Alexandra's Project

The movie was perfectly shot. I was nervous and afraid from beginning to end. The director brought me along every step of the story. The acting is spectacular. What shocked me the most about this movie is the utter, pure hate. I have one question though: what is wrong with Anglo-Saxon culture? What inspired Rolf De Heer to write a story about a woman who hates her husband so much that she wants to humiliate, debase, destroy and keep him from his own children forever. I understand that she would want to get back at him for having humiliated and neglected her but not want him killed alive. I've noticed that women in Anglo-Saxon movies can be protrayed as extremely hatefull and vendictive. This movie made me realise how bad things could become between two people. If anyone wants to get married they should first see this movie. Then if they still want to, they will have been forewarned.

I have never sat through a more gut wrenchingly horrid and frustrating film than Alexandra's Project. You'll be stuck in a cramped room with a crazy woman ranting about her hang ups with sex on a video for the better part of an hour.... pray your remote still works and that you can eject this before you throw something through your television.

"Alexandra's Project" played on TV in my country the other day I watched it since I had heard and read several praising things about it. Several of the reviews I encountered used the terms "sick" and "disturbing", and those type of films always grab my attention as a fan of horror and obscure cult cinema. Now, I wouldn't really describe the events of "Alexandra's Project" as sick or disturbing. It's merely a bleak and very unpleasant viewing experience. I'm not too familiar with the work of the Dutch born writer/director Rolf De Heer (apparently he emigrated to Australia at young age), but he doesn't exactly come across as the most cheerful and sociable person based on this film. In fact, the film tremendously reminded me of the earlier work of Michael Haneke; more particularly "Benny's Video" and "Funny Games". The stories of all these films are extremely basic and substantially void, but the slow and brooding atmosphere literally makes you feel uncomfortable. Most of the running time, there's practically nothing going on, but you just know drama and emotional agony will ensue at a certain point. Steve is having a fabulous birthday so far. He made another promotion at work and he can't wait to return home, because he suspect that his wife and loving children prepared a surprise party for him. His wife Alexandra occasionally suffers from depressions and insomnia, but generally speaking his marriage is successful and stable. Or so he thinks… The only surprises that await him are an empty dark house and a videotape message from his wife Alexandra. What begins as an exciting private striptease quickly escalates into a discomforting monologue full of hatred, condemnation, humiliation and domestic tragedy. I can't really say I found "Alexandra's Project" to be a good film. The narrative is compelling and the film definitely benefices from the marvelous performances of Gary Sweet and Helen Buday, but the material is too implausible and far-fetched. To label "Alexandra's Project" as a feminist statement or even a thought-provoking humane drama would be far too much honor.

This film is certainly not for everyone. If you loved `Lantana', then you might be ready for Rolf de Heer's `Alexandra's Project'. My late-20's son recommended I see this. His summary was that it simplifies and summarises a very complex issue - this issue of sexual politics between men and women within long-tern relationships.

This film is not meant to be realistic. It is meant to confront and to shock and to anger the viewer. Your response to this film will tell you everything about yourself, but little about the film. I consider it a rare work of genius. But it is obviously not for those looking for a nice night's entertainment.

Recently on `Big Brother 4' in Australia one of the young female evictees mentioned to Gretel Killeen, the host, that she hadn't removed all her clothing whilst showering in the BB house because her boyfriend had asked her not to, and she wanted to respect his wishes. Killeen replied with, `But it's your body, and it's your choice as to what you do with it.' The 22-year-old (who'd entered the BB house to `find herself'!!!) said `No, I wouldn't like it if the situation were reversed and he took off all his clothes.' This film is for girls like that!!! Unfortunately, the point would be lost on girls who believe that their boyfriends have ownership of their bodies. They would find this film boring and pointless.

For this reason, I feel that this film perhaps only speaks clearly to those - like myself - who have a personal experience of the issues it raises. Watch for the brief moment when Sweet's character fast-forwards through the tape when his wife begins to tell him - obviously for the umpteenth time!! - how unhappy she is. He says, `Yeah, yeah, heard it all before.' That moment was a concise metaphor for their relationship. Yes, the outcome is extreme, but it's not meant to be a skip and a dance down reality road.

See it if you dare.

An ambitious film, which continues in the tradition of De Heer's fearless tackling of issues which began with the confronting "Bad Boy Bubby". Despite "Alexandra's Project's" interesting premise, the film fails to sustain emotional impact on the viewer, thanks to the scant nature of the plot. In what boils down to be one woman's tirade against her partner's sexual aggression, this film is so heavily weighted towards her own perspective, the viewer is never emotionally complicit, because the film fails to deliver a full and realistic portrait of the marriage. We briefly witness the family's interaction, but after that, we are left to consume Alexandra's bitterness - and believe it.

Gary Sweet delivers a raw and emotional performance, and Helen Buday as Alexandra is polished and convincing. Her character, however, is two dimensional, and, by the end, the viewer is left in a state of not caring about her actions. Add to this Alexandra's unbelievable and unjustified final torment, and you are left with a film which had a fantastic concept at its core, but sustains only a mildly successful delivery.

For a good De Heer film, get "The Tracker", which is more subtle, and a more accomplished piece overall.