गुलाम बेलगाम

This film, circulates around a purity, and a rage entwined around each other. It's beyond timeless, Jet Li is perfect and more. It portrays the sick people in this world, and what they do for the most pathetic tools everyone needs. It shows Love, and Death. And it shows Need for the Truth. Its far to obvious that anyone that opposes this is simply out of their own mind in egotistical attention. The question is, is this movie portraying the actual real world we live in, or is it not? This movie floods your mind and heart with power and love. It was perfectly articulate, and balanced between life and death. This movie was never over-advertised, showing that it was made for the intent of impressing, rather then selling, and getting money... Its perfect.

The style of this movie and how the story unfolded makes me rank this an 8. As a fan of massive attack I was taken by how dark and edgy the texture of the movie became due to their soundtrack.

It's obvious that the production team of Luc Besson's has a larger budget to work with. And they are exploring ways to tell an action story. Transporter 1 was better than 2 because of the soundtrack. And here again the music compliments the emotional content.

Granted, some of the characters and scenes did appear amateurish, but the pieces are being put together. If the production team keep going, they'll strike the right chord.

And yes, Jet Li is beginning to evolve as an actor, which I suspected after watching Lethal Weapon 4 again. He's the best thing in that movie.

However, this movie does require an appreciation for the medium and not just a need for escapism.

So in the last few years we have seen Jet Li in Romeo must die and Cradle to the grave, both modern and with Jet Li approaching the subject of acting, though hardly touching it. So far Jet Li has not acted he has merely been that kung fu guy, another Bruce Lee.

But here, we see him act, not for just five minutes when there is a break in the fighting, but for the entire film. At times there is over half an hour between any kind of fighting, and it is very much appreciated. We really see a different side of Jet Li, this is not 'you killed my master; I have come to avenge him'. But a new, modern martial arts film, where we have a plot we can believe in.

Bob Hoskins takes a nice dramatic turn here, 'that man sure can talk', as Danny's 'owner' and it's a gangster role that suits him well. His angry growl is both fearsome and less put on but unleashed.

But don't get me wrong here; this is still a martial arts film. You'll find yourself cringing and laughing from fright at the fight scenes. Jet Li is not a sleek, showy performer here, but real fighter, intense and scary in his brutality. But equally brutal is the realisation of human freedom and human nature, in some ways were all somebody's dog.

Danny the Dog is clearly Jet Li's best work, and hopefully marks a new direction for him, one I am very much looking forward to seeing.

DANNY THE DOG

(USA/UK: Unleashed)

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Raised as a fighting machine by thuggish Glasgow loan sharks, a young man (Jet Li) finds happiness after falling into the care of a kindly old piano teacher (Morgan Freeman) and his musical-protégé granddaughter (Kerry Condon). But Li's past catches up with him, threatening the safety of his newfound family...

Terrific combination of heartfelt drama and bone-crunching action scenes (choreographed by Yuen Wo-ping), anchored by strong performances (including Bob Hoskins as Li's brutal 'mentor') and a finely-tuned script by French action maestro Luc Besson. Grainy filmstock and an excess of closeups (typical of the ghastly Super 35 'widescreen' process) render it less cinematic than it ought to be, and the narrative is predictable, but the movie works on a visceral level whilst simultaneously pulling the heartstrings. Li's best non-HK film since KISS OF THE DRAGON (2001).

(English dialogue)

For a martial arts picture, "Unleashed" was above average because it had some heart and soul to it.....not just people beating the crap out of one another for two straight hours.

However, be wary of those who claim this isn't an action film. That's not true: there is a lot of action, quite a bit of brutality and profanity, mostly by Bob Hoskins' character "Bart" in this movie. Hoskins plays profane, nasty slave-owner who has locked up and trained "Danny" (Jet Li) to be the ultimate fighting machine. Once Danny is "unleashed" (literally) he's a killer and helps the gangster Bart in his criminal work.

Then, in a moment of further greed, Hoskins agrees to enter his man in a death match with a lot of money at stake. That match turns out to be a farce with Danny winning in a matter of seconds. The other promoter wants a rematch, and with more entertainment. In the meantime, however, Danny escapes his captors and winds up at the house of an older blind American, "Sam," played by Morgan Freeman. He and his 18-year-old daughter "Natalie" (Kelly Condon) befriend young Danny, slowly bringing him out of his "animal" state. Everyone discovers Danny has some very human characteristics and is basically a nice, gentle guy. The family helps uncover that through music (piano playing, to be exact). These are all touching scenes.

But then - and this is almost a cliché in these kind of films - the bad guy comes back, snatches him away and his former bad life comes back....except Danny is a changed man. How he can get out of this latest predicament and what happens to this new "adopted" family, takes up the rest of the story. That last part has the same thing: ultra-violent and touching scenes.

Jet Li does an excellent job in here, not only displaying his amazing physical talents but also showing us he has warmth in his face and heart.

Overall: a brutal, yet touching film: an odd combination.