Traffic

I can say, without exaggerating, that this is the best miniseries I have ever seen.

And I was really surprised. Traffic, has the one ingredient I have found to be common to all excellent movies: it starts quite simple, and then, gradually, gets better and better and better and better.

Third part has such a suspense and thrill, that I might not be able to recall five other films that even it.

Resuming:

A must see. It's the first time I comment on a miniseries, and this one has the height of great films.

I own and have watched the Euro (not the HBO) mini-series numerous times. I originally saw Traffic (the Movie) at the theater when it was released. I own that video as well and have also watched it numerous times. I would give the mini-series a 7.5/10. Even for the time, some of the dialog is cheesy and some of the characters actions are less then believable. Both films require serious suspension of disbelief to swallow the ignorance of the main drug trafficker's (German/La Jolla) wife. Anybody with that kind of dough would have set up legitimate, working businesses to launder money and to create layers of cover. What bother me most is that somebody can come along and give the film a 1 star rating because it didn't have a "message". That puts this film in the category of the worst pix of all time and draws down user rating unfairly. That is a pet peeve of mine and made me register here just to defend this film. Maybe IMDb adjusts for this in there stats. I don't know. But I judge a movie based on how it holds up after repeated viewings. And, even knowing the story through and through, I get drawn in by the first scene and Del Toro's on-screen presence. From the on it's like sliding into an easy chair... If you haven't seen either version then I envy you. Don't pass up this or the original mini-series. They are both worth your time.

In short, good stories; and their presentations never die. And in acceptance of this, despite the "sure deals" and "assumed audience" that USA had working for them, they have managed to develop a brilliant scheme that played out. "Traffic", in it's own right, is a beautifuly executed miniseries of it's own. And should be allowed to stand on those legs, despite it's legacy. For this is an issue that man has left unfounded,; and to be so humanistlicly illustrated, quite possibly more than it's predecesor. For this is a story about our own legacy's, our own weaknesses - which has managed to play it self out in of all places: Our Televisions.

I did enjoy most of the mini-series, though the overseas "DEA Cowboy" seQuences were just the usual Hollywood schlock, bearing no resemblance to overseas drug or other covert ops. I expect a bit of hokiness, but this was definitely in extremis and could have benefited from at least come consultant who had been there. At least then these characters could tell the difference between heroin and raw opium: the product they keep calling "heroin" in Afghanistan is obviously opium, which is indeed grown there but NEVER processed into heroin there.

I'd probably have given this flick a good solid 8 as a pure action-adventure flick if it weren't for the abominable hack job obviously done to fit it into some magical six-hour block. Story arcs flew, and ended, at random, leaving bizarre loose ends all over the place. Obviously the junkie and the Tongs have some tie-in (as leverage for the DEA guy) that disappears entirely. And what really happens to "Ronnie?" Balthazar Getty obviously doesn't know, yet the Chechen basically kidnaps him, which will get him zilch, and then .....?? Ambiguity in endings is often fine, and this could have stood some, but this move just suddenly ended for no apparent reason. Obviously this was not for some artistic reason, it was just hacked to death by some idiot in one Hell of a hurry to make things fit. I think it's the most incompetent job of cutting I've ever seen anywhere, and it truly p***ed me off. This could have been a very good series if they'd given it the extra half hour it needed to sort out the subplots.

A drug bust goes bad in US occupied Afghanistan, a merchant marine boat is scuttled while smuggling illegal immigrants, and the bank forecloses on a Wharton MBA's insolvent real estate deal -- the first 50 pages of a new Clancy novel? No, these 3 completely nonsequitur events happen in the first half hour of Traffic: The Miniseries.

Aside from the common theme of drugs, Traffic bears very little resemblance to Michael Douglas movie of the same name. That said, I was surprised by how engrossed I became in the plot. The miniseris is purely plot driven, with skin-deep characters provided to push the plot along. With 3 separate plot threads running concurrently, Traffic adeptly navigates the viewer through the labryinthine story with little confusion and much suspense.

Noteworthy performances are Elias Koteas and Martin Donovan as 2 DEA agents charged with the sisyphean task of de-stabilizing the same Taliban drug operation they helped organize in the 80s. Koteas displays the same subdued heroism here as he did in Thin Red Line opposite Nick Nolte. Mary McCormack also shines as Koteas wife, not your typical damsel in distress.

In the end, Traffic: the Miniseries is just a cool story, weaving narco-terrorism with Homeland Security. I would have enjoyed seeing this writ large a la HBO, bigger budget, better locales (Vancouver, BC doubles for everything from Seattle to Afghanistan), and stark dialogue. On HBO, Traffic would have been a true epic. On USA, it's a just a long stanza (Damn you, Barry Diller, spend some $$$!)