Fine mrtve djevojke

Iva and Maria, a young lesbian pair, rent a favorable, nice dwelling in a less good area of Zagreb, Croatia. But unfortunately, included in the rent are the neighbors, the neighbors from hell. The curious landlady, foreigners flogging nationalists, an old man, who live with his dead wife and a man, who beat his wife regularly, are just one part of this neighbourhood. When one of the neighbors falls in love with Iva, the situation escalates - with the result of three dead people at the end. This is a story about the fight for tolerance and the own life, full of psychological shock effects and colorful pictures about suburban living in the capital of Croatia.

Suffocated life. Intolerance. Free-living. Love and love deviations. Masses of suffocated people walking through streets, shopping in big supermarkets.

Fine mrtve djevojke was the Golden Arena winner(best movie, best directing, best production...) in 2002 at the Croatian Pula Film Festival and the best Croatian movie of the same year.

8/10

Functioning less than a straight-out thriller than an intriguing slice of life in a golden-hued Zagreb in the early naughts, "Fine Dead Girls" presents a decrepit building in the Croatian capital as a microcosm of the former Yugoslav nation and its inhabitants as they try to pick up the pieces from a bloody not-so-distant past. Dalibor Matanic's saga liberally borrows from a lot of classics, but at least he vividly captures the tension and paranoia emanating from each individual, like an ex-army man who ostensibly beats up his wife, to a physician who does illegal abortion in his topmost room, and a man who can't let go of her wife even in death. At the center of such palette of idiosyncratic characters are a young lesbian couple played with understated effectiveness by Olga Pakalovic and Nina Violic. The two initially hide their relationship from a homophobic landlady with a highly chauvinistic son, but are eventually found out and soon find themselves spiraling into societal and moral conflicts. At its best, "Fine Dead Girls" is a meditative introspection into the Croatian psyche during the immediate post-war period, in which various societies struggle to forge an identity following the Balkan conflicts. Matanic doesn't give the film enough momentum to sustain an effective third act but "Fine Dead Girls" deftly paints a convincing portrait of a nation irresolutely trying to welcome every member with open arms regardless of orientation, even as it's raring to return to its feet.

A movie was a mirror of a situation in Croatia toward sexual minorities at the time. It is directed by one of best directors in Croatia (Dalibor Matanic)and the cast is also very good (Olga Pakalović, Inge Appelt, Ivica Vidović...). Even so, the pour drama academy in Croatia makes the actors play their rolls both in theatre and on the big screen as if playing a Shakespeare tragedy. Even so, it is a "must-see" movie from modern Croatian cinematography. A dramady, a story of a 2 lesbians that rent a flat hoping to keep their things private turns around like a boomerang when the "nice", old landlady figures out their sexuality. A shocking twist makes way at the second part of the movie. Not a masterpiece, but surely a good movie that occurred in the time when homosexuality in Croatia was thought to be something seen only in USA blockbusters.

What can I say about Croatian movies? They are terrible. 60% of them are about war and 30% sucks the big time. So I usually don't watch Croatian movies. This one stayed at my desk for 9 months and finally I watched it! All I can say that it is great. You don't need a lot of money to make a god movie. All you need is a good story and good ambient in the movie.

The movie is about 2 lesbian girls that move to live together. They find a place in part of Zagreb called Tresnjevka (I know that because I live in Zagreb). Problem with Tresnjevka was it was a workers part of town. Now it isn't, but it was before 50 years. So they find an apartment in a house. Problem with the house it that it has ghosts of her own. The landlord is a women that is conservative a manipulative person. It has a son that is under big influence of his mom. On one floor there is a soldier that has Vietnam syndrome and bit's his wife every day because she can give him a son. On one floor there is a hoer. In one floor there is a guy that is holding his dead wife in his apartment pretending that she is alive. And on the last floor is gynecologic.

Can you expect what can happen in catholic and conservative Country like Croatia?

I haven't seen any Croatian film made since the beginning of war. It's funny to see actors we used to know ten or fifteen years older now.

In this film I liked the production - camera, photography and editing are really professional - you wouldn't say it was made on Balkans. Acting is mostly OK as well.

On the other side, the directing and the story are pretty weak. Everything seems like one dark documentary (yes we know the Balkan really looks like that, and people are really like that). No artistic moments, no metaphors, whole story is explicitly presented, and I dislike this way of movie making. That's why the movie was boring to me, both the story and the way it will be told is predictable.

Though, film-making technique is really good and I guess Croatia can make some really good movies, this one is on the right way.