Fine mrtve djevojke

This movie gets my 7/10. It's not a masterpiece, but it still is a very good movie and I would recommend anyone to see it. The topic of intolerance towards "other" sexualities has been dwelled on for a while, but this is somewhat of an unique perspective, since it comes from Croatia.

The story about two lesbians who fall victims of intolerance blends rather nicely with other generalized xenophobic or just plain "weird" traits of the local society. E.g. one of the characters beats his wife and seems to hate everything that's Serbian, so a separate story could probably be told about that family.

Acting is good, but not perfect. It seems to me that many Croatian actors act very conservatively (you have a feeling that they are uncomfortable swearing, or that they just came out of theater where they did Shakespeare). But, it doesn't ruin the movie, it's still very good.

What these movie does is to show the intolerance, racism, and abuse in Croatia and it is laid bare for us to witness first hand, in this sometimes comedic, sometimes deeply disturbing snapshot of post war Croatia. One wonders why this country went to war when we witness what is left. It is sad to see such intolerance, homophobia and hatred of minorities, which, according to Amnesty International, still continues today. It is a great tribute to the makes of this film that they have had the courage to lay bare their country's legacy for the world to see.

I am very sorry becouse i didnt see this film on the pula film festival, i didnt go that year at all because the last year the films were so bad that i didnt go the next year. I m sorry becouse this film is actualy a very good film, and i dont mean a good film from croatia but in general. It was so fresh film for our cinema industry, just what we needed. Our films in general are very stupid or are comedies that arent so fun(even some thinks that Bresans comedies are really good, and they arent too far from the truth but still they arent a film that i would recomended for somone), but in the case of Fine Mrtve Djevojke I would recomended it to any one as a good film, far from masterpiece but also far from bad, a film that i would rate of 7/10 which is a very high grade. So in this film we have two lesbian that come to live in a house in Zagreb but they will see and experience the people hate and understanding for those who are diferent. The film is prety good in every aspect it has very good mood, acting, story and directing, and it captured very well the situation in our country, the (not)understending for thos who are diferent. A nice little film that has become a big film becouse it has no competition. Also i wont to say about these year of pula film festival the winner Tu is a ok film and nothing more 6/10 for me, what hold that film is very good acting, and also the film capture very good the situation in our country. Also I have seen 2 more films(i didnt have time for otheras unfortenly). Infekcija is the film that won the prize of the audience and its a combination of sf and horor and I can easly say its one of the worst film on the festival for sure 3/10, evrything in this film was silly and dull, I expected much more from the sequel of Infekcija, a truly disapointing. Also I have seen the film Onaj Koji Ce Ostati Neprimjecen and I dont now what to say about that film maybe somone will like it and discover some meaning, but for me there isnt any meaning, what was the point of this movie, also one of the most boring movie I have seen, it didnt go nowhere no story, so bad dialaogs that i couldnt belive, acting wasnt so bad but it cant be good if there isnt no screnplay so one of the worst films i ever seen 2/10, a waste of money, time and talent(if there are some). Too bad I didnt see the others films which looked much more better than these ones wich was the weakest films on the festival. So the films are maiden more than in recent years but that doesent bring the quality(excepts are Fine Mrtve Djevojke, and if u want maybe Bresans films).

Im sorry for the bad english

What can I say about Croatian movies? They are terrible. 60% of them are about war and 30% sucks the big time. So I usually don't watch Croatian movies. This one stayed at my desk for 9 months and finally I watched it! All I can say that it is great. You don't need a lot of money to make a god movie. All you need is a good story and good ambient in the movie.

The movie is about 2 lesbian girls that move to live together. They find a place in part of Zagreb called Tresnjevka (I know that because I live in Zagreb). Problem with Tresnjevka was it was a workers part of town. Now it isn't, but it was before 50 years. So they find an apartment in a house. Problem with the house it that it has ghosts of her own. The landlord is a women that is conservative a manipulative person. It has a son that is under big influence of his mom. On one floor there is a soldier that has Vietnam syndrome and bit's his wife every day because she can give him a son. On one floor there is a hoer. In one floor there is a guy that is holding his dead wife in his apartment pretending that she is alive. And on the last floor is gynecologic.

Can you expect what can happen in catholic and conservative Country like Croatia?

Functioning less than a straight-out thriller than an intriguing slice of life in a golden-hued Zagreb in the early naughts, "Fine Dead Girls" presents a decrepit building in the Croatian capital as a microcosm of the former Yugoslav nation and its inhabitants as they try to pick up the pieces from a bloody not-so-distant past. Dalibor Matanic's saga liberally borrows from a lot of classics, but at least he vividly captures the tension and paranoia emanating from each individual, like an ex-army man who ostensibly beats up his wife, to a physician who does illegal abortion in his topmost room, and a man who can't let go of her wife even in death. At the center of such palette of idiosyncratic characters are a young lesbian couple played with understated effectiveness by Olga Pakalovic and Nina Violic. The two initially hide their relationship from a homophobic landlady with a highly chauvinistic son, but are eventually found out and soon find themselves spiraling into societal and moral conflicts. At its best, "Fine Dead Girls" is a meditative introspection into the Croatian psyche during the immediate post-war period, in which various societies struggle to forge an identity following the Balkan conflicts. Matanic doesn't give the film enough momentum to sustain an effective third act but "Fine Dead Girls" deftly paints a convincing portrait of a nation irresolutely trying to welcome every member with open arms regardless of orientation, even as it's raring to return to its feet.