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I didn't go out of my way to see this film, as it had already been pretty much disregarded by both the critics and the public. Shame on me. BROTHER BEAR has many strengths to recommend it, and I hope it eventually finds an audience on video.

I'll admit a bias: I live in the Yukon Territory, and the story obviously takes place in next-door Alaska (with characters named "Sitka", "Kenai", and "Tanana", it's pretty obvious). Like many other Disney movies, it takes its inspiration from a traditional legend. Unlike many other Disney movies, this movie manages to remain respectful to the original legend.

The messages are wonderful. That love is an important thing for a real man to learn. That "the spirits" need to be respected. That vengeance can have a terrible price. This movie manages to do it (mostly) without resorting to daffy sidekicks and sappy tugs at the heartstrings. Yes, there's Rick Moranis and Dave Thomas revisiting their "Bob and Doug Mackenzie" roles as the two moose, but I didn't find them jarring at all. The story works.

So does the animation. This is a visually beautiful film. Yes, it's apparent to my (computer pro) eye that Disney's animation unit is making more use of computer techniques. Mostly, though, you see them used to wonderful effect, like making a realistic snowfall, or moving the point of view through a shot. The animation style is also very appropriate for the story. And as a northerner, I loved the many aurora shots; they looked spot-on.

Not everything in BROTHER BEAR worked for me, unfortunately. Phil Collins' music for TARZAN was quite good, but it mostly falls flat here (except maybe for "On My Way"). A couple of numbers come close to the embarassingly bad category.

Still, this is nowhere near enough for me to disregard this movie. I put it above THE LION KING (way above), probably a little ahead of TARZAN, and almost on the same upper-echelon with THE LITTLE MERMAID and BEAUTY AND THE BEAST.

Disney's penultimate traditionally animated feature proved to be one of its best. The film is loosely based on the mythology of the native people of the Pacific Northwest. It has many classic mythological elements such as transformations and journeys, both physical and spiritual. It is also unique among Disney films, in having no villain (at least in a tangible sense).

The movie features great music by Phil Collins and beautiful animation. It also makes novel use of the movie screen by switching to a wider aspect ratio at a certain point in the story.

The protagonist, the Inuit Kenai, learns the value of his totem, love, when he is transformed into a bear and becomes the traveling companion of the cub, Koda. The film also features the hilarious Canadian moose, Rutt and Tuke (Rick Moranis and Dave Thomas) for comic relief.

I would count Brother Bear among my three favorite animated films (along with South Park: Bigger, Longer & Uncut and Spirit: Stallion of the Cimarron). It's also great for the kids. 10/10

I don't know what the hell people (or critics for that matter) are looking for, but this movie was EXCELLENT. For my 3-year-old to sit through the whole thing is testimony enough to its interest. The Phil Collins soundtrack is the only thing that wasn't exciting - almost as if he was trying too hard - but I wouldn't criticize the whole movie for that. There just weren't any "memorable" songs that ran through my head afterwards. For someone that has to endure "kid" movies more than any other, this was by far one of the most enjoyable.

Though I think highly of the new three-dimensional computerized animated films, the traditional hand-drawn stuff just has a different charm. And whatever some people say, traditional animation is not dated. This cartoon's story is interesting, accurately based on real Inuit beliefs. Every component of it is great, and the scene where Koda discovers that Kenai is really a man is beautiful. Not going to give away the happenings behind this powerful, moving scene. The hand-drawn animation is done in the classical style, but the computer graphics are breathtaking. The waterfalls, the mountains, the Aurora Borealis... they're fantastic. The two McKenzie moose are great for comic relief. The characterization is great, and I like the Inuit priest. The brotherhood is something I can identify with perfectly - my three cousins are exactly the same. The music depends on preference. I think the opening Tina Turner song is OK, nothing special, but the Phil Collins songs are better. It's no Jungle Book, Oliver and Company or Lion King when it comes to the music department. I think Jeremy Suarez (seems familiar in the behind-the-scenes trailer) must be a pretty good actor. Koda's my favorite character in the movie. This cartoon is really great, and I'm torn between it and Finding Nemo for cartoon of the year. It's great entertainment, an interesting story told through a truly great, but dying, art form.

Sadly, Disney Feature Animation closes down after "Home on the Range." I'm waiting for Disney's last cartoon on DVD, but the subject of this review is "Brother Bear." This is the second last traditional Disney animated feature.

"Brother Bear" is a good story of love, sin, understanding, forgiveness and brotherhood, as the title suggests. It's set in Alaska in the time of the Inuit and the mammoth. Sitka, Denahi and Kenai are brothers (eldest first). After Sitka is killed by a bear, Kenai sets out to kill the bear, whilst Denahi doesn't blame the bear. Kenai kills the "monster," but Sitka, now a powerful spirit, turns Kenai into a bear to take the other's place and atone for his wrongdoing. Denahi thinks the bear has killed his other brother as well, and vows to track down Kenai and kill him. It is different from most other stories. The message is clear, the story straightforward, not muddled by subplots and separate story lines. The film tells a story that is just a fable. Fortunately, that's all it needs to be.

The animation isn't all that gorgeous, yet remains high quality. The bears are realistically depicted, all the animals are their true forms but for the caricature of their funniest features and habits. The forest, which is CG, is beautiful. The color and the realism of it is magnificent. But again, some of the computer effects don't work. The film was clearly trying to aim for something like the DreamWorks half-and-half pictures, with hand-drawn characters acting in photo-realistic environments and effects (i.e. "Spirit: Stallion of the Cimarron" and "Sinbad: Legend of the Seven Seas"). The water in "Brother Bear," in its early stages, looks nearly as bad as that in "The Jungle Book 2." It's flat, with a bit of shine, unlike the fast-flowing, moving torrents of other films. It just looks lame. Don't get me wrong, this is a minor mishap. The Cg layout looks fantastic.

Phil Collins did the score for this! What a surprise! NOT! The soundtrack for "Tarzan" was inspirational: the soundtrack for "Brother Bear" is varying and lackluster. The opening Tina Turner number is decent at best. Collins' songs, which form the bulk of the music in the film, have stupid lyrics, although his great voice saves it from being totally painful. The best song by far was sung by a Bolivian women's chorus, written by Colins. The lyrics for this song were better than the other songs', not bothering to include idiotic rhymes since the English words are never heard. The words were translated into Inuit. When at last the grand performance is over, you whisper: "Wow."

The characters are funny and not at all one-dimensional. Of the brotherhood, Sitka, who plays such a pivotal role, is the weakest. His character is no deeper than enough to make it clear he is brave, wise and self-sacrificing. Everyone's dream big brother to beat up the bad guys. Denahi and Kenai are have much more to them. They, of course, are the typical siblings that incessantly antagonize each other, their battles being a good source of comic relief. "Brother Bear" may have fallen flat on its face without the two distinctly Canadian moose brothers (notice the number of brothers in the film) that are by far the funniest of Disney's recent creations. They get cramps from eating grass and need to do yoga before starting, and spar to practice for the rutting season. Kenai reluctantly allows a young bear cub separated from his mother. This cub is Koda. Correction: The moose are the funniest SIDEKICKS from Disney in recent times. Koda is a lead player. He's funny, exceedingly better equipped to survive than his older chum, and most importantly: extremely cute.

So, does "Brother Bear" live up to the classics of old? Honestly, no, it doesn't. On the other hand, it doesn't exactly make it impossible for them to show their faces in public again. All in all, Disney hasn't ended a creative vacuum. But if you think about it, would Walt have approved? No. He wouldn't have. But what matters isn't how "Brother Bear" compares to other Disney films, but how much you enjoy it in a single viewing. Admittedly, it's funnier than any of than many older films. "Brother Bear" rating: 8/10