गुलाम बेलगाम

This film, circulates around a purity, and a rage entwined around each other. It's beyond timeless, Jet Li is perfect and more. It portrays the sick people in this world, and what they do for the most pathetic tools everyone needs. It shows Love, and Death. And it shows Need for the Truth. Its far to obvious that anyone that opposes this is simply out of their own mind in egotistical attention. The question is, is this movie portraying the actual real world we live in, or is it not? This movie floods your mind and heart with power and love. It was perfectly articulate, and balanced between life and death. This movie was never over-advertised, showing that it was made for the intent of impressing, rather then selling, and getting money... Its perfect.

DANNY THE DOG

(USA/UK: Unleashed)

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Raised as a fighting machine by thuggish Glasgow loan sharks, a young man (Jet Li) finds happiness after falling into the care of a kindly old piano teacher (Morgan Freeman) and his musical-protégé granddaughter (Kerry Condon). But Li's past catches up with him, threatening the safety of his newfound family...

Terrific combination of heartfelt drama and bone-crunching action scenes (choreographed by Yuen Wo-ping), anchored by strong performances (including Bob Hoskins as Li's brutal 'mentor') and a finely-tuned script by French action maestro Luc Besson. Grainy filmstock and an excess of closeups (typical of the ghastly Super 35 'widescreen' process) render it less cinematic than it ought to be, and the narrative is predictable, but the movie works on a visceral level whilst simultaneously pulling the heartstrings. Li's best non-HK film since KISS OF THE DRAGON (2001).

(English dialogue)

The style of this movie and how the story unfolded makes me rank this an 8. As a fan of massive attack I was taken by how dark and edgy the texture of the movie became due to their soundtrack.

It's obvious that the production team of Luc Besson's has a larger budget to work with. And they are exploring ways to tell an action story. Transporter 1 was better than 2 because of the soundtrack. And here again the music compliments the emotional content.

Granted, some of the characters and scenes did appear amateurish, but the pieces are being put together. If the production team keep going, they'll strike the right chord.

And yes, Jet Li is beginning to evolve as an actor, which I suspected after watching Lethal Weapon 4 again. He's the best thing in that movie.

However, this movie does require an appreciation for the medium and not just a need for escapism.

Luc Besson's signature style is all over the writing of this very fine little film. His ability to push the buttons on the most violent screen business while gradually developing a tale of warm sentiment is well served by director Louis Leterrier and a perfect cast of actors. UNLEASHED is one of the few examples of how martial arts and bona fide drama can be mutually supportive in creating a film that is at once thrillingly athletic and gently tender.

Bart (Bob Hoskins) is a brutish loan shark thug who makes his 'collections' accompanied by his 'dog' Danny (Jet Li), a silent man Bart has raised form childhood to be a caged killer, a human with a dog collar that when removed unleashes a ferocious beast who kills on command of his master Bart. Bart keeps him in a cage, feeds him, and uses him solely for his criminal doings. Danny unleashed is simply a Pavlovian animal and when the collar is replaced, he becomes docile with the sad eyes of a puppy.

During a 'collection' gone bad, Danny escapes and finds shelter in an antique shop basement where he meets blind piano tuner Sam (Morgan Freeman), a gentle man who gradually introduces Danny to music, trains him as his assistant, and introduces him to his 'family' - his step daughter Victoria (Kerry Condon). With the two of these welcoming, tender people Danny discovers how beautiful life can be. The story from this point is how Danny chooses between his Pavlovian response life as a killer and the simple life of Sam and Victoria. The journey is not without stressors and it is a difficult transition that keeps the viewer on seat's edge.

The wonder of this film lies in the extraordinary performances not usually associated with martial arts films. Jet Li does some of his finest athletic fighting on film, but thankfully at the same time creates a character who is multidimensional and memorable - a very fine acting job by Li. Bob Hoskins is brilliant as the despicably cruel Bart, Morgan Freeman adds a luster to his fine portrayal of blind Sam, and Kerry Condon makes Victoria zany and lovable at the same time. The action is superbly captured by cinematographer Pierre Morel with the aura of darkness in Danny's caged life serving as a perfect foil to the martial arts sequences.In short, this is a fine little film about characters worth knowing and provides audiences with both action and drama of a very high level of achievement. Grady Harp

Unleashed is the touching story of Danny (Jet Li) who as a young boy was brought harshly by a loanshark (Bob Hoskins) and was trained to kill once his dog collar is removed. Although Danny was brought up as a dog, he is human, and through the intervention of music and the care and love of a blind piano tuner (Morgan Freeman), and his stepdaughter (Kerry Condon), Danny discovers another side of life.

Unleashed is not an action movie. There certainly are some spectacular fight scenes, but the emphasis is put on the relationship between Morgan Freeman and his stepdaughter, and Jet Li, and on the development of Danny's "humanity". Danny yearns for more than just killing; he discovers music and is saved by it. Music also plays a key role in his self-discovery as it awakens long-lost memories of his childhood.

For the first time, the audience are treated to Jet Li's true acting capabilities. Jet Li seems genuine and earnest--perhaps this is because the actor openly acknowledges that this film is close to his heart: as a Buddhist, Jet Li is against violence, and this film portrays the fight between humanity and violence.

This drama is a surprising break from usual martial arts movies. The fact that the number of action scenes is limited is counter-balanced by Yuen Wo Ping's masterful choreography; do not expect a fight-fest. Do however expect an unpretentious touching story featuring good actors with a few spectacular action scenes.