Herr Lehmann

As a fan of Sven Regener's (Author of Novel and Screenplay) Band "Element of Crime" I read the book and was really looking forward to see this picture. In some way I was hoping for a better "Soloalbum", an other adaptation of a German so-called "Pop-Novel". After seeing Soloalbum I really had the desire to kill just anyone involved in this movie that was nothing but let's say an average Romantic Comedy, having deleted all the cynicism, the melancholy the humor and the truth which made the book so marvelous.

But let's get back to Herr Lehmann: I got what I hoped for!

Sven Regener carefully adapted his own story for the big screen, transforming some words into images, thoughts into dialogs, leaving out what had to be left out and keeping this special humor that was one of the characteristics of the book. The only thing I missed is the Chapter about the "Ku'damm-Bus", which I would have loved to see on screen, but who cares about this detail...

The cast (consisting of some of the best German On-Screen-Actors of the "old school" and a bunch of great Newcomers) is nearly perfect. It would take to long to name all the actors who played their roles so authentic and sometimes getting into the field of warm-hearted satire. The one that takes it all is obviously Detlev Buck playing Herr Lehmann's best friend Karl in a way that will be remembered for long time, I suppose.

The soundtrack is really cool and the photography by Frank Griebe (besides Michael Ballhaus probably the best German Cinematographer at present) finds the perfect images to illustrate the life of the Boheme in West-Berlin at the end of the 80s.

Leander Haußmann after all succeeded in even topping his first movie "Sonnenallee" and is now responsible for two of the best German pictures of the past years.

I definitely recommend this one to people interested in German movies.

It is a very simple story of a waiter working in a 'beer pub', but nicely told and filled with warmth which the actors carry. Hard to imagine that Christian Ulmen used to be a MTV moderator before starting acting, and Detlev Buck is so great in this one!

Want to see a 'different' movie on West/East-Germany? Then, go try it! While you might not get anything of the power of 'La Vita E Bella' or 'Amores Perros', it is a nice little comedy and gives good insights on how people in the catering branche did work before the 'Mauerfall' (wall fell)..

Hmm, who's the set director of Leander Hausmann? He should look out for a new one. The story is quite good, the main actor is great, but the set decoration makes me sick and remembers me all the time to Sonnenallee. Watch out or for the recycling bins after the scene where Frank and Katrin dispute in the Döner takeout. Leander, please remember, the story took place in the eighties. Another example? Did anyone read the story? Frank Lehmann came from Bremen, north of Germany.. And the slang of his parents? They sound like east Germans. And the hidden propaganda for Beck's Bier all the time... Boye, Hausmann, Buck, please stay away from making films.

Of course you can't really compare Herr Lehmann to dramatic history reenactments like Der Untergang.

But Herr Lehman is so full of comedy, but also full of authenticism and a plot not devoid of drama. It's dialogues are outstanding, but then the book the film is based on was exceptional to begin with. And the best thing is, if you like the movie, you will like the books. Sven Regener managed to show his talent in storytelling and humour in both art forms, book and movie. The connections he makes, the way he connects what actually happens to Frank Lehmann's thoughts is the best use of basic rhetoric means I ever saw. He doesn't use the "rhetoric artillery" so to speak, but achieves literary greatness nevertheless.

The acting is on par with the quality of the script though. Even if I didn't expect Christian Ulmen to do any good acting ever, he produced the perfect rendition of the lazy, slightly hedonistic, disoriented Herr Lehmann. Detlev Buck is outstanding as well, as is nearly everybody in the supporting cast.

10/10 for humour, artistic style, acting, all that while staying serious.

BERLIN BLUES (Leander Haussmann - Germany 2003).

The film is set during the fall of 1989 in the run-down West-Berlin neighbourhood of Kreuzberg 36, an isolated corner of the city right next to the Berlin wall, mainly populated by a collection of misfits, artists, philosophers and drop-outs of all kinds. This is the world of Frank, alias Herr Lehmann (Christian Ulmen), who works as a bartender, takes live as it comes and generally lives in a pleasant bubble, unaware of the major events occurring in the outside world. His friend Karl (Detlev Buck), an artist who builds huge metal constructions, works in another bar, as does Katrin (Katja Danowski), the new chef, with whom he soon starts a turbulent relationship.

There are quite a few well-observed hilarious observations about Herr Lehmann's life in Kreuzberg, like an encounter with a whiskey-drinking dog, a confrontation with his visiting parents, a chaotic visit to East-Berlin and trouble in a gay-bar with "leather-Lily." The film's backdrop, with the fall of the Berlin wall in November 1989, Herr Lehmann's adventures seem to assume a certain importance, somewhat impaired with the occasionally flimsy and ridiculous occurrences in his life. In any other setting, the film would probably be less memorable than it is now. But that's probably the essential element what makes it work on many levels. The setting, Kreuzberg, and time in history, 1989, are the most potent ingredients for the film's relevance.

The late eighties' atmosphere is well served, with a good soundtrack by Eels, Violent Femmes, Calexico, Ween, Cake and Nick Cave & the Bad Seeds. Above all, I watched this with great pleasure, because I lived in this particular part of Berlin and it still is my absolute favorite part of the city. It seems very little has changed since 1989. Many of the bar scenes were shot in Café "Zum Elefanten" on Heinrichplatz, typically the kind of place where the interior and personnel hasn't changed since 1970. The kind of place where you only come to get served, get a drink and talking is restricted to a minimum.

Frank Griebe, who also lensed Tom Tykwer's LOLA RENNT (1998), did the cinematography, but here it's not nearly as flashy as in as in LOLA RENNT. Whether that's a good or thing or not, i'll leave that decision to you. And, as one other commenter from that proud Hanseatic city in Northern-Germany already noted, the film displays one of the most conspicuous product placements in recent German film.

Camera Obscura --- 7/10