Profesionalac

Of course, my idea for the title of this short comment has nothing to do with the Matrix Reloaded :) For our readers and viewers outside Serbia, there is a pre-history of this movie: it is being based on the theater play "The Professional" by the same author, Mr. Kovacevic. The main role of Luka Laban has been incredulously played by the famous Serbian actor Danilo Bata Stojkovic (now deceased) and it was mostly known for his wonderful performance. But Mr. Kovacevic went a step further when doing this movie: he decided to place it in the early 2000s, after the Serbian October Revolution, what gave him an excellent opportunity to FINISH the story and make it universal - even very much actual and authentic about the present Serbia. The saying of the story is that regimes may change, but the Secret Service ("Sluzba") remains the same. Once "Sluzba" - always "Sluzba". And it perfectly fits to the post-October Serbia. The movie is highly political, even if not intended to be - it's production coincides with the assassination of the Serbian Prime Minister, the assassination organized by "Sluzba". And just a sentence about the title role: I'm much in favor of Bora Todorovic's version of The Professional!

He who didn't cry sever times during the movie and after it, was not in Serbia in the 90's. Wonderful movie, it brings back the memories, all those futile battles that were suppose to mean something for a better future but didn't. Wonderful performances by both Todorovic and Lecic. If Lecic was an USA actor I am sure he would be world wide famous. One his other masterpiece I remember is "Three Tickets to Hollywood", but in my opinion he didn't shoot enough of the good movies. Serbian cinematography is too small for such great actors. But even if you are a foreigner, you will like the movie. Plot and events that where happening in the Serbia during the movie are well explained so you will be able to figure everything out. I recommend it to anyone. If I have to put a genre on it, I would say that this is a brilliant dark historical drama with a few hilarious jokes that make the movie easier to watch.

Dusan Kovacevic is author of the best screenplays in Serbian cinematography. He wrote one of the most hilarious movies ever- The Marathon Family (Maratonci trce pocasni krug, 1982) and much more. When he decided to write and direct "The Professional", placed in Serbia after the 1999's October revolution, i was a bit skeptic, thinking of this movie as of another war/love stories from Serbia's underground, violent and hard to watch (that's the best description of 80% newer Serbian movies). God, i was wrong.

Teja is the president of one of the state's companies- a newspaper. He is typical represent of the new democratic Serbia's government: lucid, educated, intelligent. He is going through a hard period in life, and the situation in his company is going worse and worse. The first 15 minutes are another successful Kovacevic's attempt to make fun of audience. Setting the start of the movie in Teja's office, focusing on daily politics, makes you think that all this movie is going to be another of the domestic trash movies you could see in past years (with a few honorable exceptions). When a strange old man in coat steps into the office, everything turns upside-down. Not taking off his coat or hat, just putting two large suitcases on the floor, Luka starts talking to Teja who soon realises that in front of him stands extremely educated man who claims to be a policeman.

One thing about Luka starts to be strange to Teja- the man he sees the first time in his life seems to know too much about him. When he asks Luka about the content of the books, old man tells him that every page of the books is about Teja. Other suitcase is full of his lost things. Luka has been following Teja for decades, writing down his every single move. Luka seems to know more about Teja's life than Teja himself. They together remember the most interesting details of their lives collecting the pieces of this movie's puzzle.

Thinking of a movie most similar to The Professional, i stopped at Burton's "Big Fish". Both movies are based on collection of flashback stories. Flashbacks in Kovacevic's movie are less fictional, but not less interesting, making you laugh at start, and cry at the end of the movie. It is impressive how a good scenario can make a low-budget movie so interesting. Professional will surely wake up emotional side of you and make you think of it a long after it is finished. A special credit goes to a beautiful soundtrack by Momcilo Bajagic. This is one of the foreign movies that should easily have blockbuster Hollywood remakes.

Profesionalac (The Professional), submitted by Serbia for Academy Award for Best Foreign Language Film in 2003, features a truly remarkable story, dealing with recent, but dramatic events in Serbia/Yugoslavia. Adapted from directors' own play, Profesionalac is one of those rare Serbian movies that can actually be understandable to foreign crowd, painting a dark, yet still optimistic portrait of turbulent Serbia of the 1990's.

Through the story of Theodore (Teja) Kraj, former writer and opponent to Milosevics regime(actor Lecic was in fact a passionate opponent to the regime at the time, so his footage on some of the documentaries seen in movie is authentic!), now days a publisher company manager, and a retired Secret Service (infamous DB) agent Luka Laban, who was on Teja's case for a decade, we learn about two major epochs in modern Serbian history.

First being the repeated attempts throughout the 1990's, by impoverished nation, drawn to a civil war in Croatia and Bosnia, exhausted by dictatorship, NATO bombing, violence and censorship...to bring down the communist/nationalist dictator Slobodan Milosevic and his cataclysmic regime. Attempts that led to eventual civil uprising were spearheaded by intellectual elite and younger generations, mostly students...Teja was a university professor, in touch with both groups(both professionally and personally). As such, he was targeted by Milosevic's puppets (ideologist, hardcore communist Laban), who, apart from ''being a professional'', had a grudge on Teja of his own.

Second one being the post Milosevic's era (brought down in 2001.) of transition and privatization, wave of closing down factories and firms, workers loosing jobs...shown in the movie through the present strike of the dissatisfied workers/possibly even supporters of the former regime (which was indeed supported mostly by older people / communists, rural population and poorly educated, lowest working class). That problem actually marked that entire period of Serbia's awakening in the 2000's.

Hovewer, despite the magnificent plot, beautifully put together through the numerous flashbacks in which puzzle is finally being put together (by Teja) when he learns the background of all his grievances in the past decade, the strongest point of this movie is an emotion.

Emotion you have to share with a generation whose youth/prime was spent in fighting with a regime, whose lives were ruined by hell-bent police officers and agents, and who sacrificed all of that, voluntarily, so those to come could live free ''...kids? Your kids are exactly why I am doing all of this...'' - Teja.

Emotion so beautifully brought to us by a superb soundtrack. Melancholic bohemian Serb mandolin, mixed with actual documentary footage, leaves a participant of the events, like myself, in tears, and others, hopefully moved.

Somewhat tragic, melancholic, but also hilarious at times, The Professional is one of those European movies you should see even if you aren't Serb...especially if you aren't Serb.

The film is a disappointment, especially considering it's based on a far superior theater play. While the play focuses on the eponymous 'professional', and makes us care about that character, while exploring it in depth, the film makes the relationship between the professional and his 'target' its focus, which doesn't work at all. The screenplay for the film comes across as amateurish and confused. It becomes a series of weird encounters and gags, but has no substance. Also, it is tonally confusing and outright nonsensical. It provides no emotional payoff, and on top of that, the casting is not particularly good. If you want to see this, watch the theater play.