IMDb रेटिंग
6.6/10
17 हज़ार
आपकी रेटिंग
एक लेखक का युवा सहायक अपने बॉस के टूटते हुए घर में मोहरा और बढ़ावा देने वाला दोनों ही बन जाता है.एक लेखक का युवा सहायक अपने बॉस के टूटते हुए घर में मोहरा और बढ़ावा देने वाला दोनों ही बन जाता है.एक लेखक का युवा सहायक अपने बॉस के टूटते हुए घर में मोहरा और बढ़ावा देने वाला दोनों ही बन जाता है.
- पुरस्कार
- 2 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
'The Door in the Floor' happens to be based on John Irving's 'Widow For A Year'. I like most of his work and they are sort of set in a strange world where the main characters are in search for something. 'The Door In The Floor' falls on the same line. It essentially shows two characters, Ted and Marion, going through a chronic grieving process which they both experience differently. While Ted is still somewhat in touch with the world (finding things (e.g. affair with models, building a pool) to keep himself distracted) albeit very loosely as is evident in his disheveled and neglected lifestyle, Marion has lost all her feelings except that of grief. Then there are two other characters who are in search of something. Their daughter Ruth is trying to find her way in her mother's lost world and her way around the house coming to terms with her family loss in her own childly way. There's Eddie who's a fan of Ted and himself aspires to be a writer but he too is looking for something.
Tod Williams presents some wonderful visuals. The feeling of loss and loneliness is well created. For example, with the use of weather where the overcast sky adds to the silent cry of the characters. Yet, there's a sense of humour (typical Irving style humour) that appears at the right moment. The cinematography, especially the close-ups and zooming are well done. The score is whimsical but rightfully gentle.
Both Jeff Bridges and Kim Basinger give beautifully skilled subtle performances. Bridges portrays Ted's loss of focus brilliantly yet he also effectively manages to portray him as a loving father. Basinger steals the show. I remember one particular scene that is among the finest examples of understated acting. It's the scene where Eddie confronts her about her sons' death and then we witness her expression change very slowly while remaining silent. Jon Foster is confident in his role and holds his own with the veteran co-stars. Elle Fanning is okay even though at times appears to be too much of a chatterbox. Mimi Rogers does a fine job of playing the neurotic model.
'The Door In The Floor' is not one that would appeal to everyone because the 'point' isn't directly obvious but it's a story well told and a film well made and at the end one does feel a sense of satisfaction as the characters finally take a step forward.
Tod Williams presents some wonderful visuals. The feeling of loss and loneliness is well created. For example, with the use of weather where the overcast sky adds to the silent cry of the characters. Yet, there's a sense of humour (typical Irving style humour) that appears at the right moment. The cinematography, especially the close-ups and zooming are well done. The score is whimsical but rightfully gentle.
Both Jeff Bridges and Kim Basinger give beautifully skilled subtle performances. Bridges portrays Ted's loss of focus brilliantly yet he also effectively manages to portray him as a loving father. Basinger steals the show. I remember one particular scene that is among the finest examples of understated acting. It's the scene where Eddie confronts her about her sons' death and then we witness her expression change very slowly while remaining silent. Jon Foster is confident in his role and holds his own with the veteran co-stars. Elle Fanning is okay even though at times appears to be too much of a chatterbox. Mimi Rogers does a fine job of playing the neurotic model.
'The Door In The Floor' is not one that would appeal to everyone because the 'point' isn't directly obvious but it's a story well told and a film well made and at the end one does feel a sense of satisfaction as the characters finally take a step forward.
I loved "Widow For One Year" and was a bit skeptical about "A Door In The Floor". I just didn't see it translating well on screen and I have to admit I'm not a Kim Basinger fan either. Well I have to say I was pleasantly surprised with the screenplay and the acting. Yes I felt sad that the other complex part of the story was omitted but after hearing John Irvings comments in the bonus features he put my sadness to rest. I completely see where he was coming from on the difficulties of portraying the other events to be true to the intended meaning. Jeff Bridges and Kim Basinger were very compelling. Kim Basinger did a brilliant job at coming across as a sympathetic character while remaining emotional hardened in a state that allowed her to leave her daughter and sleep with a young teenage boy. One of the things I love best about John Irving is that he creates characters so flawed yet so redeemable and complex. He show the other side of the coin to making bad choices vs. good. He shows that to each screwed up life there are stories of how people get there and how everything around them contributes to who they become. Because of pain some submit to fears, some submit to pleasures, some submit to sorrow. And although some learn to conquer the emotions and pains of life, some don't, and for them it seems Irving wants us to see that they do the best they can to survive it and protect those they love in their own messed up ways. Underneath these characters that seem morally challenged is pain and the desire to survive it. I guess having said that it is sad that Ruth's story was never told. All things considered this was a very good movie based on a brilliant book.
Having just seen this movie I cannot believe Jeff Bridges was not nominated for this performance (but after Paul Giametti getting overlooked this year, what do you expect) Perhaps people don't know what good acting is: not 'ACTING' but truth, naturalness, and a revelation of how people really behave--but Jeff is so subtle and unshowy that he just becomes the part (Kim Basinger was first rate too)Put this film up against the pretentious and showy twaddle that was American Beauty, and we see what a farce the Oscars really are. The monologue towards the end of this film where Jeff talks about the accident and the death of their two sons was heartbreaking--because it did not go for drama or histrionics, just pure, emotional truth. I urge people who have not seen this movie to please check it out--I don't think you will be sorry--if you are open to the possibility of films that treat you and respect you as an adult, and shows human beings in all their frailties in the most heartbreaking of experiences.
My wife and I just got back from "The Door in the Floor", and I have to say that I found the film to be complex, deep, and intense. We will be hearing about nominations at Oscar time. There are many, many ways that people react to tragedy, and withdrawing the way that Marion Cole did is certainly common. We have friends that lost their eldest daughter to a congenital heart problem a year and a half ago, and I can tell you that he (the dad) reacted just that way, although he went down the alcoholic route, along with distancing himself from his other two children, because he couldn't face his daughter's death. He finally walked out on the entire family much like Marion did. If you think that it can't happen the way that it did in the film, think again.
The performances by Jeff Bridges and Kim Basinger were spot-on perfect. Henry Fonda once said the secret of great actors was that they never let the audience see the wheels turning. I thought that Jeff's performance was one of his best, maybe even better than he was in "Fearless", although that is certainly arguable. I still liked Kim Basinger better in "L.A. Confidential", but this performance is certainly up there at the top.
I certainly intend to see this again, and will end up buying the DVD for my video library. I just love well-written character-driven dramas, and this is certainly one of the better ones.
The performances by Jeff Bridges and Kim Basinger were spot-on perfect. Henry Fonda once said the secret of great actors was that they never let the audience see the wheels turning. I thought that Jeff's performance was one of his best, maybe even better than he was in "Fearless", although that is certainly arguable. I still liked Kim Basinger better in "L.A. Confidential", but this performance is certainly up there at the top.
I certainly intend to see this again, and will end up buying the DVD for my video library. I just love well-written character-driven dramas, and this is certainly one of the better ones.
I spent the first half of this movie utterly despising it, but in the end I admit it's a good movie. If you're not easily offended.
The story revolves around the extremely dysfunctional marriage (and not in a funny way either) between a couple surviving the wreckage of a tragedy. A writer (Jeff Bridges) and his often catatonically depressed wife (Kim Basinger) are failing miserably at raising their young child (Elle Fanning). Failing miserably is the understatement of the year. Their actions border on child abuse including overt extramarital affairs, leaving the bedroom door wide open so that their 4-year-old daughter witnesses sex doggie style, leaving her unattended or generally ignored much of the time resulting in serious accidents, and (although this is debatable depending on how open you are with your kids) walking around butt naked. Oh, maybe I should mention that one of them commits statutory rape. 60 times.
If you can get past that, you're in the clear.
You soon realize, or should soon realize, that this is the story of some individuals who are using tragedy to excuse their selfishness while obliviously wreaking havoc on a small child's mind. And that is the central theme of the film and the key to understanding the cryptic reference of the title "The Door in the Floor".
As you can see, this is a very challenging and possibly controversial story. In that respect it reminds me of the Terry Gilliam film "Tideland" which revolves around a 30-year-old man's relationship with a pre-teen girl; the audience is supposed to be disturbed, and yet we are supposed to dig deeper past the shock to understand the meaning.
So if you watch this movie, don't spend your time trying to figure out who's the "good guy" like I did, or you'll find yourself hating the experience. Instead take it for what it is: the story of some very flawed individuals stumbling through life the only way they know how.
Due to the extremely awkward sexual situations, I do NOT recommend this as a date movie, a romantic evening with your hubby/wife, and for the love of Moses do NOT watch this movie with your kids. Or your parents.
The story revolves around the extremely dysfunctional marriage (and not in a funny way either) between a couple surviving the wreckage of a tragedy. A writer (Jeff Bridges) and his often catatonically depressed wife (Kim Basinger) are failing miserably at raising their young child (Elle Fanning). Failing miserably is the understatement of the year. Their actions border on child abuse including overt extramarital affairs, leaving the bedroom door wide open so that their 4-year-old daughter witnesses sex doggie style, leaving her unattended or generally ignored much of the time resulting in serious accidents, and (although this is debatable depending on how open you are with your kids) walking around butt naked. Oh, maybe I should mention that one of them commits statutory rape. 60 times.
If you can get past that, you're in the clear.
You soon realize, or should soon realize, that this is the story of some individuals who are using tragedy to excuse their selfishness while obliviously wreaking havoc on a small child's mind. And that is the central theme of the film and the key to understanding the cryptic reference of the title "The Door in the Floor".
As you can see, this is a very challenging and possibly controversial story. In that respect it reminds me of the Terry Gilliam film "Tideland" which revolves around a 30-year-old man's relationship with a pre-teen girl; the audience is supposed to be disturbed, and yet we are supposed to dig deeper past the shock to understand the meaning.
So if you watch this movie, don't spend your time trying to figure out who's the "good guy" like I did, or you'll find yourself hating the experience. Instead take it for what it is: the story of some very flawed individuals stumbling through life the only way they know how.
Due to the extremely awkward sexual situations, I do NOT recommend this as a date movie, a romantic evening with your hubby/wife, and for the love of Moses do NOT watch this movie with your kids. Or your parents.
क्या आपको पता है
- ट्रिवियाThe painting of "The Door in the Floor" was actually painted by Jeff Bridges.
- गूफ़The flashback scene in the car with the boys is supposed to take place during a heavy snow fall, and the back window and tail lights of the car are supposed to be covered with snow, but the window is completely clear.
- कनेक्शनFeatured in Anatomy of a Scene: The Door in the Floor (2004)
- साउंडट्रैकStill Care
Performed by B&D
Written by Brnja Sigurdarttir and Drifa Sigurdarttir
Courtesy of KGM Entertainment Group
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Door in the Floor?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Giriş Kapısı
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $75,00,000(अनुमानित)
- US और कनाडा में सकल
- $38,54,624
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,56,876
- 18 जुल॰ 2004
- दुनिया भर में सकल
- $67,15,067
- चलने की अवधि
- 1 घं 51 मि(111 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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