Monsieur Ibrahim

It's a smooth tender story of a boy who tries to find the real meaning of life which he hadn't experienced yet. A Jewish boy, who didn't know any thing about his religion, with a miserable family life, all his aim from the beginning just to enjoy his a life as much as possible. He has been led to know Ibrahim and to recognize his special method in living, his concepts, his past and aims... I guess that Quran in this film is not meant to be "the Muslims holy book", but to be "the missing wisdom" that's must be found in one's life to live his time in a comfortable correct way, and that you must have a concept for your life style. As we see, the boy begins to sip this culture and he found the lost peace and love that he was badly needing them. After the death of Ibrahim, he vividly took his place in the store adopting his way of thinking and his life style. Omar Sharif (which has an Egyptian origin) was superb, also Pierre Boulanger was marvelous especially his way in expressing his inner feelings. The directing technique helps the feeling of 'involving' in the film atmosphere. One of the best movies at all.

"Monsieur Ibrahim"

I'd read some user comments and external reviews; the view of some that it's anti-Semitic almost made me skip it. However, unless you'd see the sympathetic portrayal of a Muslim man (Ibrahim/Sharif) as being anti-Semitic, it's unlikely you'll be bothered.

I don't know what the thrust of the book is, but movies rarely literally translate books; the book may suggest but the film moves in its own direction -- even, at times, contrarily.

This film reminded me a great deal of "Le mari de la coiffeuse/The Hair Dresser's Husband") directed and co-written by Patrice Leconte. That film also has a coming of age boy; getting haircuts, he's enthralled at having his head pressed against the bosom of his female barber. When his father questions his son about what he wishes to do when he's grown up and is displeased with the answer, he sends him to bed without his supper. The rest of the film (without any clear transition) deals with the boy's fantasy about someday marrying a lady barber and what their life would be like. It's a realistic portrayal of an adolescent boy's fantasy.

On the surface this film recounts the development of a mutually satisfying father-son type relationship that develops between a Turkish shopkeeper and a coming of age boy (MoMO/Boulanger) who is Jewish, by the way.

I say "on the surface" because most films try to tell a story in a way that we experience, see and live the story from a fly on the wall perspective.

Ahh-h, but not THIS film.

While you COULD view it that way, it's really far better understood if viewed from a different perspective.

Let's say you wandered in to the shop on this Parisian street one afternoon and heard the owner called "the Arab." You wonder why and also how he got into this particular trade. You start asking and he starts telling you the story of his life.

And that's what this movie tells us -- HIS version of HIS story as experienced through HIS eyes and ears growing up. So it's a realistic portrayal of that collection of childhood memories, assumptions, distortions, and causes.

As a child, do we see things the way we'd see them as an adult? Never, and so it is with this version. Everything is somewhat overdrawn, not quite a caricature but somewhat that way. All the streetwalkers are attractive, 21-31 years old, well dressed, and kind. None middle-aged, trashy, disturbed, or predatory. As we recount the story of our lives, we frequently expand the highs and lows and are liberal in delegating blame to those who disappoint us as well as credit to those who serve as heroes. And that's what this movie does.

Seen from this frame of reference, not all events make logical sense. So we never know for sure what happened to his father, or mother, or brother. We have his sometimes conflicting memories and versions, his suppositions that substitute for reality and which leave us wondering, "Golly, I wonder what really happened?"

Some things, of course, we'll never know. But it was fun finding out what we did. We had an interesting afternoon with the guy and he had a remarkable story to tell.

One of the best pictures of all time? No. But a thoroughly entertaining one most especially for those of us interested in family dynamics.

Seldom do I buy the book because I saw the movie. I did this time around and the book is even better than the movie albeit a bit too short, although throughout the book, you will always see Omar Sharif as Ibrahim.

I went to see this without knowing too much about it and from the very beginning it succeeded in drawing me right into Rue Bleu, it was as if I could almost smell it, feel it, touch it. Why? Because we care for the characters, we feel with them, through them. Omar Sharif is just stellar as Monsieur Ibrahim and carries the story with such an ease that it is a delight to watch.

One of the most powerful scenes for me was when Ibrahim confronts Momo about the stealing. There are more but I do not want to spoil it for you. "Ibrahim" is an emotional journey that you have to be willing to make. If you do you will be well rewarded.

Highly recommendable. 9/10

This film is a wonderful example of how one can choose to be a victim or a hero in life! The abrupt start to the movie lets one see the boy's situation immediately. Using the grocery money given to him by his father, he goes searching for his first sexual experience among the prostitutes he observes from the window of his apartment. He is unsupervised, self-sufficient, curious and in desperate need of guidance. The shopkeeper who has been in this boy's life longer than the boy realizes, steps in to be the uplifting and guiding force for him. Initially, I felt a little troubled by the use of the two religions and putting one in a less-kind light. However, I realized that the viewpoint had nothing to do with the religion, rather with the person and how they chose to deal with their life. I will recommend this movie to many people!

I went to see the movie after reading very good reviews during last Venice Film Festival. It was generally described as a fairytale about tolerance and friendship - ant that's what it is. A fairytale Paris quarter, with fairytale 'putaines', a wise middle aged shopkeeper, a smart teenager - everyday life goes on with a little happiness, a little tragedy, nice period music, simple happy philosophy. The second half of the movie goes on-the-road - in a fairytale Turkey, though definitely more realistic than Paris. Omar Sharif is good, and Pierre Boulanger is even better. This film is perfect to spend a cheerful evening and it is a little joyful lesson on religious tolerance and friendship.