Nimed marmortahvlil
- 2002
- 1 घं 35 मि
IMDb रेटिंग
7.0/10
2.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThis movie is about the Estonian War of Independence (1918-1920), specifically the students fighting on the nationalist side, but also shown the conflict between two ideologies (Estonian nat... सभी पढ़ेंThis movie is about the Estonian War of Independence (1918-1920), specifically the students fighting on the nationalist side, but also shown the conflict between two ideologies (Estonian nationalism and communism).This movie is about the Estonian War of Independence (1918-1920), specifically the students fighting on the nationalist side, but also shown the conflict between two ideologies (Estonian nationalism and communism).
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Hele Kõrve
- Marta
- (as Hele Kõre)
Bert Raudsep
- Käämer
- (as Bert Raudsepp)
फ़ीचर्ड समीक्षाएं
5Jan_
Ladies and gents, the most overrated Estonian movie of all times. Yes - it is at times warm and touching, it boasts splendid cinematography, it lacks the daft, aggressive jingoism painfully present in most patriotic flicks (read: American ones) and is not exaggerated like the aforementioned usually tend to be.
So "Names In Marble" is not a bad movie per se. Having said that, there are things that add up to a heavy reduction in its overall value.
I personally found it irritating how Elmo Nüganen had chosen to ignore Albert Kivikas' novel and write an insipid and even quite cheesy plot riddled with holes. Nüganen obviously failed to decide whether to make a pompous war epic or a minimal, realistic drama. So he chose both. I don't know what my fellow countrymen sought in the movie; I myself found the overdramatized battle scenes (rip-offs from Saving Private Ryan, mind you) to be painfully out of place. As well as the romantic sub-plot which didn't exist in the novel in the first place. But since action and/or romance are the things that mainly appeal to an average moviegoer, you'd simply _have_ to include both - and ruin excellent script material in the process. Quite sad.
The acting is OK, but just that. No, there is nothing tearjerking in this movie, sorry to say so. Yes, the subject matter is extremely personal to us Estonians, but I found the novel a thousand times more touching and thought-provoking than this "blockbuster". And if you think that this is the very defining moment in Estonian cinematography, think again.
Oh, well. Without further ado: if you're an Estonian or a non-Estonian pathologically fascinated with local culture, and haven't yet seen the movie - go and see it, although be warned: you haven't missed anything. Otherwise do this: look up Olli Saarela's "Rukajärven tie", a splendid recent addition to a fine series of Finnish war dramas ("Talvisota", "Tuntematon sotilas"). Because while "Names in Marble's" only significant value stems from its patriotic sting, "Rukajärven tie" is actually a cinematic achievement in the best sense of the term.
So "Names In Marble" is not a bad movie per se. Having said that, there are things that add up to a heavy reduction in its overall value.
I personally found it irritating how Elmo Nüganen had chosen to ignore Albert Kivikas' novel and write an insipid and even quite cheesy plot riddled with holes. Nüganen obviously failed to decide whether to make a pompous war epic or a minimal, realistic drama. So he chose both. I don't know what my fellow countrymen sought in the movie; I myself found the overdramatized battle scenes (rip-offs from Saving Private Ryan, mind you) to be painfully out of place. As well as the romantic sub-plot which didn't exist in the novel in the first place. But since action and/or romance are the things that mainly appeal to an average moviegoer, you'd simply _have_ to include both - and ruin excellent script material in the process. Quite sad.
The acting is OK, but just that. No, there is nothing tearjerking in this movie, sorry to say so. Yes, the subject matter is extremely personal to us Estonians, but I found the novel a thousand times more touching and thought-provoking than this "blockbuster". And if you think that this is the very defining moment in Estonian cinematography, think again.
Oh, well. Without further ado: if you're an Estonian or a non-Estonian pathologically fascinated with local culture, and haven't yet seen the movie - go and see it, although be warned: you haven't missed anything. Otherwise do this: look up Olli Saarela's "Rukajärven tie", a splendid recent addition to a fine series of Finnish war dramas ("Talvisota", "Tuntematon sotilas"). Because while "Names in Marble's" only significant value stems from its patriotic sting, "Rukajärven tie" is actually a cinematic achievement in the best sense of the term.
The record-making, dazzling and thrilling Estonian blockbuster `Names in Marble' has brought nearly 150,000 people all over the country out of their comfortable homes to see something that takes your breath away.
The story evolves around a group of young schoolboys who decide to alter the course of history once and for all - to fight against the Soviet army and for the freedom of the new Republic of Estonia.
`Names in Marble' opens a doorway to a new dimension of Estonian cinema. Directed by Elmo Nüganen who is famous for his interpretation of many classical plays in several theatres in Estonia, the movie has a unique sense of closeness and significance that is not common for other Estonian movies. Nüganen adds another flavour to the picture by hiring the well-known Russian cameraman Sergei Astakhov to record the key scenes and arrange the almost perfect cinematography of the movie.
Another astonishment that the moviegoers might experience is the great work of some young and promising Estonian actors. The sincerity and clarity of the leading role, played by Priit Võigemast represents the possibilities and potential of Estonian cinema in reaching an international level.
It is unfortunate that the best yet Estonian movie has absolutely has no chance of getting a nomination for the `Best foreign film' Academy award - it lacks a certain multi-cultural perspective.
In the end it brought tears to the eyes, it did matter and it made us sit in the theatre until all the credits were shown and lights came on, reminding us how important it is to be who we are.
The story evolves around a group of young schoolboys who decide to alter the course of history once and for all - to fight against the Soviet army and for the freedom of the new Republic of Estonia.
`Names in Marble' opens a doorway to a new dimension of Estonian cinema. Directed by Elmo Nüganen who is famous for his interpretation of many classical plays in several theatres in Estonia, the movie has a unique sense of closeness and significance that is not common for other Estonian movies. Nüganen adds another flavour to the picture by hiring the well-known Russian cameraman Sergei Astakhov to record the key scenes and arrange the almost perfect cinematography of the movie.
Another astonishment that the moviegoers might experience is the great work of some young and promising Estonian actors. The sincerity and clarity of the leading role, played by Priit Võigemast represents the possibilities and potential of Estonian cinema in reaching an international level.
It is unfortunate that the best yet Estonian movie has absolutely has no chance of getting a nomination for the `Best foreign film' Academy award - it lacks a certain multi-cultural perspective.
In the end it brought tears to the eyes, it did matter and it made us sit in the theatre until all the credits were shown and lights came on, reminding us how important it is to be who we are.
This movie is totally for people who like foreign movies. And it really is the best movie, shot in Estonia (though Tarkovski's S.T.A.L.K.E.R. was also shot in Estonia) and by Estonians. I only disliked the ending, when the main character turned into a Rambo-like character. That was a shitty idea. A bigger budget would have given the movie something more, though it had a huge budget for an Estonian movie. Computer graphics was so good, that know one knows, there were any, actually they used CGI to hide things in city-scene, they copied some soldiers and they made other changes as well...
And those who don't know about the war in the movies, should know, that there were similar wars in almost every Eastern-Europe countries between 1917-1920, cause Russia was weakened and unstable because of the World War I, and freedom fighters had good chances due that.
7.5/10
And those who don't know about the war in the movies, should know, that there were similar wars in almost every Eastern-Europe countries between 1917-1920, cause Russia was weakened and unstable because of the World War I, and freedom fighters had good chances due that.
7.5/10
7jnk9
While many of us know the general outlines of World War I and of the fate of the Baltic republics up until their regained independence in the early 1990's, this movie is a valuable addition of flesh and blood to a complicated historic phase: the fight for the Estonian territory. Among the fighting parties: Estonians, "red" Soviet Russians, "white" Russians, Germans, Finns and Latvians. Add to this youthful idealism, a light romantic episode and lots of atmosphere and you will agree that it is well worth its 90 minutes.
The film is especially interesting to anyone with an interest in World War I, Soviet/Russian history or the Baltic region but just as much to anyone interested in more nuanced war/ action films.
The film is especially interesting to anyone with an interest in World War I, Soviet/Russian history or the Baltic region but just as much to anyone interested in more nuanced war/ action films.
I was really looking forward to see this movie. When finally I saw it on TV in Latvia I thought that Estonians have really done it well. Of course it isn't masterpiece but history also is not as beautiful as we would want to see it. 5 countries around the Baltic sea gained their independence in those years (Poland, Lithuania, Latvia, Estonia, Finland)and each deserves to tell their own story to the world. For me it was a beautiful story about young people and the decisions they must make in crucial situations. Unfortunately, they couldn't make the same decisions when they were older and experienced (or maybe they couldn't because of it). For me it was interesting to see the portrait of Latvians in the war against Estonia. As one Finnish guy said he didn't understand why Latvians fought against Estonia. It was because those Latvians weren't supporters of independent Latvia. Latvia's real army wasn't fighting against Estonia. As it is for Finland we Latvians also must say thanks that independent Estonia later helped to fight against both the Soviets and the remains of German army.That in territory of Estonia was formed part of the independent Latvian army. These Latvians showed in this movie were communists who fought to build communism in Latvia. At that time there were 3 different governments in Latvia (1st independent Latvian, 2nd communist government, 3rd German-orientated government) so it is complicated not only for foreigners to understand but for Latvians who don't know history so well too.
क्या आपको पता है
- गूफ़There's a surfaced road in one scene, but in Tartu in 1918 there were no tarmac roads.
- कनेक्शनFeatured in Welcome to Estonia (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
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बॉक्स ऑफ़िस
- बजट
- EEK 2,40,00,000(अनुमानित)
- दुनिया भर में सकल
- $83,112
- चलने की अवधि
- 1 घं 35 मि(95 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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