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Dôruzu

  • 2002
  • Not Rated
  • 1 घं 54 मि
IMDb रेटिंग
7.5/10
18 हज़ार
आपकी रेटिंग
Dôruzu (2002)
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंThree stories of never-ending love.Three stories of never-ending love.Three stories of never-ending love.

  • निर्देशक
    • Takeshi Kitano
  • लेखक
    • Takeshi Kitano
  • स्टार
    • Miho Kanno
    • Hidetoshi Nishijima
    • Tatsuya Mihashi
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.5/10
    18 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Takeshi Kitano
    • लेखक
      • Takeshi Kitano
    • स्टार
      • Miho Kanno
      • Hidetoshi Nishijima
      • Tatsuya Mihashi
    • 67यूज़र समीक्षाएं
    • 101आलोचक समीक्षाएं
    • 71मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 7 नामांकन

    फ़ोटो47

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 40
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Miho Kanno
    • Sawako
    Hidetoshi Nishijima
    Hidetoshi Nishijima
    • Matsumoto
    Tatsuya Mihashi
    Tatsuya Mihashi
    • Hiro, the Boss
    Kyôko Fukada
    Kyôko Fukada
    • Haruna Yamaguchi, the Pop Star
    • (as Kyoko Fukada)
    Chieko Matsubara
    Chieko Matsubara
    • Ryoko, the Woman in the Park
    Tsutomu Takeshige
    • Nukui, the Fan
    Kayoko Kishimoto
    Kayoko Kishimoto
    • Haruna's Aunt
    Kanji Tsuda
    Kanji Tsuda
    • Young Hiro
    Yûko Daike
    Yûko Daike
    • Young Ryoko
    Ren Ôsugi
    Ren Ôsugi
    • Haruna's Manager
    Shimadayu Toyotake
    • Tayu, Puppet Theater Narrator
    Seisuke Tsurusawa
    • Puppet Theater Shamisen Player
    Minotaro Yoshida
    • Puppeteer of Umegawa the Courtesan
    Yoshida
    • Puppeteer of Chubei
    Shôgo Shimizu
    Shôgo Shimizu
    • Matsumoto's Father
    Midori Kanazawa
    • Matsumoto's Mother
    Nao Ômori
    Nao Ômori
    • Matsumoto's Colleague
    Kyoko Yoshizawa
    Kyoko Yoshizawa
    • Haruna's Mother
    • निर्देशक
      • Takeshi Kitano
    • लेखक
      • Takeshi Kitano
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    7.517.7K
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    10

    फ़ीचर्ड समीक्षाएं

    10elclown

    Amazingly aesthetic

    Takeshi Kitano proudly presented Dolls in the last Venice festival, where it received bad critics and reviews from the so-called cinema intellectuals and movie critics (I'd rather called them dollar-seekers). A few months later it was premiered in the Sitges Cinema Fest, I didn't expected too much, I was too wrong.

    Dolls is a great movie about true love and the meaning of life. It's perfectly directed, it's perfectly acted, it's... perfect? May be, of course it depends on you. The point to criticize the movie for most of the critics, is the point that I praise: the use of the symbols is 100% aesthetic, I even believe that the real love is not the subject of the movie, but aesthetics; and the greatest of everything is that using this strange way of filming he really emphasizes the story. The traditional filming would use symbol's as a way to directly emphasize the action, but this movie uses the symbols independently from the action and that gives strength to the overall story.

    The aestheticism is very dangerous, because it can turn your movie into a sum of meaningless scenes attached with a very poor story, making it very boring. However Kitano-sensei (my biggest and greatest inspiration) manages to exploit aesthetics without loosing the plot.

    This is not the first time that Kitano tries to explain a story with images, in Ano natsu ichiban shizukana umi (A scene at the sea) tried something similar, but didn't fully succeed.

    In conclusion, it's a masterpiece you shouldn't forget. Kitano is one of the greatest directors nowadays and this movie proves it. Whether you are a hardcore Kitano fan or just enjoy films, watch it, you won't get disappointed.

    10 out of 10
    10Nephilim-6

    deep... haven't fully digested this

    3 stories of doomed relation ships. all jumbled together.

    I just got done watching this movie. Yes it's slow. Yes there isn't a lot of dialogue. But this movie is brilliant. The visuals, the style, the symbolism, the utter sadness..

    This isn't a movie for people who want action. or people who want dialogue. Visuals people, READ the visuals. The story is told through images.

    It's beautiful. But very depressing.

    HIGHLY recommended.
    10rooprect

    Beautifully told modern-day myth

    I was not aware that beauty like this existed in the world. In _Dolls_, director/writer Kitano draws us into a classical myth set in contemporary Japanese society. You may recognize elements borrowed from traditional legends (Oedipus, Arabian Nights, etc); however the central theme is, as far as I know, an original. It is the story of the "leashed beggars" who are introduced in the beginning, and whose story unfolds in a challenging, non-linear way as the film progresses.

    I call it "challenging", because the viewer is compelled to pay attention to every detail in order to realize the plot and sublime theme. In that respect, it is much like _Citizen Kane_, told in fragments which the viewer must assemble and interpret. The underlying philosophy is yet more elusive and will have you debating for days afterward.

    To me, what made this film superior to _Citizen Kane_ (through no fault of Orson Welles!) is the extreme use of colors and vivid scenery. The stunning backgrounds become a silent character in the movie, filling in for the sparse dialogue and periodic silence. As we evolve through Spring, Summer, Autumn and Winter, the saying comes to mind "a picture is worth a thousand words". If this review makes sense to you, then you will not be disappointed!
    8rainking_es

    So... what would you do for love?

    In "Dolls" Takeshi Kitano moves away from his peculiar ultra violent cinema and gives us his most poetic and introspective movie. He resorts to the crossing-stories structure to tell us three tales about love and regret, about doing anything for the person you love (and I mean ANYTHING). Calm, almost without dialogs, full of symbols and metaphors, every shot looks like a postcard. The minimalistic soundtrack and the amazing photography (wich stands out every single colour on the screen) catch you as you follow the tragedies that hide in every one of the stories. Kitano expands his horizons and demonstrates that he's a hell of a talent no matter what the genre is.

    PS: not recommended for the impatient.

    My rate: 8/10
    10noralee

    A Visually Stunning and Wrenching Tour of Love and Guilt

    "Dolls" is a gripping lesson in film as a visual medium, even when exploring territory that Beckett and Bergman handled verbally.

    Takeshi Kitano wrote, directed and edited with astonishing beauty and poignancy, way beyond the audience pleasing romp of "Zatôichi: The Blind Swordsman." With minimal dialog, he is in a great partnership with the breathtaking cinematography of Katsumi Yanagishima, which uses seasonal changes as powerful visual and emotional metaphors as did "Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom)," and the moody music of Joe Hisaishi, which effectively switches back and forth from traditional to Western instrumentation, as the film opens with a Bunraku puppet theater performance and then the stories of three casually intersecting couples gradually enact the sensibility of this what I presume is a traditional tale. The senses are so powerfully called upon that when two blinded characters stand in a rose garden I practically smelled the flowers.

    While I am sure I missed a multitude of references and symbols, particularly colors, to elements of Japanese culture past and present, the very powerful themes of the spectrum of ambition destroying love such that love becomes a guilt-filled responsibility at one extreme and obsession at the other are similarly hauntingly recalled in Western culture, such as in old English ballads and more contemporary versions like "The Long Black Veil" and Springsteen's "Reason to Believe." I also felt resonances from "Waiting for Godot" to classics sensitively sympathetic to love-tossed women as "Madame Bovary" and "Anna Karenina."

    Flashbacks are used powerfully in a Joycean stream of consciousness way, so that we see the memories, dreams and disturbing nightmares of the characters'associations, literally showing us the Faulknerian dictum that "The past is never dead. It's never even past." This adds considerable emotional build-up for each character as they restlessly return to geographies with meanings to their lives and we gradually see what they were like before their current emotionally (or in some cases physically) stunted states so we heartbreakingly understand their personal iconography, particularly for those two unforgettably bound beggars.

    There is no Hollywood happy endings for these couples, only acceptance of the fates they have consciously and willingly chosen and committed themselves to. But their resignation is thrillingly moving in its very graphic representation.

    इस तरह के और

    Takeshis'
    6.3
    Takeshis'
    Kikujirô no natsu
    7.7
    Kikujirô no natsu
    Akiresu to kame
    7.3
    Akiresu to kame
    Hana-bi
    7.7
    Hana-bi
    Ano natsu, ichiban shizukana umi
    7.5
    Ano natsu, ichiban shizukana umi
    Brother
    7.1
    Brother
    Kizzu ritân
    7.4
    Kizzu ritân
    Sonachine
    7.5
    Sonachine
    Zatôichi
    7.4
    Zatôichi
    Sono otoko, kyôbô ni tsuki
    7.1
    Sono otoko, kyôbô ni tsuki
    Kantoku · Banzai!
    6.3
    Kantoku · Banzai!
    3-4 x jûgatsu
    6.7
    3-4 x jûgatsu

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This is the last Takeshi Kitano film to feature music by Joe Hisaishi. Kitano claimed that it became too expensive to hire Hisaishi for soundtracks while Hisaishi claimed that he didn't like the screenplay of the movie. Actually, they both had an argument about some pieces which weren't selected for the soundtrack, and where to put the others in the movie. They stopped working together since then.
    • कनेक्शन
      Referenced in Dare mo shiranai (2004)
    • साउंडट्रैक
      Sakura
      Written by Joe Hisaishi

      Performed by Joe Hisaishi

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Dolls?
      Alexa द्वारा संचालित
    • When the hit of Haruna Yamaguchi plays the 1st time?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 अक्टूबर 2002 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • आधिकारिक साइट
      • Official site
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Dolls
    • फ़िल्माने की जगहें
      • जापान
    • उत्पादन कंपनियां
      • Bandai Visual Company
      • Office Kitano
      • TV Tokyo
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $4,067
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,067
      • 12 दिस॰ 2004
    • दुनिया भर में सकल
      • $54,05,725
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 54 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Dôruzu (2002)
    टॉप गैप
    By what name was Dôruzu (2002) officially released in India in English?
    जवाब
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