The Station Agent

'The Station Agent' is a very simple but lovely quirky little film. There isn't much in terms of a plot but it works as a wonderful tone and mood piece and a brilliant study of three very likable and unique individuals and their friendship. As the audience it feels as though we are taking a glimpse into their lives and invited to be part of their experience. The cheerful background score adds to the quirkiness (without being intrusive). The screenplay is refreshing as it elegantly brings together the characters, the subtle light humour, the clever dialogues and one-liners. 'The Station Agent' is also visually pleasing, the simplistic natural green spacious settings, Olivia's lonely home, Fin's dark little one-roomed bedless stationhome and Joe's friendly van. The actors breathe life into their roles. All three of the principle cast members deliver very sincere and natural performances. Peter Dinklage acts in a very restrained manner allowing his silence to speak volumes. Bobby Cannavale is hilarious as the chatty Joe. Patricia Clarkson easily brings out the layers of Olivia and gives a strong performance. Michelle Williams holds her own. Overall, 'The Station Agent' is a delightful experience that draws smiles from the audience. An uplifting gentle little film.

A silent retired dwarf with odd hobbies, a babbling Hispanic lorry-café worker with sick father, a separated female artist with family issues - all lonely in different ways, getting together in a small sleepy township. Formation of friendship is not easy, has its ups and downs, as all three are totally different, plus, for a long time, there is no big event to boost their relationship. Of course, such crumble contacts would have bright and comic moments - I giggled many times, although it is no comedy, rather a sad and romantic drama without erotic inclinations.

And the cast is strong and fine, beginning with Peter Dinklage as Finbar McBride, Patricia Clarkson as Olivia Harris and Bobby Cannavale as Joe Oramas - all great characters and performances... A real masterpiece, beyond mainstream stuff, and leading the way to see other movies with the participation of the actors mentioned.

The Station Agent is a movie about friendship and disability. I don't mean the obvious, but the the underlying fact that we all have a disability of some shape or fashion and that sometimes draws people together and can make for satisfying friendships when those disabilities are cast aside.

Peter Dinklage is outstanding as Finbar McBride, who inherited a train station and just wanted to hide. Unfortunately, or fortunately, Joe (Bobby Cannavale) is the irritatingly persistent sort that is looking for friendship and cracks the shell that Fin is trying to use to protect himself. They hook up with Olivia (Patricia Clarkson), who is hiding after the death of her son.

The three become friends and help each other through life's difficulties. Three outstanding performances that will have you assessing your relationships in a new light.

"The Station Agent" is a slice-of-dwarf-life character study which takes a long, hard look at little person Fin (Dinklage), a train buff who inherits an old, inactive train depot where he takes up residence and then becomes involved with the locals. This poignancy packed flick spends its full 88 minute run with a sometimes cheeky, sometimes plaintive and always human development a handful characters who all have problems of their own. An extraordinary first outing for writer/director McCarthy, this little indie received raves from critical corners and applause from the public at large making it an almost sure thing for potential viewers. A wonderful film which makes the point that size does matter when it's size of character and not stature. (A-)

The Station Agent is one of those films where there doesn't seem to be much in the way, at least in conventional terms, of a story being told without dubious circumstance. Whoever Finbar- Fin (Peter Dinklage, in a mostly low-key, appropriately observant performance) meets in the small town of Newfoundland, NJ will either be at some degree of a friend to him, or someone who passes him by and scoffs at his apparent height of four foot five inches. The way writer/director Thomas McCarthey has characters interact with each other is also rewarding, since they come off as solid and believable to their situations (the life-affirming Joe, the sweet and lonely Olivia, the little fascinated girl Cleo, and the young, sexy Emily). And at the same time he doesn't lose sight of the center of the film, which is the obsession with trains. It's a wonderful motif to have with these characters- most especially for Fin- who don't seem to go anywhere much, and are content to watch them go by as they stay put in the town. By the end I felt like I saw a heart-warming comedy, despite the sad moments, as it went for a more human side to actions and dialog, instead of a 'slapstick-because-there's-a-dwarf' ideal to comedies. Fin is a person, and we're given him as a uniquely empathetic persona in Dinklage's performance. A-