Funny Ha Ha

Looking like a documentary, this movie captures well life at the age of the characters, that I remember when I was that age: direction-less and insecure. The problem is, a glimpse into people's personal lives aren't necessarily interesting, and I wanted more to happen or for the story to be more interesting. I also wondered why characters we saw a lot of in the beginning of the movie, simply disappeared with no explanation. Alex's unexpected marriage was never explained, nor did Marnie seem to try to find out how this marriage came about. In keeping with the theme of a segment of someone's life snipped out randomly and put on film, the ending provided no resolution to anything, but I felt it could have been less abrupt and arbitrary.

Films like this naturally annoy and disappoint many people, and it isn't hard for me to see why. This movie is plotless, not much really happens, and the ending is not an ending at all, if anything it is an anti-ending, which I found fitting. There is no real way to conclude this film unless all the main characters die in some way, or something much bigger happens to them, but anything like that at all would be totally out of place here. The point of this film is to depict the daily lives of some characters, dig deep into their emotions and thoughts, and then carelessly shrug as the film cuts to a solid black that feels especially opaque considering how seemingly random it is. The movie just ends in the middle of a scene that could easily have gone on for another few minutes, and led into some other scene which would then lead to yet another. The film has no real beginning, either. It opens up on a quick, insignificant little moment as the main character drunkenly looks around a tattoo shop and talks with the tattooist for a couple of minutes and he explains why he doesn't give tattoos to drunk people and then the scene kind of rambles off into termination. For me, the movie was very interesting and enjoyable to watch. The comedy was fittingly mild and usually rather uncomfortable, the atmosphere was lifelike but interesting, the main character was good company to be around, and those around her were fascinating in their own ways. The movie has emotion, but it also has moments of total dullness. It's entertaining, but also kind of boring, which doesn't make any sense but it's true anyway. It's a witty movie partially about relationships or lack of relationships, and it handles things with a sharp, and sometimes excruciatingly awkward, sense of humor as well as slight sorrow.

First time filmmaker Andrew Bujalski's extremely low-budget feature "Funny Ha Ha" has many of the hallmarks of an early John Cassavetes film: grainy camera-work, minimalist storytelling, and naturalistic, ad lib performances.

Bujalski's cast of characters is made up entirely of white urban youth in their early to mid 20's - that awkward period in life after an individual has finished college yet before he has moved on to building his own career and family. Given what appears to be their first real taste of freedom and independence, the characters do little but sit around, get drunk, and talk about their romantic relationships, but Bujalski observes all this without hysteria and judgment, thereby lending the film the aura of real life being caught on film. The focal point is an attractive young woman named Marnie (Kate Dollenmayer) who drinks a bit too much, seems vaguely directionless and lacking in energy, and is somewhat inexperienced in the ways of love, but who, nevertheless, seems reasonably well grounded and knows her own limits as a person.

"Funny Ha Ha," despite its occasional raggedness and self-indulgence, is blessedly free of contrivance and melodramatics. These may not be the most goal-oriented or socially-conscious youth we've ever encountered in the movies, but neither are they the most troubled or self-destructive. They seem like pretty ordinary kids living in the moment and only vaguely aware that there's a world outside of themselves that they are destined to become a part of in the very near future.

The beauty of the dialogue rests in its ability to capture with uncanny accuracy the way people in the real world actually speak. The characters interact in ways that are genuine and believable, and life just seems to be unfolding as we watch it on screen. This is due in small measure to the fine performances from a cast of virtual unknowns who know how to appear relaxed, honest and natural in front of the camera.

With its improvisational and off-the-cuff film-making style and its abrupt, the-camera-just-ran-out-of-film ending, "Funny Ha Ha" makes us feel as if we are eavesdropping on the daily lives of a handful of relative strangers. Lucky for us, they turn out to be people in whom we can see something of ourselves reflected, and with whom we enjoy spending our time.

Very slooooow... You'll probably have a couple of smiles but you won't be able to stop checking your watch and wondering when it is going to end. Don't waste your time unless you're really deep into independent movies.

An ultra-low budget film about aimless twenty-somethings wasting their lives brings to mind Richard Lindlater's 'Slacker'; and while Andrew Bujalski's film lacks that movie's experimental formlessness, it does share something of the same mood. The cinematography has the feel of a super-eight home movie; but the piece is acutely observed and feels real throughout. Unfortuantly, it's just not that interesting, in part because its characters just aren't that interesting, and in a sense this isn't accidental; their directionless existence owes much to the fact that they simply haven't lived enough to have anything to care about, anything to say. And while there should be a profound sadness underpinning this, and some sociological analysis, the film never seems to scrape below its surface of whiny, unhappy people. You wouldn't dislike these people in real life, but if they have any notable attributes, they're not on display, and you wouldn't go out of your way to spend time in their company. But what's true of the characters is sadly also true of the film that contains them.