Being Julia

Tom Sturridge in a lovely performance as Roger, Julia's son, puts it beautifully in a soft confrontation with his mother. "You're playing, mother, or playing wife..." Yes, acting as a way of life as a way of being. Tricky. Ronald Harwood can write the ins and outs of theatrical life better than any living soul - remember "The Dresser? - This is not any way near as good or as insightful but is charming and fun. Lilli Palmer played the part back in the 60's in "Adorable Julia" and she was adorable indeed as is Annette Bening in a tour de force performance with regular interruptions to give plenty of space to the trade mark Bening giggle. Shaun Evans plays the young man, the object of Julia's desire, her frustrating emotional holiday and I must admit, that's the one element that should have sizzle instead of fizzle. Shaun Evans is a good actor but it doesn't have anything that would make us understand the folly attraction that awakes in Julia. He plays an American but appears bland, as bland as a British actor can be when he's bland. I longed for a Billy Crudup or someone younger, a Brad Renfro. Can you imagine what the movie would have been like with a Heath Ledger in that part? Unless, of course, the whole thing was intentional to underline Julia's absurdity. An actress on the verge of a nervous break down. Comparasions with "All About Eve" are ridiculous. That would be like comparing "One Flew Over The Cookoo's Nest" with "The Couch Trip"

Excellent. Annette Bening was brilliant. You really feel her pain and desperation, in the first part of the movie, but you just love the way she gets her vengeance. Its the kind of movie where in the back of your head you're like 'go get em Julia'. And considering the situation of the main character, the movie never takes it self too seriously. Swift, easy watching, touching, funny intuitive and clever.

It's London 1938. Julia Lambert (Annette Bening) is a successful stage actress but she wants a break. Tom Fennel is a young American fan. His devotion turns the diva onto a gitty affair. Soon, he's flirting with younger actress Avice Crichton (Lucy Punch).

This is all about Bening. It's her show. Tom Sturridge doesn't exactly shine. The movie needs him to be a big star actor but he's much too bland. He's a real dud. On the other hand, Lucy Punch is fun and a funny foil. It does seem that this wouldn't be anything without Bening. She almost wills this into something good from lesser material. There are plenty of great actors around but it's Bening's movie from start to finish.

Concerned that her career may be on the decline, a middle aged theatre actress initiates an affair with a much young admirer who may just be using her in this jovial blend of comedy and drama based on a Somerset Maugham novel. Best known for Annette Bening's Oscar nominated performance, Bening is expectedly solid as the Margot Channing-like title character, though Jeremy Irons holds his own quite well as her aloof husband, spurting droll witticisms, and Michael Gambon is also superb as her deceased mentor who now coaches her every so often in spirit. Gambon's role is quite interesting as he represents a constant audience that Bening seems to imagine herself having (commenting on how well she is steering conversations) but the film may have benefited from using him more consistently throughout since he occasionally feels like a plot device. The film also culminates in an on-stage revenge pay-off that never quite seems as funny as it could have been (think 'Noises Off...'), however, generating laughs is not all that screenwriter Ronald Harwood and 'Mephisto' director István Szabó have in mind. The film is very much about the mindset of a famous actress who is accustomed to enjoying a certain amount of attention and who is cunning enough to get what she ultimately wants; by the end of the film, the question of who has really used who lingers. Miriam Margolyes also has an interesting role along these lines as Bening's lesbian financial backer who Bening manipulates with promises of swimming nude and meetings during massage sessions.

The cast were the biggest draw into seeing 'Being Julia', hard to resist such great talent like Annette Bening, Jeremy Irons, Michael Gambon and Juliet Stevenson. W. Somerset Maugham was an interesting writer, some say that he is old-fashioned and his work hasn't aged well but to me he deserves being celebrated and love his insight, wit, sharp prose and charm, which deserves to be adapted more on film and the general solid standard of the adaptations seen of his proves this.

'Being Julia' does nothing to waste its talent and is well worth seeing, deserving of its generally favourable reviews here. As an adaptation of the book, it leaves a lot to be desired with much cut out and too many of the characters are underwritten due to their roles being reduced. On its own, as a standalone which has always been a fairer way to judge to me, 'Being Julia' is very good. It may not work for some viewers, some may find it over-the-top and affected while many others will find it entertaining and well made and played, count me in in the latter category.

Absolutely agree with all that Annette Bening is the reason to see 'Being Julia'. She is nothing short of amazing and is the absolute embodiment of Julia. One mustn't overlook the rest of the cast, Michael Gambon is splendid and a clear standout. Jeremy Irons does a great and beautifully restrained job as the rather underwritten character of Michael, while Lucy Punch is radiant and Juliet Stevenson enjoys herself thoroughly. Likewise with Miriam Margoyles. Istvan Szabo gets a lot out of the cast and the chemistry throughout is natural, also balancing the material without being overly-theatrical or too stagy.

It is a good looking film, those costumes of Julia's are to die for in particular. The music captures the period with great affection and fits without being obtrusive or being over-obvious, very beautiful and infectious. The script is sharp, amusing and thoughtful, like Maugham's writing, love the witticisms. The story entertains and moves, with a twist that leaves one floored and while the ending is over the top it does stay with one forever. Anybody wanting a likeable or rootable protagonist will be disappointed, but she isn't meant to be.

Did think that two performances didn't work. Shaun Evans has improved significantly over-time, absolutely love him in 'Endeavour', but he is rather colourless in 'Being Julia' and it is not helped by Tom being very underdeveloped and cliffs-notes like. More problematic is Bruce Greenwood, of all my recently seen film viewings Greenwood is among the biggest miscasts and comes over as out-of-place (and it is not just that he is completely unconvincing as a Brit, everything about him was wrong).

Some of the pace could have been tighter at times, towards the end it drags a bit.

Overall though, found myself liking it very much. 8/10