Most

I just returned from an "Entertainment and Media Summit" in Nashville and it was there that I first learned of this film. Two people in the entertainment business whose opinions I respect had nothing but praise for "Most," a movie which came up in our conversation because Bill Zabka, one of the writers, was scheduled to be at the summit. (Unfortunately, he had to cancel at the last minute.) But I did discover an opportunity there to purchase a DVD from one of the other attendees, a young man whose own life was so changed by this movie that he buys multiple copies directly from the publisher and sells them at his cost wherever he goes "just so more lives can be touched." That was an even better recommendation than that of my friends and I quickly handed over the money.

Having now watched the movie I am tempted to join that young man in carrying copies with me. I have given away many books but have never (other than as a present for some occasion) given away a movie. This is one I will. The acting is outstanding, especially by the lead but also by the young man who plays the role of the son of the lead character. The production values are extraordinarily high for an independent film (for any film, actually), the music is simple but not simplistic, and that the film is in Czech makes it even better.

But of course the best thing is the story telling. The story is, I think, always the the thing, and while this story is not new it is told so powerfully, so beautifully, so movingly, that you become part of it.

Most is Czech for bridge, but after watching this movie both words mean so much more. This is an incredible movie which is entertaining and rewarding. See it if you can.

I saw this movie in the company of the directors Bobby Garabedian and William Zabka in a private screening of the movie. Needless to say, this movie was absolutely breathtaking. I can honestly say this is one of the best movies I have ever seen, the parallels in this movie to Biblical truth are staggering and the sheer art form it possesses is remarkable. If you have not seen it, or have even the slightest bit of remote interest in viewing it, I strongly urge you to. Please don't let the fact that the movie is in another language hinder you from watching, in fact, it makes it 1000 times better. This movie has changed my life and even several months after watching it, I am still amazed by it.

Saw this film at Sundance 2003. I felt as though I were watching a feature length film...has all the qualities. From the opening scene you are drawn into a beautiful but edgy, visually captivating story that touches your heart. It was filmed in Prague with incredible Czech actors (English Subtitles) and the production value is first class. Not to be missed if you have a chance to see it.

This film is perhaps the most powerful and brilliant piece of film making I have seen in recent memory. I attended a film makers panel at the Maui Film Festival where Garabedian, Director/Writer & Zabka, Producer/Writer shared their experiences in getting the film made. Their stories were captivating, inspiring and ultimately bold. I was astonished to learn that this brilliant, European, Czech language film was made by two young filmmakers from LA!

MOST was awarded Best Short Film - Best Newcomer - and also the Audience Award.

By my unofficial tally, speaking in a theater lobby with many attendees, at The Heartland Film Festival (October, 2003) this short, MOST (The Bridge), was the favorite, and most discussed, among all of its various films. The plot may become familiar as you watch the piece. It's from a story that was once passed along at summer camps, and now circulates the internet. No matter - it has been transformed into both an instantly captivating work of its own, and the best possible presentation of this tale. Intense care was taken in the film's details, from story to cinematography to sound. The latter was clearly edited on the emotion, which plays amazingly. As such, MOST lends itself to scrutiny, if you want to do that. Deeper meanings are there to be plumbed, but, like the best of all such cinema, it also works intuitively. Effort isn't necessary - you can just let it wash over you. In that way it approaches, if not meets, the singular style and quality of WINGS OF DESIRE.

I've allowed a few months pass, just to let it settle with me, and I'm now reasonably sure that MOST can be called a masterpiece. Really - it's that good.