Garden of Love

Olaf Ittenbach is absolutely, a master of brutal makeup FX and an artist who doesn't thrive on entertaining the whole family (children) to complete a film. Considering his budgets, Olaf performs wonders ("Beyond The Limits") not to mention write, direct and probably a thousand other tasks to get his films off the ground. Garden of Love is definitely not for the Hollywood film fan, looking for mega-stars with cute, comedic, predictable, punch-lines but rather an original and creepy ghost story with amazing and gory visual FX. If you want cute, comedy/horror or comedy/every other genre, buy/rent something else. If you need comedy/happy endings in your movies beware, you may be offended by their absence. I can only imagine what his collaboration with Buttgereit ("Nekromantik") will bring. Fantastic and refreshing work Olaf, I can't wait to see more.

The only survivor of a horrific massacre when she was six years old, Rebecca Verlaine (Natacza Boon) has blocked out all memory of the terrible event, so she is understandably shocked when she begins to experience visions of her dead father and his mutilated pals, urging her to find those responsible for their deaths so that they can seek retribution.

Garden of Love? Don't worry… Olaf Ittenbach hasn't gone soft on us and made a romantic drama; despite the soppy sounding title, it's business as usual for the German splatter director, meaning extreme gore by the bucket-load, with heads squished, bodies torn asunder, guts ripped out, and blood splashed all over the place. The only problem is that, in order to get to the good stuff, one has to endure those other Ittenbach movie traits: iffy acting (English dialogue with a strong Teutonic twist), questionable direction, and uneven pacing—in this case the film takes an age to get going, explodes into violence for the film's standout scene, drags again, and then gets nice and bloody for the ending.

Still, fans of the director's other work should be well aware of what they're getting into and will no doubt hang on in there though the less eventful bits, safe in the knowledge that, when Ittenbach does open his bag of special effects, it is guaranteed to get very messy indeed.

I have had the pleasure of seeing this film at a horror festival in Edinburgh. Garden of Love does not have a serious bone in its sick low-budget body. There is lots and lots of blood and gore, starting with the opening credits. The plot is extremely silly like everything else in this film. In fact you might say this film is a pastiche of gory films. At first this film seemed really bad, but it was so entertaining that the director must have been doing something right. Garden of Love definitely needs to be enjoyed in company (with like-minded people!).

A lot of people were laughing at the quality of the acting, but to be so funny throughout the film it had to be deliberately bad - SURELY?. The character playing Munster was my definite favourite and I would see the film just for his extremely camp performance. I am not sure that many actors could have made the awful lines quite so funny.

You may have gathered that Garden of Love won't be everyone's cup of tea but if you have a soft spot for bad taste gory films then see it, because it's wonderfully awful.

So, I ignored my better sense and watched this disaster of a film. It's not funny, and even the gore is ridiculous and shot so poorly you can't even enjoy that aspect.

The acting is funny, it's horrific and not in a good way. I used to think freddy got fingered was the worst movie ever made - then I watched this. If I had't been on a plane with nothing better to do I would have stopped watching after the first 5 minutes. But I watched it to the end, and no it doesn't get any better.

The story is stupid, the direction is pathetic, there are 6 year olds that act better than any of the "actors" in this movie, and the script is literally so dumb I was wondering if there is a country somewhere where people actually talk like the actors in this film.

It's bad - really bad - like so bad I would rather have been cleaning toilets than watching this movie. Ignore the good reviews, it's crap - I only gave it 2 stars for the "plot twist" at the end and even that was cliché.

Let's face it...most people do not know the name Olaf Ittenbach. And to an extent, for good reason. While I'm a fan of his, I find it hard to watch a lot of his earlier stuff and even his newer stuff can be hard to find. But if you're a gorehound (I would not say that about myself, but I do love a good splatter movie now and again), then a healthy Ittenbach collection is a must. It would be very hard to make an argument that anyone currently working in special effects (let alone directing) has the talent he has for making a head go pop or letting loose an almost hilariously unnecessary amount of blood at one time.

With that said, Ittenbach's movies seem to have a bit of a formula to them. They'll usually assault you virtually in the opening credits, drag along for a little while, give you a pretty intense amount of non-stop gore, fade away for a bit longer, and then hit you with a blood soaked climax. The trick is to make it through the parts that are boring to get to the good stuff. "Rebecca Verlaine" is a prime example of this. Mass murder within the first 5 minutes, then a pretty unimpressive story for 20-30 minutes, a big dose of people getting their faces ripped in two and/or their limbs torn off, more boring crap for awhile, and then a nice finale so Ittenbach can let you know who's boss. That...and his trademark disregard for accents. I swear, if there's 4 people in a scene at least 2 of them will have different accents from the others. And there's no rhyme or reason. Sometimes one brother has a German accent and the other British...Olaf doesn't care.

In the hands of a less capable special effects man, this easily would be nearly unwatchable. But as it stands it's quite watchable, especially for the aforementioned gorehounds. A 7 may be a bit of a stretch, but what can I say...I'm a tad biased towards the man's movies. Now if it could just have been as cool as "House Of Blood"...