Gin gwai

"The Eye"(2002)has to be one of the creepiest horror movies I have seen this year.The "transplant gone awry" concept has been done before-just check out "Body Parts"(1991)or the third story in the horror anthology "Body Bags"(1993),but the Pang Brothers created extremely eerie psychological horror with plenty of genuine scares.Angelica Lee is excellent as a young girl named Mun.Her numerous and extremely creepy encounters with the spirits Mun sees are filled with excellent use of sound.The conclusion is amazing and totally unexpected.The film is very scary and uncanny-it actually reminds me a bit Japanese horror hit "Ringu"(1998).Check it out,if you dare.9 out of 10.The elevator scene blew me away!

Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts.

Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.

No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.

Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10

For the most part, "The Eye" is a competent effort from HK cinema. While most HK films nowadays involve big pop stars in pointless romantic comedies, this film (and also Infernal Affairs) show that there are still talented filmmakers in HK.

The story is about a blind girl named Mun getting a cornea transplant. When she gets her vision back, she begins seeing supernatural beings (ghosts, to be precise). For the first half of the story, we see her experiencing all these haunting encounters. One notable scene is in an elevator. The mystery and creepiness in this first half is incredibly effective and well-made.

The same cannot be said about the second half though. Like "The Ring" (or "Ringu"), Mun travels to Thailand to figure out the origin of the owner of her cornea. What starts out as a supernatural thriller turns into a mystery.

The film seems to be a mix of "The Sixth Sense", "Ringu", and a touch of "Final Destination." The switch of style in the middle and toward the end is somewhat annoying. The ending is an effort of the directors to show that they can do big CGI action sequences too. But, this film would have been good enough to stand on its own without that.

The acting is pretty good. Angelica Lee as Mun is very believable. The same cannot be said about the doctor though. I think this is mostly because his character's motivations are not convincing enough. Why does he give up his whole career to travel all the way to Thailand to help her after meeting her for a few times only? For love? Probably...but I don't buy it at all.

Overall, this film is pretty good. It is a nice effort from promising directors.

This is a good little Asian horror film that I would definitely recommend renting or even buying, if you like foreign films. A young blind woman receives a cornea transplant and soon finds out that she got way more than she bargained for when she starts being visited by some very unhappy dead souls. It's not very original, true, but the acting is good, the lead character (played by Angelica Lee, is that her name?) is adorable, as is the little girl who plays Ying Ying; there is some serious tension and dread here, especially in the first half hour. The scene in the hospital hallway had my skin trying to crawl off my body, as well as the "Why are you sitting in my chair?" scene. We're talking serious chills. Some of the music IS a bit cheesy and over the top, but hey, you can't have everything, right? The scenes where we see through Mun's eyes in the first few minutes are very effective; we know someone is standing there, we just don't know who it is, and we feel her fear and uncertainty. Not the best movie ever made, but it's definitely worth seeing.

Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.

Watch this movie, it's good.

The main issue with this is its ending. Its last third makes it into a mystery rather than a thriller, and though the backstory is great and "works", the resolve feels awkward... and it is. Maybe they didn't have any solid ideas for how to close it. Once it does reach its conclusion, it uncomfortably transforms into Final Destination and tries to wow us, becoming bombastic and out of touch with everything that precedes this portion. Still interested? I'm relieved to hear that. You see, that's really the only outright negative thing I can say about this. It's immensely creepy, beginning so right from the start(seriously, that credits sequence... if I'd watched this at the cinema, it would have sent severe chills down my spine). Lee portrays a blind person extremely convincingly, and this puts us inside her head some, through the editing and cinematography(which is all really well-done and fits, with carefully chosen angles, selective distortion, etc.). I have not caught a lot of Asian horror, because I'm not big on ghosts(and they are; their films about them are, thankfully, sophisticated and not crude, the way the mainstream Western ones tend to be), and, well, there are cultural differences, and I find that it distracts me from taking in the picture. Subtitles don't bother me(I vastly prefer them to dubbing). Anyway, they are growing on me, and what I have noted is the strong focus on the senses, and on the ability to "see" the other side, where spirits and demons are believed(in Japan) to live. The approach to terrifying us is subtle(as are most of the FX, and those are excellent, other than the handful that are somewhat crappy), building up gradually, using atmosphere and mood, seldom going for jump-scares. The sound-side is quite important, and it is skillfully done. There are a few clichés(and brief shameless product placement), but on the whole, the writing is good. The characters are credible, and the main one is affable, and her relationship with Ying Ying sweet. This also fits in what too many in the genre neglect... genuine emotion, impact that does not have to do with the monsters. It is actually partially a drama, and it provides food for thought(as well as cheese and corn). This was on sale with its direct sequel and the American remake. I'll be reviewing those two, in that order, the next two days. This one sets the bar fairly high. There is a bit of disturbing content and brief violence in this. I recommend this to any fan of this type of movie. 7/10