On Thin Ice

Since this movie was based on a true story of a woman who had two children and was not very well-off, it was just scary as to how real it really was! The acting is what gave the movie that push to greatness.

Diane Keaton portrayed the main character, Patsy McCartle who had two sons whom she adored. Her performance is what made the real life story come to life on a television screen. It was very hard to watch some of the scenes since they were so real as to what happens when one becomes addicted to drugs.

Just watching this very loving mother go from sweet to not caring at all was hard, but so true. I have known people who have gone through withdrawl and it was very much like what happened in this movie, from what I remember.

I also thought that it was very risky for the director to want to make a movie out of what happened to this woman. Yet it was done so well. I applaud the director for making this movie.

I highly recommend this to anyone who has known someone who has ever been addicted to drugs or to just learn what can happen to you if you do become addicted to them.

Keaton is absolutely not believable. Her over the top acting style doesn't not work in a drama like this. It feels like she is mocking. She looks more like she just left a book reading for wives of professors than a world weary, poor mom so broke she's forced to turn to drug dealing. And frankly she is just to old for this role, at time of filming she was 56, an old looking 56.

There's just nothing that feels authentic, from the characters,the vocabulary, to the wardrobe. This movie feels like what rich Hollywood people think poor people look and act like. It's just one cliché after another. Laughable.

I guess Diane Keaton was trying to break away from her "Annie Hall" character, variations of which she has played in a few subsequent movies and had kind of stereotyped her. But this TV movie wasn't the vehicle for her to do that in. I know this was supposedly based on a true story, but her character was played in such an over the top way it was hard to take her acting or the plot seriously.

I saw this made-for-TV movie on LMN recently, and it shows how far such movies have come over the years. That's not to say they are of very high quality now, but the writing and production values have improved greatly. I can't believe I'm saying that, since I usually give bad reviews to most TV movies! But the comparison between such movies then and now is very evident.

I don't understand how true stories get such low ratings! Makes me wonder what's so fascinating about the people who gave it a low rating! If their lives were made into a true story, what would it rate??? What do these people expect?? I'd love to see them do something so brave!!! I didn't have a problem with the acting or the storyline, it was believable and convincing. Watch this with your kids, it would be convincing enough to sway them away from the drug scene. I know exactly how she feels about getting justice for your family. There's a couple of people I know, that need her kind of justice for their life, but they're never gonna get it, until the next one!

Diane Keaton plays a widowed mother of two young boys (one of whom has serious asthma) working odd jobs but falling behind on the bills; after running into an old friend who seems to have lots of money on hand, Keaton goes on her first drug-run. Dealing Crystal Meth seems like a good solution for awhile, until the local drug lord has Keaton become a partaker to prove her worth. Serious subject matter is pitched too high, with jittery Keaton flaky and flighty, but without her charming edge (she's a walking nervous breakdown). The personalities of her two kids are unconvincing (as is their general dialogue and relationship with their mom), and the supporting characters as well never take shape. TV-movie has such a fuzzy narrative that I wasn't even sure which state it was supposed to take place in (I believe North Carolina, though it was filmed in Canada), and Keaton begins the movie as a cleaning woman but never returns to that job again. The tone of the film shifts jarringly in the second-half from character study to melodrama, a change which doesn't suit anyone here particularly well.