Naked World: America Undercover

Hello, Well I am not in "Naked World", or in "Naked States" but maybe in the next one...? There is an old, very hard to find documentary on Spencer called "Naked Pavement" 1998 by Joshua Tunick (no relation) which was done in his early career. "Naked States" was next, by Arlene Donnelly, the same who did "Naked World". Arlene is a friend of Spencer's and while there is no critical voice in the movies, the movies are more to document what those of us who pose for Spencer feel and to show Spencer at work. Spencer is a visually oriented person, not verbal and when working is highly pressured by the changing light, the fact that we are naked and cold, etc. So he comes across as more abrupt than he really is. Is he an artist with artistic temperament. Oh yes! But as more and more museums have his work, including the Cleveland Museum of Art, the Albright-Knox I would say it's art. Will it last? I don't know. Wouldn't you like to have a documentary of past artists at work?

I've seen many documentaries and I'd rate this among the best I've seen. Perhaps it does not cover new ground as far as a documentary style, but the pace, photography, and music are excellent. Some people dismiss this piece because of the artist and his work. My vote is for the documentary and is not intended to be a vote regarding his art.

The subject of this wonderful documentary, Spencer Tunick, was a surprise when it was shown on cable recently. The controversial artist is seen in an uncanny account of the way he works by the director of the film, Arleene Donnelly Nelson.

We watch as the photographer travels to different countries in order to capture in film humans that pose against impressive backgrounds naked. Mr. Tunick speaks candidly about his ideas and how he goes about it. In interviews we see some of his subjects discussing before hand their ideas and reservations.

It's surprising that Mr. Tunick is able to get the hundreds of people to pose for him "en masse" without so much of a problem. His shoot in front of the Cutty Sark, a London landmark, is one of the best pictures we see in the film. At the same time, it surprises how the Parisian guards of the Louvre come after him when he tried to photograph a naked man in the museum's courtyard with the I.M. Pei pyramid in the background. We are shocked, in a way, because if anyone, in our minds, should be more understanding, would be the French!

The pictures are not pornographic at all! We see ordinary people posing nude, but there is no desire whatsoever to project anything sexual to the would be viewer, in any way. The people posing for Mr. Tunick do so out of their own free will, as no one is pressured to do otherwise.

After watching the film, we get an understanding of the artist and his vision.

Naked World is a documentary about a documentarian, Spencer Tunick, who sets up crowds of naked men and women, and photographs them (most often) lying on the cold, wet, rocky ground in well-know locations.

His images are almost anti-erotic, and sometimes clumsy looking. They appear mostly to be noteworthy moments during an event, which is focused on public nudity.

I love nudity, however, the real highlights of this movie were the interviews of those who were photographed.

In particular, I was moved by the HIV+ lady who consoled a sobbing gal who had found being photographed to be a healing experience. I also greatly appreciated the Africa poet, as well as others who addressed racism.

Demian, Sweet Corn Productions

Art and nudity have been together in the Western world for thousands of years-dating back to the Ancient Greeks who viewed the body as one of the if not the most beautiful work of art. That, at least, is the western viewpoint. Other cultures vary; not so much as to whether the body is beautiful or not but rather as to when it is appropriate to display the body to all. Mr. Tunick, in this film, goes around the world to try to show the "body is beautiful" viewpoint belongs worldwide. And, to a significant degree, he succeeds. Actually, his film could be viewed not so much as a film about the human body or nakedness but rather about cultural differences overall. For example, his ease of obtaining volunteers in London versus the problems he had in Ireland shows the cultural differences still existing between those societies.

Particular mention and praise should be made to him going to a post apartheid South Africa and attempting to recruit (mostly) black models. Virtually all of the models in his previous photo shoots have been white; and this is certainly understandable in places such as Russia (only Black Russian I know of is a drink!). However, other peoples with much different skin tones exist and by going to South Africa he certainly attempted to diversify his selection. I commend him for that even though he seemed to be less than totally successful in that endeavor.

The only part of the show that I really object to is the Antarctica session. He wanted to do a worldwide show and, in that regards, I understand his decision to go to the Antarctic. But, I still object for a couple of reasons. The first one, most importantly, is that the Antarctic does not have any indigenous human population-the one part of the landed world that does not. The second objection is more of an artistic nature, and that is due to the environment a nude human being is in no way "natural" in Antarctica. What we see in this movie is the coastal region in SUMMER; the most benign area and time of the year for that entire continent and it is still way too cold for people to venture out without insulating clothes. The models are nude for just a few minutes at a time; yet it is obvious that they are at their limits even then and certainly could not survive for much longer in a nude condition. Nude humans and the Antarctic are therefore oxymorons; they do not go together and Antarctica does not belong in Spencer Tunick's portfolio.

Having mentioned that I will say that overall this film is a good example of artistic figure studies.