अपनी भाषा में प्लॉट जोड़ेंA demystified take on the tale of King Arthur and the Knights of the Round Table.A demystified take on the tale of King Arthur and the Knights of the Round Table.A demystified take on the tale of King Arthur and the Knights of the Round Table.
- पुरस्कार
- 4 जीत और कुल 8 नामांकन
फ़ीचर्ड समीक्षाएं
What can I say that most already have not? Well not a lot.
My opinion on the movie is that, like many others have said, it's nothing like the legend. I went into this movie expecting it to at lease follow some of the story line for what I knew.. But nothing really happened. They touch small bases of the story and sure they say 'the true story' but no one knows if it even happened! So no one can really make such a statement. Also if they are trying to make a more 'realistic' one then they could of still used the King Arthur story that he actually dies? There is the love affair between Lancelot and Guinevere? King Arthur's love affair and his son? Really if they had to make 2 or 3 movies to fit it all it, I would be more happy with that than how this one turned out.
I went in knowing the story and didn't enjoy it as much, but my cousin went in not knowing much more than there was a King Arthur and a sword.. He enjoyed it a lot more.
It's just another war movie, and I really think it would be a good one! If it didn't use it as the King Arthur story.
Most King Arthur fans will be disappointed I believe, but none the less.. it's a good movie if you take away the whole 'King Arthur' legend from your mind.
My opinion on the movie is that, like many others have said, it's nothing like the legend. I went into this movie expecting it to at lease follow some of the story line for what I knew.. But nothing really happened. They touch small bases of the story and sure they say 'the true story' but no one knows if it even happened! So no one can really make such a statement. Also if they are trying to make a more 'realistic' one then they could of still used the King Arthur story that he actually dies? There is the love affair between Lancelot and Guinevere? King Arthur's love affair and his son? Really if they had to make 2 or 3 movies to fit it all it, I would be more happy with that than how this one turned out.
I went in knowing the story and didn't enjoy it as much, but my cousin went in not knowing much more than there was a King Arthur and a sword.. He enjoyed it a lot more.
It's just another war movie, and I really think it would be a good one! If it didn't use it as the King Arthur story.
Most King Arthur fans will be disappointed I believe, but none the less.. it's a good movie if you take away the whole 'King Arthur' legend from your mind.
When I heard that this film was coming out back in the spring, I was excited. I had finished an entire session of analyzing "Le Morte d'Arthur" in my AP British Literature class and I wrote a 35 page paper about the topic. So, I was thinking, "What a great way to apply my knowledge to this film!"
Of course, that's not how it turned out.
1. The action scenes could have been done much better. Sure, the strategies that the archers used were interesting, and Artorius' attack against the Saxons seemed to be well-planned out, but there wasn't enough blood to be convincing. When a sword is pulled out of the body, there should be blood coming out of the body, right?
2. This particular King Arthur was based on the Roman general Ambrosius, whom existed several hundred years earlier than the more popular King Arthur. After doing a fair amount of research on him, I concluded that the battle was in the right place, but there should have been a reference about Arthur being the recorded Ambrosius.
3. Guinevere and Merlin didn't live as Pictis. Period. I liked that Guinevere had a more powerful part as an action hero rather than a damsel in distress, but she seemed to come out of nowhere.
4. The acting could have been better; Owens' lines were cheesy at times and choppy at others, but he did make the best of it. Ioan Gruffud was a good choice to be Lancelot; the relationship that he and Owens had as their characters was done with as much as they could give it.
Overall, it could have been done better. I give this a 6/10.
Of course, that's not how it turned out.
1. The action scenes could have been done much better. Sure, the strategies that the archers used were interesting, and Artorius' attack against the Saxons seemed to be well-planned out, but there wasn't enough blood to be convincing. When a sword is pulled out of the body, there should be blood coming out of the body, right?
2. This particular King Arthur was based on the Roman general Ambrosius, whom existed several hundred years earlier than the more popular King Arthur. After doing a fair amount of research on him, I concluded that the battle was in the right place, but there should have been a reference about Arthur being the recorded Ambrosius.
3. Guinevere and Merlin didn't live as Pictis. Period. I liked that Guinevere had a more powerful part as an action hero rather than a damsel in distress, but she seemed to come out of nowhere.
4. The acting could have been better; Owens' lines were cheesy at times and choppy at others, but he did make the best of it. Ioan Gruffud was a good choice to be Lancelot; the relationship that he and Owens had as their characters was done with as much as they could give it.
Overall, it could have been done better. I give this a 6/10.
In recent movies coming out of Hollywood there seems to be a trend towards attempting to unveil the true character behind some of history's most mysterious individuals. With most of us having been brought up on tales of a medieval King Arthur and the magic of Camelot, it was a risk for those who initiated this movie to attempt to expose the man behind the myth, so to speak. In my opinion, through a combination of realistic battle scenes, stunning cinematography and well rounded characters this movie is successful.
This tale takes us on a journey with King Arthur's knights as they embark on a final quest for Rome. The issue of religious persecution is raised on numerous occasions in the duration of this movie and relates to contemporary circumstances where religious belief can be used as a form of power and means of superiority. Themes such as this raise the film above the average Bruckheimer production. However, the dialogue is still cliché in places, and mid-battle jokes can fall flat on audiences that have grown weary of them in films such as LORD OF THE RINGS and PIRATES OF THE CARIBBEAN. Fortunately, the battle scenes are realistic and don't bombard us with Jackie Chan like maneuvers that the knights have suddenly and inexplicably learned.
The movie is beautifully shot with a variety of landscapes ranging from Hadrian's Wall to icy snow-covered hills and peasant villages. This ensures that the audience always has something new to look at, but also paints a realistic picture of the poverty and harsh environment of the time.
My only complaint about this film would have to be that some of the acting and characterisation was a little disappointing. Clive Owen's 'Arthur' was a little internalised and predictable. While other characters, such as Lancelot (Ioan Gruffud), are fabulously flawed, Arthur is always thinking of others and making the right decisions. His humanity never falters. Owen delivers his lines woodenly and without the passion one wishes to see from such a great warrior and humanitarian. Whilst the writers have dared to put a different spin on the characters of Lancelot and Guinevere (Keira Knightly), they seem to have stuck with the Arthur of legend. Knightly's performance was certainly nothing special. Her role in the movie was unclear as she seemed to only be there to run around in skimpy outfits, although I'm sure the intention was to create a strong female character. I thought her survival in battle was unrealistic as she was much smaller and weaker than the thousands of large trained warriors she was fighting, particularly since she had apparently nearly starved to death after being walled up in a tomb for her Pagan beliefs. Although Knightly is beautiful, her performances in movies thus far have yet to convince me of her acting abilities.
Overall, I thought this movie was unique in that it depicted a time not often portrayed in modern cinema. It had strong themes with a good mix of humour, romance and action. Although the film had its flaws, I would definitely recommend it as I believe it would appeal to a wide audience.
This tale takes us on a journey with King Arthur's knights as they embark on a final quest for Rome. The issue of religious persecution is raised on numerous occasions in the duration of this movie and relates to contemporary circumstances where religious belief can be used as a form of power and means of superiority. Themes such as this raise the film above the average Bruckheimer production. However, the dialogue is still cliché in places, and mid-battle jokes can fall flat on audiences that have grown weary of them in films such as LORD OF THE RINGS and PIRATES OF THE CARIBBEAN. Fortunately, the battle scenes are realistic and don't bombard us with Jackie Chan like maneuvers that the knights have suddenly and inexplicably learned.
The movie is beautifully shot with a variety of landscapes ranging from Hadrian's Wall to icy snow-covered hills and peasant villages. This ensures that the audience always has something new to look at, but also paints a realistic picture of the poverty and harsh environment of the time.
My only complaint about this film would have to be that some of the acting and characterisation was a little disappointing. Clive Owen's 'Arthur' was a little internalised and predictable. While other characters, such as Lancelot (Ioan Gruffud), are fabulously flawed, Arthur is always thinking of others and making the right decisions. His humanity never falters. Owen delivers his lines woodenly and without the passion one wishes to see from such a great warrior and humanitarian. Whilst the writers have dared to put a different spin on the characters of Lancelot and Guinevere (Keira Knightly), they seem to have stuck with the Arthur of legend. Knightly's performance was certainly nothing special. Her role in the movie was unclear as she seemed to only be there to run around in skimpy outfits, although I'm sure the intention was to create a strong female character. I thought her survival in battle was unrealistic as she was much smaller and weaker than the thousands of large trained warriors she was fighting, particularly since she had apparently nearly starved to death after being walled up in a tomb for her Pagan beliefs. Although Knightly is beautiful, her performances in movies thus far have yet to convince me of her acting abilities.
Overall, I thought this movie was unique in that it depicted a time not often portrayed in modern cinema. It had strong themes with a good mix of humour, romance and action. Although the film had its flaws, I would definitely recommend it as I believe it would appeal to a wide audience.
If you find yourself in need of some sword fighting battle scenes, and pull this movie off the shelf, I recommend turning off the volume. You will thereby avoid
the stilted, over the top, pompous dialog, the mind numbing speeches and the fact that people placed in the situations created by this movie simply do not say the things these actors are made to say. You will be free to enjoy some great action and innovative battle scenes-the frozen lake battle is original, and well done. You can relish watching six Sarmatian knights (from which, we surmise, we get the round table knights, since they have the same names) defeat 20,00 or so Viking wannabes and all 98 pounds of Kiera Knightly take down full size warriors. The movie is very entertaining, but best watched in silent movie mode.
And I loved it!
Not just the new take on the King Arthur legend and the able cast, but the colors, the costumes, the landscapes, the horses, and Hans Zimmer's heart-pounding score.
I'm no King Arthur scholar but I have always been enamored with the chivalric ideals. It's great to see the knights in shining armor and Merlin conjuring up the mists and casting spells, and the young Arthur pulling Excalibur out of the stone.
But I went into this movie with an open mind. I was swiftly transported to that earlier time and happy for the journey. I could see where the elements of the now oh-so-familiar Arthurian themes may have had their beginnings. I found the on-screen chemistry between Ioan Gruffod and Clive Owen to be very powerful and it provided poignant counterpoint to Lancelot's most fateful choice.
The love triangle was never my favorite part of the Arthurian legends, so the subtle treatment of it here didn't bother me at all. In fact, I found it more intriguing in this film than in any other King Arthur movie I've seen.
I loved that there was no hocus-pocus-type magic. Instead the magic was in nature itself - the landscapes, the forests, the rain, the fog, the ice and snow - all creating an other-worldly atmosphere along with Moya Brennan's haunting vocals and Hans Zimmer's stirring score.
I loved the knights. I loved the idea that they were just regular guys and, in effect, drafted into military service. Not the privileged elite who volunteered their services to a king. Yet it is apparent that the Sarmatian knights fought more out of their love and respect for Arthur than any duty to Rome. That comraderie feels very organic and the sentiments, pure. I liked that they're not all wearing the same uniform, that they might have picked up pieces here and there as spoils of war.
I was especially captivated by Mads Mikkelson's Tristan. There appeared to be Eastern influences in his tattoos, clothing, sword, and fighting style. I love the idea of Lancelot using two swords. And I learned something about battlefield strategy, too.
Whatever shortcomings this movie may have, I found heart and soul in it. It was not only entertaining, it touched all my senses, and I felt good when I walked out of the theatre.
Not just the new take on the King Arthur legend and the able cast, but the colors, the costumes, the landscapes, the horses, and Hans Zimmer's heart-pounding score.
I'm no King Arthur scholar but I have always been enamored with the chivalric ideals. It's great to see the knights in shining armor and Merlin conjuring up the mists and casting spells, and the young Arthur pulling Excalibur out of the stone.
But I went into this movie with an open mind. I was swiftly transported to that earlier time and happy for the journey. I could see where the elements of the now oh-so-familiar Arthurian themes may have had their beginnings. I found the on-screen chemistry between Ioan Gruffod and Clive Owen to be very powerful and it provided poignant counterpoint to Lancelot's most fateful choice.
The love triangle was never my favorite part of the Arthurian legends, so the subtle treatment of it here didn't bother me at all. In fact, I found it more intriguing in this film than in any other King Arthur movie I've seen.
I loved that there was no hocus-pocus-type magic. Instead the magic was in nature itself - the landscapes, the forests, the rain, the fog, the ice and snow - all creating an other-worldly atmosphere along with Moya Brennan's haunting vocals and Hans Zimmer's stirring score.
I loved the knights. I loved the idea that they were just regular guys and, in effect, drafted into military service. Not the privileged elite who volunteered their services to a king. Yet it is apparent that the Sarmatian knights fought more out of their love and respect for Arthur than any duty to Rome. That comraderie feels very organic and the sentiments, pure. I liked that they're not all wearing the same uniform, that they might have picked up pieces here and there as spoils of war.
I was especially captivated by Mads Mikkelson's Tristan. There appeared to be Eastern influences in his tattoos, clothing, sword, and fighting style. I love the idea of Lancelot using two swords. And I learned something about battlefield strategy, too.
Whatever shortcomings this movie may have, I found heart and soul in it. It was not only entertaining, it touched all my senses, and I felt good when I walked out of the theatre.
क्या आपको पता है
- ट्रिवियाThe horse Bors rides in the film is the same horse that Maximus rode in ग्लैडियेटर (2000).
- गूफ़Pelagius did not advance a theory of political freedom, but resisted the doctrine of original sin, arguing that one was able to perform good works and achieve salvation by sinlessness alone without requiring spiritual Grace. It was declared a heresy of the Roman Church in 418 A.D.
- इसके अलावा अन्य वर्जनThe film was originally envisioned and shot as an R-rated piece with corresponding graphic violence. However, after the picture had been edited, Disney executives demanded it be changed to a PG-13, hence necessitating a lot of effects work to remove the blood from the battle scenes. Additionally, a number of scenes were removed and rearranged, and some new scenes were added. In total, the Director's Cut runs roughly 15 minutes longer than the theatrical cut. These additions include:
- the scene where young Lancelot (Elliot Henderson-Boyle) leaves his village in longer.
- a scene of young Arthur (Shane Murray-Corcoran) with his mother (Stephanie Putson), and then a scene where he discusses freedom with Pelagius (Owen Teale) whilst he watches the young Lancelot arrive on the hilltop.
- during the first battle, aside from the additional blood that was digitally removed from the theatrical version, numerous quick shots have been added. These include: Picts dragging Romans off their horses and killing them; a Pict slashing at a horse with his sword, causing it to fall; a Pict decapitating a soldier and holding his head aloft, only to be beheaded himself from behind; a Pict hit with an arrow; a Pict impaled on a spear; a Pict hit in the back with an arrow whilst trying to get to the Bishop; a scene of a Pict being hit in the eye with an arrow; a scene of Lancelot (Ioan Gruffudd) decapitating a Pict by using his swords like a scissors; a scene of Bors (Ray Winstone) fighting with his 'gloved knives'; a scene of Bors stabbing a Pict in the throat.
- after the battle, in the theatrical version, the fake bishop (Bosco Hogan) has an arrow in his chest; in the Director's Cut, it is in his head.
- a scene where the knights approach the real Germanius (Ivano Marescotti) with their weapons drawn, before realizing that all is well and sheathing them.
- the conversation between Germanius and Arthur (Clive Owen) is longer.
- a scene of the knights toasting their fallen comrades at the Round Table.
- a scene where Germanius visits the knights as they prepare to leave, and they show him their disapproval of the mission.
- the Director's Cut does not contain the scene where the knights sit around a camp fire talking about their prospective lives in Sarmatia.
- a scene where some dead soldiers are found on the side of the road.
- a conversation between Lancelot and Guinevere (Keira Knightley) about England and the weather.
- another conversation between Lancelot and Guinevere, this time at night, where they discuss family and faith. The scene ends with Lancelot telling her he would have left her in the dungeon.
- the first conversation between Merlin (Stephen Dillane) and Arthur has been edited differently with different takes used.
- an aerial shot of Hadrian's Wall
- a scene where Dagonet (Ray Stevenson) is buried.
- a scene of Bors sitting at Dagonet's grave, getting drunk.
- the sex scene between Guinevere and Arthur is in a different place in both versions of the film. In the theatrical version, Arthur is seen in full battle armor, examining the broken image of Pelagius, when he is alerted that the Saxons are heading towards Hadrian's Wall. He runs outside, but when he appears, he is hastily putting on his shirt, and his hair is disheveled, thus creating something of a continuity error. The sex scene follows this scene. In the Director's Cut however, after the conversation between Arthur and Guinevere where they discuss his morality, they begin to have sex only to be interrupted with the news of the Saxons. The scene then cuts to Arthur appearing on the wall, putting on his shirt. As such, the scene where he is examining Pelagius's image is absent from the Director's Cut. The scenes have been edited together differently as well, with the sex scene in the Director's Cut being slightly longer than the theatrical version.
- a scene where Cynric (Til Schweiger) is demoted for his failure during the ice battle. His frustration is much to Cerdic's (Stellan Skarsgård) amusement.
- a scene of the knights leaving Hadrian's Wall amidst hundreds of small fires set by the Saxons.
- the scene of the confused Saxons in the fog is longer, with more Saxons being chopped down, including one having his arm severed.
- the scene of the sole Saxon survivor (Joe McKinney) running back to the Saxons is longer.
- during the final battle, aside from the additional blood that was digitally removed from the theatrical version, numerous quick shots have been added. These include: a scene of a Saxon impaled by an ax in his chest; a scene of Guinevere stabbing a fallen adversary; a scene of a Saxon being stabbed in the throat; a scene of Guinevere stabbing a Saxon in his crotch; a scene of Arthur ramming his sword into a Saxon's throat; a scene of Gawain (Joel Edgerton) being shot in the chest with an arrow and pulling it out; the scene of several female warriors overpowering a Saxon is much longer and more violent as the women begin to literally tear him to pieces; a scene of Tristan (Mads Mikkelsen) slowly approaching Cerdic; a scene of Bors being stabbed in the back but continuing to fight; a scene of Ganis (Charlie Creed-Miles) fighting a Saxon inside the Wall; a scene where a Saxon is stabbed in the face; the battle between Tristan and Cerdic is longer and more graphic; the scene of Lancelot being wounded is in slow motion; the scene of Cerdic's death is longer and includes a new conclusion where he and Lancelot crawl towards one another and Lancelot stabs him through the throat; the fight between Cerdic and Arthur is slightly longer, with Arthur stabbing Cerdic a final time after Cerdic has whispered Arthur's name.
- साउंडट्रैकAmergin's Invocation
Composed by Lisa Gerrard & Patrick Cassidy
Courtesy of Sony/ATV Music Publishing (Australia)
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Rey Arturo
- फ़िल्माने की जगहें
- Ballymore Eustace, County Kildare, आयरलैंड(Hadrians Wall / Fortress)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $12,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,18,82,244
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,51,93,907
- 11 जुल॰ 2004
- दुनिया भर में सकल
- $20,35,67,857
- चलने की अवधि
- 2 घं 6 मि(126 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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