention of entertainment and i personally exetremely enjoyed it. Lords of Dogtown tells the story of how a group of Venice street kids changed the face of skateboarding (and, to some degree, youth) culture in the mid- to late 1970s. The adolescent adopted the Zephyr Shop, a surf store run by Skip Engblom (Heath Ledger), as their home away from the own dysfunctional homes. Engblom recruited the best skaters for the Zephyr Team. Including: Tony Alva (Victor Rasuk), responsible Stacy Peralta (John Robinson) and troubled bad-boy innovator Jay Adams (Emile Hirsch). With the introduction of urethane wheels (revolutionary for the boys skating style as now the wheels gripped, they could "climb walls")and the timely South Cal drought meaning swimming pools were to be emptied, giving the boys perfect locations to practice their gravity-defying maneuvers, Zephyr became the be-all-end-all of the skateboarding scene.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
10adavin65
I grew up in California and this movie REALLY brought me back to the 70's and what was happening in the skateboard world. The actors were totally on mark with their portrayals of these guys and how things were back then in California at that time. I'm a girl and I was into skateboarding at that time. I saved my own money to buy my own boards. I even remember my mom came home one day and gave me an article from a magazine about Alva. I met him later in the 80's and he's a very down to earth guy. If you grew up in Cali at this time, you will LOVE this movie and if you didn't you will get the true idea of what it was like then. Awesome job guys on this film! A definite classic!
I will start out by saying that I really do love this movie, but I'm not here to rant and rave about it. This movie is fascinating to me because I do love the skate culture and seeing a movie about characters who started modern skating was, as I said, fascinating. However, I realize that most of the world doesn't think that. With that in mind, I will continue. This movie is not a documentary about skating!!! If you want a documentary then check out Dogtown and Z-Boys directed by a Z-boy himself. It is full of stories about how the Zephyr team came to be and the way life was in Venice Beach at the time. I personally love the documentary as well, but Lords of Dogtown is not meant to be a Hollywood representation of the documentary. If you are looking for that, DO NOT WATCH THIS MOVIE!!! Lords of Dogtown is meant to be a story about the characters that fills in the gaps the documentary leaves about how these people felt, mainly Jay Adams, Stacy Peralta, and Tony Alva. The camera angles are not straightforward, the cinematography is rough, and its not a cookie cutter film. But that, in my opinion, is why it works so well. A lot of the Z-Boys themselves were on staff for this movie and helped to make it as authentic as it could be while still holding the attention of movie-goers. These guys were very impressed with the way the film was produced and, for the most part, were very pleased with how it represented the time. If you love skate culture then chances are you will fall in love with this movie like I did. Even my parents, who are definitely not into the skate culture or the 70's, still enjoyed this movie and were interested about the documentary afterwards. This movie definitely made me more interested in what skating was all about and I can't get enough about these guys now. I highly recommend this movie as well as Dogtown and Z-Boys.
When I first heard this film was being made, I was very excited because, despite being about 10 years too late, grew up inspired by the Z-Boys through the writings and photographs of C.R. Stecyk and Glen E. Friedman. Adams, Alva and Peralta are the three most important skateboarders ever. Heck... I have a Jay Adams tattoo portrait.
Then I had second thoughts fearing the Hollywood-ization of their story. I thought the drama of their tough lives in Venice would likely be glamorized and exploited with much of the truth unbelievably stretched. But I wasn't their to witness it, so I asked someone who was part of the Dogtown skate scene and friends with those the film is about, and he said that is exactly what the movie.
He also told me that if you're familiar with the true story or have even just seen the documentary (Dogtown & the Z-Boys), then the movie will just come off corny. But if you go into not expecting an intelligent film and just a fun movie, you may get just that. So I saw it today think it would be just that, and it was.
The skate scenes were all right, but excited me by striking up thoughts of the truth of it all. The aggressiveness of Ledger's portrayal of Skip Enblom seemed cheesy and over the top. The kids who played Peralta and Alva weren't terrible, too, but Emile Hirsch did a good job as Jay Adams. And I'm confused at who this Chino guy is. I'm guessing it's supposed to be Zephyr shop owner Jeff Ho who wouldn't have anything to do with the film.
It was funny to see cameos by Alva, Adams, Peralta, Skip and Bob Biniak. Tony Hawk's cameo was uncalled for. But overall, the film was enjoyable, especially by all everyone else in the theater, considering I was the only one above the age of 17 it seemed. And it's great to see the legend of these guys be spread to new generations, especially with skateboarding as popular than ever. I think all new skaters should recognize their roots.
I just hope people will make the effort to at least see the documentary and hopefully pick up Stecyk and Friedman's "Dogtown - The Legend of the Z-Boys" book and read all the original Skateboarder magazine stories and images. That can't be beat.
Then I had second thoughts fearing the Hollywood-ization of their story. I thought the drama of their tough lives in Venice would likely be glamorized and exploited with much of the truth unbelievably stretched. But I wasn't their to witness it, so I asked someone who was part of the Dogtown skate scene and friends with those the film is about, and he said that is exactly what the movie.
He also told me that if you're familiar with the true story or have even just seen the documentary (Dogtown & the Z-Boys), then the movie will just come off corny. But if you go into not expecting an intelligent film and just a fun movie, you may get just that. So I saw it today think it would be just that, and it was.
The skate scenes were all right, but excited me by striking up thoughts of the truth of it all. The aggressiveness of Ledger's portrayal of Skip Enblom seemed cheesy and over the top. The kids who played Peralta and Alva weren't terrible, too, but Emile Hirsch did a good job as Jay Adams. And I'm confused at who this Chino guy is. I'm guessing it's supposed to be Zephyr shop owner Jeff Ho who wouldn't have anything to do with the film.
It was funny to see cameos by Alva, Adams, Peralta, Skip and Bob Biniak. Tony Hawk's cameo was uncalled for. But overall, the film was enjoyable, especially by all everyone else in the theater, considering I was the only one above the age of 17 it seemed. And it's great to see the legend of these guys be spread to new generations, especially with skateboarding as popular than ever. I think all new skaters should recognize their roots.
I just hope people will make the effort to at least see the documentary and hopefully pick up Stecyk and Friedman's "Dogtown - The Legend of the Z-Boys" book and read all the original Skateboarder magazine stories and images. That can't be beat.
I am not a fan of surfing or skateboarding (although learning to surf is on my bucket list), but I decided to watch this film due to some of the names on the cast list such as Emile Hirsch, Heath Ledger, and a small appearance by Jeremy Renner. (Heath Ledger... what talent!)
The film begins as a surfing movie, then transitions into skateboarding, but the execution is amazing. I hardly watch movies without checking the time left, due to my incessant need to know everything, yet I didn't feel inclined to do so during this film. What that means is that the film has a perfect flow, it will keep you interested throughout the entire film.
It's a fictionalized film of "The Z-Boys" and how they revolutionized the sport of skateboarding. The film has much to do with skateboarding, but the main scenes are coming-of-age related and it really shows the simplicity of life that we take advantage of. There's many things you can take from this film: from fame, fortune, and success to humbleness, health, and friendship.
I thought this film would be a somewhat decent, but I was so wrong, it is an inspirational and interesting piece of art. I highly recommend this film if you have an open mind. If you aren't moved by the end, then you aren't human.
The film begins as a surfing movie, then transitions into skateboarding, but the execution is amazing. I hardly watch movies without checking the time left, due to my incessant need to know everything, yet I didn't feel inclined to do so during this film. What that means is that the film has a perfect flow, it will keep you interested throughout the entire film.
It's a fictionalized film of "The Z-Boys" and how they revolutionized the sport of skateboarding. The film has much to do with skateboarding, but the main scenes are coming-of-age related and it really shows the simplicity of life that we take advantage of. There's many things you can take from this film: from fame, fortune, and success to humbleness, health, and friendship.
I thought this film would be a somewhat decent, but I was so wrong, it is an inspirational and interesting piece of art. I highly recommend this film if you have an open mind. If you aren't moved by the end, then you aren't human.
क्या आपको पता है
- ट्रिवियाThe real Skip Engblom wanted Heath Ledger to play him.
- गूफ़When a fight breaks out in a nightclub, one of the band members can be seen wearing a Black Flag shirt. This scene occurs in either 1976 or 1977, but Black Flag did not actually take the name Black Flag until 27 January 1979 (from 1976-1978 the band's name was Panic). Additionally, the song that is playing is a cover of the song Nervous Breakdown by Black Flag, which was not released until 1978.
- क्रेज़ी क्रेडिटThe TriStar Pictures logo gets "Locals Only" spray-painted across it.
- इसके अलावा अन्य वर्जनAlso released on DVD as an "Unrated Extended Cut".
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Los amos de Dogtown
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,12,73,517
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $56,23,373
- 5 जून 2005
- दुनिया भर में सकल
- $1,34,11,957
- चलने की अवधि1 घंटा 47 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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