Main Hoon Na

Its all about revenge. There are some good scenes about patriotism. Its more like a sentimental movie About son loving his father. A father loving her daughter. There is comdey.There is romance. There is love There r action episodes everything needed for a movie ! But The story is Nothing new (just patriotism concept is different) we have seen them in many movies. Mixed bag with enough quotient of Elements that satisfy Audience. I expected more. Sharukh is too good Susmita sen provides glamour quotient for the movie but she appears later in The film. Locations and songs are okay. Watch it.

Great flick that was a blast from start to finish! When the "Red Chillies Entertainment" logo came up at the start, I had no idea this film was going to be such a celluloid party! Farah Khan delivers one mega punch after another. The song "Chale Jaise Hawaien" is priceless -- reminiscent of K2H2 -- but her choice to shoot the song in two long-take sequence shots was phenomenal --> exhibiting some of the best human and camera choreography since Welles's classic opening to Touch of Evil. All the songs shine in the film, but the qawaali "Tumse Milke Dilka Jo Haal" -- coming right after the interval -- is an absolute showstopper; the choreography, set design, and costuming come as close to Hindi cinema perfection as any mere mortal can get! Shah Rukh kicks as an action hero, and ALL the actors play their characters with conviction and just the right amount of tongue-in-cheek! And the comic punch of this film is brilliant --> when Satish Shah first appears on the screen (no spoiler here), I laughed so hard I had tears streaming down my face (appropriate, I guess....). There are also some absolutely amazing digital effects shots, particularly during some of the Shah Rukh-Sunil Shetty fight scenes (I don't think anyone has ever had so much fun lampooning The Matrix [thanks, Farah!]). Finally, Anu Malik delivers what I think must be his absolutely finest pop-Indian soundtrack. The songs are totally addictive and immensely hummable. I am looking forward to snatching up the DVD when it's released so I can hear the songs in a proper surround-sound mix.

Overall, this is an incredibly entertaining mix of all that is wonderful in contemporary Hindi films -- great story (inspired by the Ramayana), terrific choreography and acting, rib-splitting comedy, just the right amount of pathos, stunning cinematography, catchy songs, and dynamite directing. Both thumbs up!

After the not-so-impressing promos and posters, one doesn't expect much when walking into the theatre to see Main Hoon Na. But Farah Khan makes a sensational debut in direction with the movie. Main Hoon Na is a 3-hour rollercoaster ride. It has everything in the right place. It has Action, Comedy, Romance and all the other ingrediants in perfect proportions.

The story is Indian. But the packaging is western. The movie is not recommend for those who think while watching movies. It has a touch of those movies of the 70s where content took a backseat and entertainment was all that mattered. The presentation of the movie is one of its key asseets.

Another asset is the music. Anu Malik's score is easy on the ears. What compliments the songs is their picturisation and placement. The title track and 'Chale Jaise Hawayein' are the picks of the lot. The tributes to R.D. Burman are clear and effective. Production is grand. Sabu Cyril does a fantastic job with the sets. Allan Amin's action is top notch. Specially the scenes in the beginning and the climax have been executed with panache. Though some of the effects are a little hackeneyed, they are better than most Hindi movies. Abbas Tyrewala's dialogues are sure to earn him another nomination next year. With this he proves that Munnabhai was not a lucky chance.

Now to the performances! Shah Rukh gives yet another fine performance. Like wine, he gets finer with age. Also, this movie should shut those mouths which said that he could not do action sequences. His stunts in this film will surely multiply the number of his fans. Another great performance is that of Sushmita Sen's. In fact, people here are calling her 'Discovery of the Year!' Never has an actress looked so ravishing in a sari. Zayed Khan also gives a decent performance. Amrita Rao is another rising sun. Her performance is sure to be noticed. In the smaller roles, Kirron Kher, Kabir Bedi and Nasseruddin Shah impress.

In one word, Main Hoon Na can be called a 'must-see'. 10/10

New to the Bollywood genre, I was curious so got this DVD to see what it was all about. In the next several hours I had wept repeatedly, laughed hysterically, wanted to join in dancing, and caught myself with my mouth hanging open more than once in stunned appreciation of the shift between moods on screen. And I was amazed the entire time at what a good time I was having, and spent the rest of the evening humming the songs from it.

This film is really evidence of a completely different mindset and world, and one that I find that I like so much! There was no swearing, no blatant sex, no sneering or nastiness, which I am so tired of; all was color, music, beautiful saris, people of all ages participating, silly support characters, appealing leads, lots of action, and all set against a poignant story line about a peace initiative between the traditional enemies,India and Pakistan. I am SO impressed, and want to see many more of these Indian films from now on. I recommend it!

Major Ram Prasad Sharma (Shah Rukh Khan) is a straight-laced military man walking in the footsteps of his father, General Shekar Sharma (Naseerudin Shah). When the General is killed by terrorists, he reveals on his deathbed that Major Ram has a half-brother, and gives him a dual mission: to protect a fragile peace initiative with Pakistan, called Project Milap, and to find his estranged brother and heal his fractured family.

Major Ram is assigned to protect the daughter of General Bakshi, the commander in charge of Project Milap, which takes him undercover to St. Paul's College in Darjeeling. By an amazing coincidence that only a true Bollywood fan could swallow, the Major's younger brother Lakshman Prasad (Lucky) Sharma studies at the same college.

After having his career emasculated by Karan Johar, I am happy to see that first time director Farah Khan has made a man of SRK again. How ironic that it took a woman director to give Khan a role he could finally get down and dirty with, after playing the teary-eyed lover-boy for so long.

Main Hoon Naa is a great summer time masala entertainer. It has dollops of action, romance, family angst, and a little medicinal dose of patriotic preaching about peace (estranged brothers Ram and Lakshman neatly symbolize India and Pakistan, separated by the folly of their leaders and elders).

But its greatest strength is that it doesn't take itself too seriously. The action could best be described as The Matrix meets Jackie Chan, with special effects that are one minute thrilling and the next minute laughable. But it's such fun to see SRK back in action, after his much publicized neck troubles, and encouraging to see Hindi filmmakers experimenting with cutting edge special effects technology.

The comedy revolves around the obviously over-aged Major Ram as a returning college student. Shah Rukh plays it just right, and not only neatly parodies his college role in Kuch Kuch Hota Hai, but also does a fantastic job of remaining in character and keeping his ram-rod straight military bearing whether he's doing comedy, drama or action.

Newcomer Zayed Khan (Lucky) has a way to go with his acting craft, but I found that he grew on me as the movie progressed, and he just sort of meshed with the elder Khan. They have a nice chemistry together. Amrita Rao (the general's daughter) is talented and gorgeous, and a great dancer. See her in Masti, where she also sparkles. Suniel Shetty does an excellent job underplaying the villain, and resists the urge to go overboard in his scenes. I loved the way Farah emphasizes his sexy badness by blaring heavy metal music whenever he makes an entrance. It made me chuckle every time.

Unfortunately the classy and sexy Sushmita Sen has little to do, but she and Shah Rukh fairly set the screen on fire in their few scenes together. Her seductive chemistry teacher is the perfect foil for his shy, sexually naive character. I'd love to see them in another film together, where she gets full screen time. She has a strength and maturity about her that plays very well off of his vulnerability and boyishness.

First time director Farah Khan takes the skills and creative genius she has displayed in her choreography (the Chaiyya Chaiyya dance atop a moving train in Dil Se alone has earned her a place in Bollywood legend) and demonstrates an exuberant love for the films of her youth. Main Hoon Naa either parodies or pays tribute to dozens of other Bollywood films, from Sholay to Kuch Kuch Hota Hai. The running gag where Major Ram bursts into uncontrollable singing whenever he sees Ms. Chandni, the chemistry teacher, is hilarious and endearing. And the outrageous chase scene with Ram on a rickshaw in hot pursuit of a jeep is just great. As a relative new-comer to Bollywood myself, I know that a lot of the references were lost on me, but I got a lot of them, too.

If you prefer Karan Johar three hanky tear-jerkers, this isn't for you. But if you want some thrills and comedy and family drama with your romance, then see Main Hoon Naa! Even the closing credits are fun. And Farah's director's commentary in the DVD special features is one of the best I've ever heard.