The L Word

...and by seeing it, I mean watching more than just one episode, particularly a pilot which automatically alerts someone to the fact that a show is just starting out and hey, give it some credit or a chance before you blow it off.

that said, obviously I'm a huge fan of the show. While it does have a somewhat shaky start (and what doesn't?) the show really hits it's stride during the middle of the season as the characters and, I'm led to believe, actors really begin making and displaying the bonds they share.

While it may a lesbian show, an hour long, a drama, a comedy, a creative reflection of real life, it is ultimately a television show and I personally think it's brilliant for what it is. Some argue that the characters aren't believable, the plots too 'out there', the lesbian characters too beautiful or glamorous and I don't agree with any one of them for the simple reason that it's a TELEVISION SHOW, television itself being the epitome of glamour and idealization, and a damn good television show at that. Television is, as I said above, a creative reflection of real life, it's not meant to actually be real life.

Erin Daniels, in particular, is amazing as Dana Fairbanks. She has you laughing hysterically one minute and in sympathetic tears the next. Not to mention the rest of the cast, who neither under or over play their characters and sort of allow their characters to come through them instead of being forced. It's hard to explain, but there's something about the dynamic of this cast, of this show, that just draws you and doesn't let you go.

I recommend you give it a watch, and a chance and if at the end you still don't enjoy it than it's fair enough, at least you tried. However, I do believe the show is strong enough and that well put together that you can't help but like it, you can't help but care what becomes of these characters, and you can't help but want more.

on a side note, Lauren Lee Smith who plays a guest character called Lara is so adorable it's not even funny. As Leisha Hailey. And Jennifer Beals. (who are both mains)

(as you can see, the show also makes it hard to have and hold onto a favourite character, they're all appealing and all wonderful)

This artistically well-done Showtime-made TV series primarily focuses on portrayal of lesbians in their 20s to 40s as urban professionals and deals with their everyday issues; at the same time, thematic materials such as working on relationships or struggling against temptations have universal qualities so that any open-minded persons, regardless of gender and sexual orientation, can associate with the happenings in the show. Also, dramas without males' chauvinistic nature create a uniquely comfortable mood, which even the straight audience may feel refreshing. Gaining a wide range of supporters and fans beyond the lesbian community must be a big factor of the show's success, which made it possible for the series to continue to Season Two.

Speaking of the show's success, one cannot overlook its artistic merits, which are extraordinary as a TV show's. Many incidents are interwoven into one compelling story; a lovable ensemble cast that consists of a variety of personas engages in acting; and the director of photography Robert Aschmann takes full advantage of his skills and creativity in amazing long takes, aggressive crane shots, and illuminative lightings. There is inconsistency among episodes on writing, directing, and editing due to the fact that several different artists have worked on each episode; this drawback may be inevitable for a TV series. Among writers and directors, Rose Troche, the legendary director of Go Fish, writes believable dialogues and directs intimate scenes with crafts, while Lenka Svab stands out among editors, dazzling and mesmerizing the viewers with a deliberate disorientation. Some writers make homage to historic filmmakers such as Godard, Cassavetes, and Soderbergh by having the characters refer to them; this is a tiny detail but certainly amuses film fans.

Network: Showtime; Genre: Drama; Content Rating: TV-MA (for nudity, simulated sex, graphic sexual dialog and profanity); Available: DVD; Classification: Modern Classic (star range: 1 - 5)

Seasons Reviewed: Complete Series (6 seasons)

Llene Chaiken's "The L Word" is an ensemble melodrama that plunges us into the world of a tight-nit group of lesbians including Bette (Jennifer Beals) and Tina (Laurel Holloman), a long-time couple trying to start a family, bi-sexual creator of "the chart" Alice (Leisha Hailey , inspired as the comic relief), grating, tortured newcomer Jenny (Mia Kirshner), sex-magnet and hair-stylist to the stars Shane (Katherine Moennig) and celebrity tennis player Dana Fairbanks (Erin Daniels). Once the show starts rolling, the characters sink their teeth into you and don't let go.

If HBO is the standard setter, Showtime has carved out a niche "answering" HBO. A niche series played so specifically to a sliver demographic it could only work on Showtime, "L" is a strong-fisted answer to "Sex and the City" - though different in every possible way. Stripping away the romanticized fairy tale of the relationship show, "Word" runs on pure, naked authenticity. While it lacks "Sex's" intellectual pontification, everything - everything - about "Word" feels real. A gay marriage coupled coupled with a gay divorce, the excitement of new love coupled with the misery of a cheating partner, and sex is sometimes a beautiful expression of companionship and sometimes a meaty, awkward, disgusting mess. "L" has a late night Showtime inclination to titillate, but often the sex scenes and plentiful gratuitous nudity are the dullest part. You don't need a man to ruin your life, these women make each other miserable all on their own. The dramatic outbursts are raw and, at their best, difficult to watch. The performances are precise and jump boldly and with full commitment through each flaming hoop and some sloppy writing.

In these PC times it is hard not to talk about a show like "L" without stepping into the middle of a political firestorm. In some ways the show brings this on, from a hyper-defensive title to some unnecessary posturing in its more manipulative story lines (a to-the-camera speech by Gloria Steinham is a low point). There is no mistaking that, "L" has an out-in-your-face feminist agenda to shake up and reshape the world's traditional norms with the questions posed by the simple existence of the characters. What defines a marriage? What defines sex? What is art? What defines a parent/grandparent? It is all fascinating stuff. A few years ago this all may have been mind-blowingly iconoclastic material, but now with homosexuality the new media sacred cow, "L" is given a free license to do whatever it wants.

The difference between this show and others is that it takes full advantage in exploring this fertile ground. It doesn't fall back on its identity, taking for granted an audience that is starved for intelligent entertainment, but explores and expands beyond the one-note characters of "Will & Grace" or simply identifiable caricatures of "Queer Eye". Instead it is a multi-layered tapestry playing like a little epic, spanning the lesbian experience. I won't say that "L" is going to "strike a civil rights blow" for "progressives", but I will say that its sliver demographic has never been so well spoken for and the show never stops going all out to entertain.

First and foremost a relationship series, "L"s characters open the door for some truly unique plot lines – such as Alice's relationship with a lesbian identified man, Dana's fiancé planning the first gay celebrity wedding out from under her and, the big season 1 question, Jenny's moral crisis over cheating on her male fiancé, Tim (Eric Mabius, given dignity few shows would allow), with another women. The weak link in the chain is Pam Grier as Bette's heterosexual sister Kit. The show about grinds to a halt when she appears to sing or whine about her alcoholism.

The production is beautiful all around. With a little imagination the show-runners have broken the restraints of the genre, as with the surreal sequences that evolve around Jenny's pretentious novels. The musical choice is always spot-on. The show is bathed in an atmospheric soundtrack (many remixes of the show's fun and boisterously embarrassing season 2 theme) and, minus that, the ambient noise of passing cars and motorcycles on the LA streets. "L" washes the audience in atmosphere.

The first season climaxes in a knock-down brawl between Bette and Tina the likes of which I've never seen. In "Liberally" Bette's battle with a fanatical Christian group is brought to a stirring climax. "Lonliest Number" takes the show into more surreal territory. The show's best moments are when it lightens up and just lets the characters have fun together. In "Let's Do It" the gang set up a sting to see if Dana's crush is on their team. "Looking Back" finds them on a trip to the Dina Shore Invitational and recounting "coming out stories". At the end of the day the show is elevated on the backs of the cast, their chemistry, and the honest crafting of these characters.

"L Word" could have coasted by on a lesbian theme, but it doesn't settle for doing anything easy and becomes so much more. After the 3rd season the quality goes downhill, stories are recycled, ending in a scattershot final season and one of the most ridiculous, mis-calculated messes of a series finale I've ever witnessed. Still, I'm the exact opposite of the demographic this narrow-cast series is going for and I can't get enough. The mark left by a great series is one that creates a world that you would want to live in, and "L" puts you right in its universe. "The L Word" is a soulful, addictive thing of beauty - often surreal, at times maddening - and a remarkable pure character drama.

* * * * / 5

The L Word is one of the most original shows I've ever seen. It's the only real lesbian show ever made. It's breaks down stereotypes, and shows you that not all lesbians are butch. It deals with real issues that lesbians have, but at the same time maintains its humor (some of the one liners are hilarious). It's not trying to be perfect or overly explicit (although the sex scenes are nowhere near self-conscious). The women on the show are all gorgeous and very talented. The acting is the most solid part of the show. Some of the characters show so much emotion with so little dialogue (like my personal favorite, Marina, played by Karina Lomabrd). The show has no limitations. Pretty much every boundary was crossed by the end of the first episode, and that's a good thing. This is by far my favorite show, and if you haven't seen it you really should. Gay or straight, you'll love it.

My only complaint is that Karina isn't coming back for season 2. Hopefully she'll be back for future seasons.

I find it interesting that someone who only watched one episode could make such a broad statement of an entire season of episodes. I've watched the whole thing. It's more than worth watching a bunch of straight women (with the exclusion of, I believe, one or two of the actors) believably pull off a lesbian role. It's unabashedly a lesbian show. Written by, as I understand, mostly lesbian writers for a mostly lesbian audience. The lesbian community has been under represented for far too long. While there are some short comings in the script, the acting is hardly bad. In fact, it's the shows subtleties that give it the life it has. These are situations and representations of people who could exist in real life. As the show progresses, it is almost certain to be inclusive to most if not all lesbian life styles. Give it more than one episode, and try to watch it from beginning to end. As a 20 something lesbian myself, I find it a relief to have such an involved show with an excellent cast. You don't have to be a major name in acting to have talent worth watching!! On an end note, I wouldn't mind seeing the writers get into the possibility of an second generation homosexual character... just a thought.