Wilbur Wants to Kill Himself

This is one helluv a title, isn't it? Why would anyone want to see a movie with a seemingly death-impending title? I remember hearing about WILBUR on cable IFC's (Independent Film Channel) "At the Angelika" film previews. It's a film in English by writer-director Lone Scherfig from Denmark. I rather enjoy her previous film "Italian for Beginners" (2000) in Danish, Italian and English. (Might want to check out her mini-bio on IMDb - quite interesting to learn about a filmmaker's background.)

"WILBUR wants to kill himself" is a small quiet film that actually has much human pathos. The three 'and a half' main leads: Harbour, the older brother who's closely protective of Wilbur, is sensitively played by Adrian Rawlins; Wilbur, the younger brother, is lively played (sounds like an oxymoron considering what the title suggests his role is) by Jamie Sives; Alice, the young woman who came into their lives, is subtly played by Shirley Henderson, and the critical 'half' being her little daughter Mary, aptly played by Lisa McKinlay - the portrayals and interplay were flawless. Didn't realize Rawlins is so talented - he was "Dr. Richardson" in Lars Von Trier's "Breaking the Waves" (1996) with the tour de force pair of Emily Watson and Stellan Skarsgard. (Noticed from the ending credit roll that Lars Von Trier was one of the two script consultants on this film.)

The music by Joachim Holbek complements the daringly subdued theme and tone of this unusually titled film. Well, let's not be hung up on the title. Kudos to Scherfig for being so venturesome with the story and her script. Isn't life just so - uncertain, risky, not as one might expect all the time? Cheers to the full cast and crew for their willing participation and creative energy on this filmic journey. The film's a tear-jerker - wouldn't you know it - with dashes of bemused humor (little details and vignettes like at the Chinese restaurant, at the hospital ward, or by the river, and of course, in the bookstore and in the bedroom) - it's basically about where one's heart is. The plot creeps up on you - gradually the viewer is drawn into this three and a half-some world we see on screen, caring for the characters, worrying with them, sighing with them, smiling with them, and pulling for the best possible outcomes. We want them to somehow succeed - succeed in what? Now isn't day to day living about coping with whatever comes and listening to one's heart? Grand and unattainable philosophy? Not at all. It's also being attentive to the dear persons around us, in our lives, and give a little - don't wait. Wilbur just might learn to let go of himself, think less of himself, and surrender to loving life. That just might be what the title implied, perhaps? It may not be for everyone - see for yourself. "WILBUR wants to kill himself" deservedly worth your while.

About the talented Shirley Henderson from Scotland: I've enjoyed her performance as Shirley, the wife & mother and love interest, opposite Robert Carlyle and Rhys Ifans in w-d Shane Meadows' "Once Upon a Time in the Midlands" (2002) - almost a similar menage a trois situation but less assertive than her role in "WILBUR." She's also in director John Crowley's "Intermission" (2003, script by Mark O'Rowe) - taken on, among the stellar cast, the rather offbeat yet still demure role of Sally (the script itself is plucky and unyielding alright - then again, it's probably quite 'normal' in the setting described) - another amusingly enjoyable film from Ireland if you're so gamed.

"Wilbur wants to kill himself" is a (so)moving parable about how easy is to let yourself die when everything seems meaningless and how hard is to live when a disease is mining you.

Wilbur looks like a nice guy, the kind of man women like, he's good-looking, he has a brother who loves him... it doesn't seem like his existence is that miserable. Nevertheless he wants to leave this world, that's one of men's last rights so he'll try to kill himself in any possible way. On the contrary, his brother Harbour is full of life, he's an enthusiastic person, he's in love and he's just get married... how ironic, he has an incurable cancer, but that won't stop him from clinging to life till the last consequences.

Scherfig has moved away from the stupid DOGMA corset, and creates a perfect balance between the smile and the crying, tenderness and misanthropy, between life and death. She reduces the roughness of the hardest moments with a sarcastic turn or relying on the darkest sense of humor (that's always the best antidote against tragedy). Step by step she shows Wilbur the right way (and to all of us). No moral judgments, no dogmatism... there's no need to. Wilbur is a celebration of life, but is also a show of respect for those who don't wanna live anymore. Eventually it is a celebration of the best cinema: the one that makes you feel better.

*My rate: 8.5/10

Interesting film, but this viewer was far less impressed than the Scandinavian reviewers. Performances were great overall, though some deliveries of the clumsiest lines clunked (and Henderson's babydoll voice really irritates) Some great scenes, but the black comedy is uneven (lost in translation?)/ script patchy. All that bloody backstory for Wilbur-- was Harbour meant to be justifying the selfishness of his brother or.... what? Scherfig does a wonderful job in finding the humanity of difficult, odd characters (in 'Italian for beginners' too) Wish she'd cut the stuff that didn't work because it tries to hard to be odd. And more Mikkelsen please... what he evokes in the twitch of an eyebrow-- much more impressive than all that talk. Interesting but flawed... a director to watch, however.

Omigod. I haven't seen a film that moved me as much as this for a long time. It tells the tale of two 30-something brothers who own a dilapidated second-hand bookshop in Glasgow, and their search for different things.

The writing is effortless, but so natural and brilliant, the characters are beautifully crafted and it makes a refreshing change to see a film that is not about the location or the effects - but about the story and characters.

As for the acting - not a bad word can be said about any of the actors. The three principals (henderson, sives and rawlings) are so utterly convincing and there is so much chemistry between them all. They are backed up by two brilliant turns from Julia Davis as Moira and Mads Mikkelsen as Horst.

It may sound depressing from the title, and you may well shed a tear before the end of the movie, but I can guarantee that you will leave the cinema a wiser and more enriched person for having seen Wilbur...

I liked this film but I would've liked it much more if the dialog had been kicked up a few decibels and the musical score had been nearly killed off. I watched on DVD, so fortunately, I had the option of pressing hard on volume up during the dialog and pressing hard and fast on volume down and sometimes even mute during the music. Not that the score was distasteful at all, in fact, I thought it was good and very appropriate for the film. It was just that the volume itself was inappropriate. Perhaps the sound editor was afraid moviegoers would drift off asleep and s/he felt it dutiful to blast the sound out to ensure viewers wakeful alertness. At any rate, movie-good, sound editing-bad, very bad.